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Author:
Publisher:
ISBN:
Category : Costume
Languages : en
Pages : 720
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Book Description
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 690
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Book Description
Author:
Publisher:
ISBN:
Category : Costume
Languages : en
Pages : 720
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Book Description
Author:
Publisher:
ISBN:
Category : Costume
Languages : en
Pages : 992
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Book Description
Author: Louisa May Alcott
Publisher:
ISBN:
Category :
Languages : en
Pages : 402
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Book Description
Author: Louis A. Godey
Publisher: Рипол Классик
ISBN: 5518917619
Category : History
Languages : en
Pages : 95
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Book Description
Godey's Lady's Book July 1864.
Author: Daniel Wise
Publisher:
ISBN:
Category : Young women
Languages : en
Pages : 268
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Book Description
Author: Amy G. Richter
Publisher: Univ of North Carolina Press
ISBN: 080787647X
Category : Social Science
Languages : en
Pages : 292
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Book Description
Recognizing the railroad's importance as both symbol and experience in Victorian America, Amy G. Richter follows women travelers onto trains and considers the consequences of their presence there. For a time, Richter argues, nineteenth-century Americans imagined the public realm as a chaotic and dangerous place full of potential, where various groups came together, collided, and influenced one another, for better or worse. The example of the American railroad reveals how, by the beginning of the twentieth century, this image was replaced by one of a domesticated public realm--a public space in which both women and men increasingly strove to make themselves "at home." Through efforts that ranged from the homey touches of railroad car decor to advertising images celebrating female travelers and legal cases sanctioning gender-segregated spaces, travelers and railroad companies transformed the railroad from a place of risk and almost unlimited social mixing into one in which white men and women alleviated the stress of unpleasant social contact. Making themselves "at home" aboard the trains, white men and women domesticated the railroad for themselves and paved the way for a racially segregated and class-stratified public space that freed women from the home yet still preserved the railroad as a masculine domain.
Author: Allison K. Lange
Publisher: University of Chicago Press
ISBN: 0226815846
Category : History
Languages : en
Pages : 331
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Book Description
"For as long as American women have battled for equitable political representation, those battles have been defined by images--whether drawn, etched, photographed, or filmed. Some of these have been flattering, many of them have been condescending, and some have been scabrous. They have drawn upon prevailing cultural tropes about the perceived nature of women's roles and abilities, and they have circulated both with and without conscious political objectives. Allison K. Lange takes a systematic look at American women's efforts to control the production and dissemination of images of them in the long battle for representation, from the mid-nineteenth-century onward"--
Author: Louis Antoine Godey
Publisher:
ISBN:
Category : Costume
Languages : en
Pages : 1098
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Book Description
Includes music.
Author: Susan S. Williams
Publisher: University of Pennsylvania Press
ISBN: 0812203895
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
There was, in the nineteenth century, a distinction made between "writers" and "authors," Susan S. Williams notes, the former defined as those who composed primarily from mere experience or observation rather than from the unique genius or imagination of the latter. If women were more often cast as writers than authors by the literary establishment, there also emerged in magazines, advice books, fictional accounts, and letters a specific model of female authorship, one that valorized "natural" feminine traits such as observation and emphasis on detail, while also representing the distance between amateur writing and professional authorship. Attending to biographical and cultural contexts and offering fresh readings of literary works, Reclaiming Authorship focuses on the complex ways writers such as Maria S. Cummins, Louisa May Alcott, Elizabeth Keckley, Mary Abigail Dodge, Elizabeth Stuart Phelps, and Constance Fenimore Woolson put this model of female authorship into practice. Williams shows how it sometimes intersected with prevailing notions of male authorship and sometimes diverged from them, and how it is often precisely those moments of divergence when authorship was reclaimed by women. The current trend to examine "women writers" rather than "authors" marks a full rotation of the circle, and "writers" can indeed be the more capacious term, embracing producers of everything from letters and diaries to published books. Yet certain nineteenth-century women made particular efforts to claim the title "author," Williams demonstrates, and we miss something of significance by ignoring their efforts.
