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Author: Bruce Alan Brown
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 564
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Book Description
In this richly illustrated study, the Viennese reform of opera and ballet is placed in the context of Christoph Gluck's decade-long involvement with the city's first French theatre, established in 1752. Following a detailed examination of the institutional and cultural frameworks of theatrical life in Maria Theresia's capital (drawing upon important new documentary sources), and of the interaction between Parisian and Viennese repertories, each of the areas of Gluck's activity in the Burgtheater--concerts, opera-comique, and ballet--and their products are examined in turn. Such masterworks as Orfeo ed Euridice and Don Juan are shown to be intimately connected with the regular musical repertory of the French theatre, which was itself rich in innovation; in addition, a large number of works by Gluck (and his colleagues) are identified and analyzed here for the first time.
Author: Bruce Alan Brown
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 564
Get Book Here
Book Description
In this richly illustrated study, the Viennese reform of opera and ballet is placed in the context of Christoph Gluck's decade-long involvement with the city's first French theatre, established in 1752. Following a detailed examination of the institutional and cultural frameworks of theatrical life in Maria Theresia's capital (drawing upon important new documentary sources), and of the interaction between Parisian and Viennese repertories, each of the areas of Gluck's activity in the Burgtheater--concerts, opera-comique, and ballet--and their products are examined in turn. Such masterworks as Orfeo ed Euridice and Don Juan are shown to be intimately connected with the regular musical repertory of the French theatre, which was itself rich in innovation; in addition, a large number of works by Gluck (and his colleagues) are identified and analyzed here for the first time.
Author: Bruce Alan Brown
Publisher:
ISBN:
Category : Opera
Languages : en
Pages : 946
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Book Description
Author: Patricia Howard
Publisher: Routledge
ISBN: 1351565354
Category : Music
Languages : en
Pages : 421
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Book Description
This volume presents a collection of essays by leading Gluck scholars which highlight the best of recent and classic contributions to Gluck scholarship, many of which are now difficult to access. Tracing Gluck?s life, career and legacy, the essays offer a variety of approaches to the major issues and controversies surrounding the composer and his works and range from the degree to which reform elements are apparent in his early operas to his contribution to changing perceptions of Hellenism. The introduction identifies the major topics investigated and highlights the innovatory nature of many of the approaches, particularly those which address perceptions of the composer in the nineteenth and twentieth centuries. This volume, which focuses on one of the most fascinating and influential composers of his era, provides an indispensable resource for academics, scholars and libraries.
Author: Daniel Heartz
Publisher: W. W. Norton & Company
ISBN: 9780393037128
Category : Music
Languages : en
Pages : 844
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Book Description
Historians have long tried to place the music of Haydn and Mozart in the lineage of German Lutheran music. In this book, Daniel Heartz shows that the first Viennese school grew from a Catholic inheritance in Italian music and from local tradition, with an admixture of French currents. The generation of composers led by Haydn no longer trained in Italy. By the time young Mozart joined the ranks of the Viennese school, its accomplishments towered above all others of the time. The author's approach can be compared to viewing a majestic mountain range in its totality: the highest peaks take on even greater majesty when seen in their natural context of foothills and lesser peaks. This is how Haydn and Mozart were viewed by their contemporaries, whose world of perception Heartz recreates, using, among other things, the visual art of the period. His focus is on music as a part of cultural history at a particular time and place. Stylistic terms and a priori periods matter less to him than the common denominators of geography, culture, and political history. Book jacket.
Author: Christelle Cazaux
Publisher: Schwabe Verlag (Basel)
ISBN: 379654973X
Category : Music
Languages : en
Pages : 442
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Book Description
Wie beeinflussen Tanzbewegungen die musikalische Spielweise? Und umgekehrt: Welche Wirkung hat die musikalische Interpretation auf die Ausführung einer Choreografie? Wie stehen tänzerische und melodische Phrasierung zueinander? Derlei Fragen zum Verhältnis von Tanz und Musik ergeben sich sowohl bei der praktischen Ausführung als auch bei der Erforschung historischer ‹Tanzmusik›. Entsprechend vielseitig sind die Zugänge, mit denen dieser interdisziplinäre Band ‹Tanzmusik› vom Mittelalter bis zur Romantik untersucht, kontextualisiert und im Sinne historischer Musikpraxis erschließt. Im Mittelpunkt steht die Wechselbeziehung zwischen Klang und Bewegung in verschiedenen historischen Repertoires, Gattungen und Formen.
Author: David Adams
Publisher: Routledge
ISBN: 1351568124
Category : Foreign Language Study
Languages : en
Pages : 185
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Book Description
Enlightenment Cosmopolitanism brings together ten innovative contributions by outstanding scholars working across a wide array of disciplines in the humanities and social sciences. Interdisciplinary in its methodology and compass, with a strong comparative European dimension, the volume examines discourses ranging from literature, historiography, music and opera to anthropology and political philosophy. It makes an original contribution to the study of 18th-century ideas of universal peace, progress and wealth as the foundation of future debates on cosmopolitanism. At the same time, it analyses examples of counter-reaction to these ideas and discusses the relevance of the Enlightenment for subsequent polemics on cosmopolitanism, including 21st-century debates in sociology, politics and legal theory.
Author: Mary Hunter
Publisher: Princeton University Press
ISBN: 1400822750
Category : Music
Languages : en
Pages : 350
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Book Description
Mozart's comic operas are among the masterworks of Western civilization, and yet the musical environment in which Mozart and his librettist Lorenzo da Ponte wrote these now-popular operas has received little critical attention. In this richly detailed book, Mary Hunter offers a sweeping, synthetic view of opera buffa in the lively theatrical world of late-eighteenth-century Vienna. Opera buffa (Italian-language comic opera) persistently entertained audiences at a time when Joseph was striving for a German national theater. Hunter attributes opera buffa's success to its ability to provide "sheer" pleasure and hence explores how the genre functioned as entertainment. She argues that opera buffa, like mainstream film today, projects a social world both recognizable and distinct from reality. It raises important issues while containing them in the "merely entertaining" frame of the occasion, as well as presenting them as a series of easily identifiable dramatic and musical conventions. Exploring nearly eighty comic operas, Hunter shows how the arias and ensembles convey a multifaceted picture of the repertory's social values and habits. In a concluding chapter, she discusses Cos" fan tutte as a work profoundly concerned with the conventions of its repertory and with the larger idea of convention itself and reveals the ways Mozart and da Ponte pointedly converse with their immediate contemporaries.
Author: Patricia Howard
Publisher: Psychology Press
ISBN: 9780415940726
Category : Music
Languages : en
Pages : 178
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Book Description
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Patricia Howard
Publisher: Oxford University Press, USA
ISBN: 0199365202
Category : Biography & Autobiography
Languages : en
Pages : 265
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Book Description
The Modern Castrato: Gaetano Guadagni and the Coming of a New Operatic Age chronicles the career of the most significant castrato of the second half of the eighteenth-century. Guadagni may have been the only singer of the time fully able to understand the demands and opportunities of this reform, as well to possess the intelligence and self-knowledge to realize that it suited his skills, limitations and temperament perfectly--making him the first castrato to embrace the concepts of modern singing.
Author: Michael Hüttler
Publisher: Hollitzer Wissenschaftsverlag
ISBN: 3990120751
Category : Music
Languages : en
Pages : 365
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Book Description
The book series "Ottomania" researches cultural transfers between the Ottoman Empire and Europe, with the performing arts as its focus. The fifth volume of the sub-series Ottoman Empire and European Theatre focuses on The Turkish Subject in Ballet and Dance from the seventeenth century to the time of Christoph W. Gluck (1714-1787). The Turkish theme was a popular topic on European ballet stages throughout the seventeenth and eighteenth centuries, and most influential choreographers had 'Turkish' ballets in their repertoire. Taking as its departure point Ch. W. Gluck and Gasparo Angiolini (1741-1803), succesful composer and choreographer of ballets at the French theatre in Vienna, this publication discusses the topic from a historical perspective, presents new findings, and introduces the latest scholarly achievements of the research field. Contributions by Emre Aracı, Bruce Alan Brown, David Chataignier, Sibylle Dahms, Vera Grund, Bert Gstettner, Bent Holm, Michael Hüttler, Evren Kutlay, Dóra Kiss, Laura Naudeix, Strother Purdy, Katalin Rumpler, Käthe Springer-Dissmann, Dirk Van Waelderen, Hans Ernst Weidinger
