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Author: Salhia Ben-Messahel
Publisher: Cambridge Scholars Publishing
ISBN: 1527506975
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
This book focuses on the issues of space, culture and identity in recent Australian fiction. It discusses the work of 15 authors to show that, in Australia, the meaning of “country” remains critical and cultural belonging is still a difficult process. Interrogating the definition of Australia as a “post-colonial nation” and its underlying extension from Britain, it applies Nicolas Bourriaud’s concept of the Radicant to examine Australian writing beyond the “post” of “post-colonialism”. The book shows that some authors are engaged in writing about the country and the time in which they live, but that they also share common critical views on the definition of multiculturalism, the belonging to place, and integration in the nation. The volume suggests that theories of cultural hybridism presented as a decolonising methodology in fact dissolve singularity in the same way that globalisation creates standardisation. It argues that 21st century Australian fiction depicts the subject as a radicant and that Australian culture constitutes a mobile entity unconnected to any soil.
Author: Salhia Ben-Messahel
Publisher: Cambridge Scholars Publishing
ISBN: 1527506975
Category : Literary Criticism
Languages : en
Pages : 217
Get Book Here
Book Description
This book focuses on the issues of space, culture and identity in recent Australian fiction. It discusses the work of 15 authors to show that, in Australia, the meaning of “country” remains critical and cultural belonging is still a difficult process. Interrogating the definition of Australia as a “post-colonial nation” and its underlying extension from Britain, it applies Nicolas Bourriaud’s concept of the Radicant to examine Australian writing beyond the “post” of “post-colonialism”. The book shows that some authors are engaged in writing about the country and the time in which they live, but that they also share common critical views on the definition of multiculturalism, the belonging to place, and integration in the nation. The volume suggests that theories of cultural hybridism presented as a decolonising methodology in fact dissolve singularity in the same way that globalisation creates standardisation. It argues that 21st century Australian fiction depicts the subject as a radicant and that Australian culture constitutes a mobile entity unconnected to any soil.
Author: Robert Dixon
Publisher: Sydney University Press
ISBN: 1743325827
Category : Literary Criticism
Languages : en
Pages : 234
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Book Description
Richard Flanagan: Critical Essays is the first book to be published about the life and work of this major world author. Written by twelve leading critics from Australia, Europe and North America, these richly varied essays offer new ways of understanding Flanagan’s contribution to Tasmanian, Australian and world literature. Flanagan’s fictional worlds offer empathetic, often poignant, renderings of those whose voices have been lost beneath official accounts of history, stories from a small region that have made their mark on a global scale. Considering his seven novels as well as his non-fiction, journalism and correspondence, this collection examines the historical and geographical factors that have shaped Flanagan’s representation of Tasmanian identity. This collection offers new insights into a determinedly regional writer, and the impact he has had on a local, national and global scale.
Author: Alexis Wright
Publisher: New Directions Publishing
ISBN: 0811238040
Category : Fiction
Languages : en
Pages : 393
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Book Description
Alexis Wright’s award-winning classic Carpentaria: “a swelling, heaving tsunami of a novel—stinging, sinuous, salted with outrageous humor, sweetened by spiraling lyricism” (The Australian) Carpentaria is an epic of the Gulf country of northwestern Queensland, Australia. Its portrait of life in the precariously settled coastal town of Desperance centers on the powerful Phantom family, leader of the Westend Pricklebush people, and its battles with old Joseph Midnight’s renegade Eastend mob, on the one hand, and with the white officials of Uptown and the nearby rapacious, ecologically disastrous Gurfurrit mine on the other. Wright’s masterful novel teems with extraordinary characters—the outcast savior Elias Smith, the religious zealot Mozzie Fishman, the murderous mayor Bruiser, the moth-ridden Captain Nicoli Finn, the activist Will Phantom, and above all, the rulers of the family, the queen of the garbage dump and the fish-embalming king of time: Angel Day and Normal Phantom—who stand like giants in a storm-swept world. Wright’s storytelling is operatic and surreal: a blend of myth and scripture, politics and farce. She has a narrative gift for remaking reality itself, altering along her way, as if casually, the perception of what a novel can do with the inside of the reader's mind. Carpentaria is “an epic, exhilarating, unsettling novel” (Wall Street Journal) that is not to be missed.
Author: Eva Sallis
Publisher: Allen & Unwin
ISBN: 9781864486766
Category : Arabs
Languages : en
Pages : 152
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Book Description
Winner of the 1997 Australian/Vogel Literary Award.
Author: Eva Sallis
Publisher: Allen & Unwin
ISBN: 9781741151312
Category : Fiction
Languages : en
Pages : 242
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Book Description
A beautifully crafted novel of self discovery - it is through Lian's loss of identity in a confrontingly foreign culture that she is able to find compassion for her Vietnamese mother's difficult life and an understanding of their unforgiving relationship.
Author: Salhia Ben-Messahel
Publisher: UWA Publishing
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 292
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Book Description
Considers aspects of the writer's imagination, and shows how the environment in Winton's novels, whether set in Australia or elsewhere, is presented in an unmistakably Australian way.
Author: Eva Sallis
Publisher: Allen & Unwin
ISBN: 9781741155396
Category : Fiction
Languages : en
Pages : 182
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Book Description
Zein, Farhan, Rayya and their circle are migrants of the fifties, yearning for both their future and their past. Their children, Salah, Rima, Hussein and their friends are young Australians with a distinctive voice and place, succeeding or failing in the clash between generations, struggling for independence in the face of their parents hopes and dreams. Abdal-Rahman is an Iraqi refugee who has lost everything. And Ali, Ahmad, Akram and Yusuf are children in Palestine and Baghdad who have no future but whose stories soar. Mahjar is about lives, journeys and stories, about exile and the experiences that push people to new homelands. Through interwoven stories and fables, it evokes Australia s intimate connection with the Middle East. as well as the joys of living in a new land.
Author: Archie Weller
Publisher: Allen & Unwin
ISBN: 9781865080116
Category : Fiction
Languages : en
Pages : 400
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Book Description
The long-awaited second novel from highly acclaimed author Archie Weller.
Author: Sneja Gunew
Publisher: Routledge
ISBN: 1135142130
Category : Social Science
Languages : en
Pages : 188
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Book Description
Postcolonialism has attracted a large amount of interest in cultural theory, but the adjacent area of multiculturalism has not been scrutinised to quite the same extent. In this innovative new book, Sneja Gunew sets out to interrogate the ways in which the transnational discourse of multiculturalism may be related to the politics of race and indigeneity, grounding her discussion in a variety of national settings and a variety of literary, autobiographical and theoretical texts. Using examples from marginal sites - the "settler societies" of Australia and Canada - to cast light on the globally dominant discourses of the US and the UK, Gunew analyses the political ambiguities and the pitfalls involved in a discourse of multiculturalism haunted by the opposing spectres of anarchy and assimilation.
Author: Anna Branach-Kallas
Publisher: Cambridge Scholars Publishing
ISBN: 1443883387
Category : Literary Criticism
Languages : en
Pages : 410
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Book Description
In the Preface to his ground-breaking The Great War and Modern Memory (1975), Paul Fussell claimed that “the dynamics and iconography of the Great War have proved crucial political, rhetorical, and artistic determinants on subsequent life.” Forty years after the publication of Fussell’s study, the contributors to this volume reconsider whether the myth generated by World War I is still “part of the fiber of [people’s] lives” in English-speaking countries. What is the place of the First World War in cultural memory today? How have the literary means for remembering the war changed since the war? Can anything new be learned from the effort to re-imagine the First World War after other bloody conflicts of the 20th century? A variety of answers to these questions are provided in Re-Imagining the First World War: New Perspectives in Anglophone Literature and Culture, which explores the Great War in British, Irish, Canadian, Australian, and (post)colonial contexts. The contributors to this collection write about the war from a literary perspective, reinterpreting poetry, fiction, letters, and essays created during or shortly after the war, exploring contemporary discourses of commemoration, and presenting in-depth studies of complex conceptual issues, such as gender and citizenship. Re-Imagining the First World War also includes historical, philosophical and sociological investigations of the first industrialised conflict of the 20th century, which focus on responses to the Great War in political discourse, life writing, music, and film: from the experience of missionaries isolated during the war in the Arctic and Asia, through colonial encounters, exploring the role of Irish, Chinese and Canadian First Nations soldiers during the war, to the representation of war in the world-famous series Downton Abbey and the 2013 album released by contemporary Scottish rock singer Fish. The variety of themes covered by the essays here not only confirms the significance of the First World War in memory today, but also illustrates the necessity of developing new approaches to the first global conflict, and of commemorating “new” victims and agents of war. If modes of remembrance have changed with the postmodern ethical shift in historiography and cultural studies, which encourages the exploration of “other” subjectivities in war, so-far concealed affinities and reverberations are still being discovered, on the macro- and micro-historical levels, the Western and other fronts, the battlefield, and the home front. Although it has been a hundred years since the outbreak of hostilities, there is a need for increased sensitivity to the tension between commemoration and contestation, and to re-member, re-conceptualise and re-imagine the Great War.
