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Author: David Lowe
Publisher: SteinerBooks
ISBN: 1584204850
Category : Architecture
Languages : en
Pages : 126
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Book Description
The poet, dramatist, novelist, and scientist, Johann Wolfgang von Goethe had to wait many years before he was able to travel south to Italy, "the land where the lemon trees bloom." He had gained success in several fields, but he had a sense of being trapped and confined and felt a need for light. Italy would give this to him in a number of ways. Taking as their basis Goethe's Italian Journey, the authors of this fascinating and unusual study explore how Goethe's experience of Palladio's architecture influenced his view of the relationship between art and nature in general and, in particular, helped him form his understanding of metamorphosis, leading to his discovery of the "archetypal plant." In his carefully written account of his travels, Goethe seems to oscillate between experiences of architecture and experiences of nature. In nature, he searched for the "archetypal plant," the essential form whose metamorphosis through time would produce the plant we see in its cycle from seed to fruit. In the art and architecture of antiquity and in Palladio's classical reformulation of it, he tried to understand the purpose and function of artistic creation. Until now, no one has put these two together. David Lowe and Simon Sharp show for the first time how these seemingly unrelated subjects are related--how the living geometries and volumes of harmoniously proportioned buildings, the "great idea" of architecture, can lead to the intuition of similar principles in nature. David Lowe and Simon Sharp have worked together for twenty-one years. One of their first projects was the recreation of Goethe's Italian Journey. They have given numerous workshops and presentations on the subject in the U.S. and U.K., including The British Museum, the German Embassy, and the Edinburgh Festival. This is must-reading for anyone interested in Goethe's ideas on plants and metamorphosis.
Author: David Lowe
Publisher: SteinerBooks
ISBN: 1584204850
Category : Architecture
Languages : en
Pages : 126
Get Book Here
Book Description
The poet, dramatist, novelist, and scientist, Johann Wolfgang von Goethe had to wait many years before he was able to travel south to Italy, "the land where the lemon trees bloom." He had gained success in several fields, but he had a sense of being trapped and confined and felt a need for light. Italy would give this to him in a number of ways. Taking as their basis Goethe's Italian Journey, the authors of this fascinating and unusual study explore how Goethe's experience of Palladio's architecture influenced his view of the relationship between art and nature in general and, in particular, helped him form his understanding of metamorphosis, leading to his discovery of the "archetypal plant." In his carefully written account of his travels, Goethe seems to oscillate between experiences of architecture and experiences of nature. In nature, he searched for the "archetypal plant," the essential form whose metamorphosis through time would produce the plant we see in its cycle from seed to fruit. In the art and architecture of antiquity and in Palladio's classical reformulation of it, he tried to understand the purpose and function of artistic creation. Until now, no one has put these two together. David Lowe and Simon Sharp show for the first time how these seemingly unrelated subjects are related--how the living geometries and volumes of harmoniously proportioned buildings, the "great idea" of architecture, can lead to the intuition of similar principles in nature. David Lowe and Simon Sharp have worked together for twenty-one years. One of their first projects was the recreation of Goethe's Italian Journey. They have given numerous workshops and presentations on the subject in the U.S. and U.K., including The British Museum, the German Embassy, and the Edinburgh Festival. This is must-reading for anyone interested in Goethe's ideas on plants and metamorphosis.
Author: Daniel Leonhard Purdy
Publisher: Cornell University Press and Cornell University Library
ISBN: 0801460050
Category : History
Languages : en
Pages : 329
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Book Description
The eighteenth century struggled to define architecture as either an art or a science—the image of the architect as a grand figure who synthesizes all other disciplines within a single master plan emerged from this discourse. Immanuel Kant and Johann Wolfgang Goethe described the architect as their equal, a genius with godlike creativity. For writers from Descartes to Freud, architectural reasoning provided a method for critically examining consciousness. The architect, as philosophers liked to think of him, was obligated by the design and construction process to mediate between the abstract and the actual. In On the Ruins of Babel, Daniel Purdy traces this notion back to its wellspring. He surveys the volatile state of architectural theory in the Enlightenment, brought on by the newly emerged scientific critiques of Renaissance cosmology, then shows how German writers redeployed Renaissance terminology so that "harmony," "unity," "synthesis," "foundation," and "orderliness" became states of consciousness, rather than terms used to describe the built world. Purdy's distinctly new interpretation of German theory reveals how metaphors constitute interior life as an architectural space to be designed, constructed, renovated, or demolished. He elucidates the close affinity between Hegel's Romantic aesthetic of space and Daniel Libeskind's deconstruction of monumental architecture in Berlin's Jewish Museum. Through a careful reading of Walter Benjamin's writing on architecture as myth, Purdy details how classical architecture shaped Benjamin's modernist interpretations of urban life, particularly his elaboration on Freud's archaeology of the unconscious. Benjamin's essays on dreams and architecture turn the individualist sensibility of the Enlightenment into a collective and mythic identification between humans and buildings.
Author: Johann Wolfgang von Goethe
Publisher: Univ of California Press
ISBN: 9780520039964
Category : Art
Languages : en
Pages : 276
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Book Description
Author: William Douglas Robson-Scott
Publisher: Cambridge University Press
ISBN: 0521233216
Category : Literary Criticism
Languages : en
Pages : 197
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Book Description
This 1981 book tells of the part which the visual arts played in Goethe's life and thought.
Author: Thomas Saine
Publisher: Camden House
ISBN: 9781571130204
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
A publication of the Goethe Society of North America, carrying Goethe criticism (and studies of his contemporaries); extensive book review section. The Goethe Yearbook is a publication of the Goethe Society of North America, which was founded in 1980 to promote the study of Goethe and his contemporaries. Originally conceived as a vehicle for Goethe criticism in Englishduring the Cold War political tensions, when the most prestigious Goethe publication, the Goethe Jahrbuch, was not available to most Western scholars, the Yearbook subsequently gained the respect of the international community, and has published articles, in both English and German, by scholars from around the world; it is unique among other periodicals devoted to the 'Goethezeit' for its extensive book review section.
Author: Johann Wolfgang von Goethe
Publisher: Univ of California Press
ISBN: 9780520039957
Category : Art
Languages : en
Pages : 276
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 320
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Book Description
Author: Kim Williams
Publisher: Princeton Architectural Press
ISBN: 1568983964
Category : Architecture
Languages : en
Pages : 166
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Book Description
The Renaissance architect and builder Andrea Palladio is arguable the most influential architect in Western history, and certainly the most beloved. His sixteenth-century villas in the Italian Veneto revolutionized the course of architecture, and the principles on which he based his work are still felt today. For the past several years, Italian watercolorist Giovanni Giaconi has devoted his talents to creating exquisite large-format pen-and-ink watercolor renderings of all thirty-two of Palladio's villas. Each drawing captures the timeless beauty of Palladian architecture and provides a detailed record of these masterpieces. Together with brief descriptions of each villa, samples of Giaconi's preparatory sketches, and where available, Palladio's own woodcuts, these works of art leave a deep impression of Palladio's oeuvre and give the reader an opportunity to compare the original designs with the actual buildings and their present state of conservation. This beautiful book is a must-have and the perfect gift for architects, travelers, and lovers of Italy and Palladio's architecture.
Author: Nicholas Boyle
Publisher: Oxford University Press, USA
ISBN: 9780192829818
Category : Biography & Autobiography
Languages : en
Pages : 852
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Book Description
The author of Faust, the best-selling sentimental novel The Sorrows of Young Werther, of exquisite lyric poetry (set to music by Schubert and Mozart), and of a bewildering variety of other plays, novels, poems, and treatises, Johann Wolfgang von Goethe also excelled as an administrator in thecabinet of Carl August, Duke of Saxe-Weimar. Considered by Nietzsche to have been 'not just a good and great man, but an entire culture', Goethe was as vital a part of late eighteenth- and early nineteenth-century German social and political life, as he was its cultural nucleus. However, as this perceptive biography shows, the originality ofhis art lay in his complex distance from his times.
Author: Malte Ebach
Publisher: Springer Nature
ISBN: 9811967415
Category : Social Science
Languages : en
Pages : 149
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Book Description
Inside you lies a precise scientific instrument – the ability to observe Nature and recall past experiences. You were born with it and you use it every day. You can be trained to use it more effectively to, for example, compare and discover new species of organisms or new minerals. Our senses do have limitations, and we often use microscopes, telescopes and other tools to aid our observation. However, we benefit from knowing their limitations and the impact they have on our ability to combine our observations and our experience to make decisions. Once these tools replace our direct observation and our experience we ourselves become disconnected from Nature. Scientific practice turns into well-meant opinions out-weighing empirical evidence. This is happening now in the current age of big data and artificial intelligence. The author calls this the Modern Hubris and it is slowly corroding science. To combat the Modern Hubris and to reconnect with Nature, scientists need to change the way they practise observation. To do so may require the scientist to transform themself. One person who successfully did this was Johann Wolfgang von Goethe. His journey demonstrates how one man attempted to take on the Modern Hubris by transforming his life and how he saw Nature. Following Goethe’s transformation teaches us how we can also reconnect ourselves with Nature and Natural science.
