Author: Jī. Ke Lāmā
Publisher:
ISBN: 9789391123208
Category : Art, Asian
Languages : en
Pages : 0
Book Description
Glimpses of Asian Art Heritage
Author: Jī. Ke Lāmā
Publisher:
ISBN: 9789391123208
Category : Art, Asian
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9789391123208
Category : Art, Asian
Languages : en
Pages : 0
Book Description
Glimpses of the Agricultural Heritage of India
Author: Y. L. Nene
Publisher:
ISBN: 9788190396301
Category : Agriculture
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9788190396301
Category : Agriculture
Languages : en
Pages : 0
Book Description
Ramayana
Author: Anita Bose
Publisher:
ISBN: 9788194153696
Category :
Languages : en
Pages : 173
Book Description
The Ramayana is a peerless epic composed by Maharshi Valmiki in the ancient Bharatvarsha. Prof. Sylvain Levi, the great French orientalist, once said "India gave mythology to her neighbors". Ramayana serves as the great stimulant to nascent literary worlds of south-east Asian countries and has influenced their culture through drama, puppetry and various performing arts. Ramayana Civilization has such everlasting influence that Thai Ramakien and Khon are very popular even in the present day. Dances like Singkil and Hudhud are very popular amongst the young Filipinos which is derived from Maharadia Lawana. The Kakawin Ramayana of Java and Bali associates people of Islam in it while in countries like Laos, Myanmar, Thailand, Cambodia and Philippines, plays based on Ramayana are a regularity. From paintings to sculptures, from literature to the ethos of royal administration, from rituals of coronation to cremation, from local dance to grand ceremony the impact of Ramayana is prominent all over south-east Asia and this book provides a detailed analysis for the same.
Publisher:
ISBN: 9788194153696
Category :
Languages : en
Pages : 173
Book Description
The Ramayana is a peerless epic composed by Maharshi Valmiki in the ancient Bharatvarsha. Prof. Sylvain Levi, the great French orientalist, once said "India gave mythology to her neighbors". Ramayana serves as the great stimulant to nascent literary worlds of south-east Asian countries and has influenced their culture through drama, puppetry and various performing arts. Ramayana Civilization has such everlasting influence that Thai Ramakien and Khon are very popular even in the present day. Dances like Singkil and Hudhud are very popular amongst the young Filipinos which is derived from Maharadia Lawana. The Kakawin Ramayana of Java and Bali associates people of Islam in it while in countries like Laos, Myanmar, Thailand, Cambodia and Philippines, plays based on Ramayana are a regularity. From paintings to sculptures, from literature to the ethos of royal administration, from rituals of coronation to cremation, from local dance to grand ceremony the impact of Ramayana is prominent all over south-east Asia and this book provides a detailed analysis for the same.
Glimpses of Indian Heritage
Author: Raman Varadara
Publisher: Popular Prakashan
ISBN: 9788171547586
Category :
Languages : en
Pages : 336
Book Description
Publisher: Popular Prakashan
ISBN: 9788171547586
Category :
Languages : en
Pages : 336
Book Description
Arts, Inc.
Author: Bill Ivey
Publisher: Univ of California Press
ISBN: 0520267923
Category : Art
Languages : en
Pages : 363
Book Description
“Bill Ivey has written a thoughtful and thought-provoking book on the state of the arts in America today. He tracks our loss of heritage and risk-taking and comments cogently on the past culture wars. His discussion of the corporate hijacking of intellectual property is highly articulate and should be read by everyone.”—Jane Alexander “You don't have to agree with all his conclusions to recognize that Bill Ivey's Arts, Inc. is an important book. It's a must-read for all those interested in American art and culture and the public interest in preserving access to our heritage for everyone, and as it contributes to the arts of today and tomorrow.”—Frank Hodsoll “Arts, Inc. is the first comprehensive effort to explore the role and potential of a coordinated vision for art, culture, and expression in American public life. Through strands of personal and professional memoir, policy analysis, for-profit and nonprofit industry insights, and personal conviction, Bill Ivey defines a new canvas for more productive and inclusive conversations on the expressive life of our nation and its citizens.”—Andrew Taylor, Bolz Center for Arts Administration, University of Wisconsin-Madison “Very few observers of the contemporary U.S. and global arts worlds have Bill Ivey's capacity for first-hand examples of how trade representatives, artists, music executives, corporate attorneys, elected officials, non-profit executives and many other participants influence the course of the arts, and in particular, the public's access to the arts. Arts, Inc. is an important work because it asserts, in a very thoughtful and urgent manner, that Americans have a right to a better expressive life.”—John Kreidler, retired Executive Director, Cultural Initiatives Silicon Valley "At a time when international polls show doubts about America, our art and culture are a crucial resource for our soft power. Bill Ivey does a wonderful job of explaining the importance of art as a public issue. "—Joseph S. Nye, Jr., author of Soft Power: The Means to Success in World Politics “A profoundly important diagnosis by perhaps America's best-qualified critic of the harm to our culture caused by overregulation and inadequate support. Ivey has given us a rich and beautifully written warning about the culture we're losing, and a powerful and historically compelling image of a culture that could be.”—Lawrence Lessig, Stanford Law School "Walt Whitman was democracy's eloquent poet who understood that democracy is not just a form of government but a way of life rooted in culture. Bill Ivey is culture's eloquent advocate who knows that as democracy needs the arts, the arts need the advocacy of government. His manifesto Arts, Inc. is a passionate attack on the commercialization of culture and a plea for a cultural bill of rights that will restore to all Americans their right to a heritage, to creative expression and to a creative life. This is not just a vital book about the arts, but a vital book about democracy." —Benjamin R. Barber, author of Jihad vs. McWorld and Consumed.
Publisher: Univ of California Press
ISBN: 0520267923
Category : Art
Languages : en
Pages : 363
Book Description
“Bill Ivey has written a thoughtful and thought-provoking book on the state of the arts in America today. He tracks our loss of heritage and risk-taking and comments cogently on the past culture wars. His discussion of the corporate hijacking of intellectual property is highly articulate and should be read by everyone.”—Jane Alexander “You don't have to agree with all his conclusions to recognize that Bill Ivey's Arts, Inc. is an important book. It's a must-read for all those interested in American art and culture and the public interest in preserving access to our heritage for everyone, and as it contributes to the arts of today and tomorrow.”—Frank Hodsoll “Arts, Inc. is the first comprehensive effort to explore the role and potential of a coordinated vision for art, culture, and expression in American public life. Through strands of personal and professional memoir, policy analysis, for-profit and nonprofit industry insights, and personal conviction, Bill Ivey defines a new canvas for more productive and inclusive conversations on the expressive life of our nation and its citizens.”—Andrew Taylor, Bolz Center for Arts Administration, University of Wisconsin-Madison “Very few observers of the contemporary U.S. and global arts worlds have Bill Ivey's capacity for first-hand examples of how trade representatives, artists, music executives, corporate attorneys, elected officials, non-profit executives and many other participants influence the course of the arts, and in particular, the public's access to the arts. Arts, Inc. is an important work because it asserts, in a very thoughtful and urgent manner, that Americans have a right to a better expressive life.”—John Kreidler, retired Executive Director, Cultural Initiatives Silicon Valley "At a time when international polls show doubts about America, our art and culture are a crucial resource for our soft power. Bill Ivey does a wonderful job of explaining the importance of art as a public issue. "—Joseph S. Nye, Jr., author of Soft Power: The Means to Success in World Politics “A profoundly important diagnosis by perhaps America's best-qualified critic of the harm to our culture caused by overregulation and inadequate support. Ivey has given us a rich and beautifully written warning about the culture we're losing, and a powerful and historically compelling image of a culture that could be.”—Lawrence Lessig, Stanford Law School "Walt Whitman was democracy's eloquent poet who understood that democracy is not just a form of government but a way of life rooted in culture. Bill Ivey is culture's eloquent advocate who knows that as democracy needs the arts, the arts need the advocacy of government. His manifesto Arts, Inc. is a passionate attack on the commercialization of culture and a plea for a cultural bill of rights that will restore to all Americans their right to a heritage, to creative expression and to a creative life. This is not just a vital book about the arts, but a vital book about democracy." —Benjamin R. Barber, author of Jihad vs. McWorld and Consumed.
A Journey Within
Author: Olivia Fraser
Publisher: HarperCollins
ISBN: 9353573955
Category : Art
Languages : en
Pages : 271
Book Description
A Journey Within documents Olivia Fraser's acclaimed paintings over the last decade, which reflect her remarkable inner quest towards elaboration by simplification. Following her induction into Indian miniature painting in a traditional Jaipur atelier, Fraser's focus shifted from painting the world around her to depicting a landscape more metaphysical in nature. Trained by her Jaipuri gurus, she learned to grind and mix mineral pigments to their correct consistency. She is especially influenced by Nathdwara pichwai paintings and early nineteenth-century Jodpuri Mansingh-period imagery, produced by the Nath yogis, whose visual language reaches back to an archetypal iconography rooted in India's deepest and most philosophical artistic heritage -- complex abstract thoughts captured in seemingly simple visual language. The work Fraser has produced inspired by these twin muses is nevertheless profoundly contemporary, breaching both temporal and geographical borders, emerging as it does from her twin life between East and West.
Publisher: HarperCollins
ISBN: 9353573955
Category : Art
Languages : en
Pages : 271
Book Description
A Journey Within documents Olivia Fraser's acclaimed paintings over the last decade, which reflect her remarkable inner quest towards elaboration by simplification. Following her induction into Indian miniature painting in a traditional Jaipur atelier, Fraser's focus shifted from painting the world around her to depicting a landscape more metaphysical in nature. Trained by her Jaipuri gurus, she learned to grind and mix mineral pigments to their correct consistency. She is especially influenced by Nathdwara pichwai paintings and early nineteenth-century Jodpuri Mansingh-period imagery, produced by the Nath yogis, whose visual language reaches back to an archetypal iconography rooted in India's deepest and most philosophical artistic heritage -- complex abstract thoughts captured in seemingly simple visual language. The work Fraser has produced inspired by these twin muses is nevertheless profoundly contemporary, breaching both temporal and geographical borders, emerging as it does from her twin life between East and West.
The Modern in Southeast Asian Art
Author: T.K. Sabapathy
Publisher: National Gallery Singapore and NTU Centre for Contemporary Art Singapore
ISBN: 9811406642
Category : Art
Languages : en
Pages : 111
Book Description
Who spoke of the modern in Southeast Asia? When and where was the modern written? How was it written? How was it received? This collection brings together nearly 300 texts that were originally published between the late 19th to late 20th centuries, selected by a group of scholars as responses to questions such as these. The texts were produced chiefly in various locations in the region, by artists, critics, historians and curators in 11 languages, many of which had never before been translated into the English language. Years in the making, this publication is the first to present such breadth and depth of art writing in the region of Southeast Asia, and will be a valuable resource to students, teachers, scholars and those interested in Southeast Asian studies and art history. Looking from inside the region, the rich fecundity of art discourses becomes clear if for example we compare the 1843 text by Raden Saleh from what is now Indonesia with the 1946 text of S. Sudjojono, allowing a historical grasp of modernity from two of its original texts, or across the region to the 1971 text on Malaysia by Piyadasa. The tyranny of physical, cultural, and temporal separation are thus overcome. It is to the great credit of the editors that they have enabled this for us, and this work will be a basic art historical reference both inside and beyond the region for some time to come. —John Clark, Emeritus Professor of Art History, University of Sydney Needed now more than ever, this collection opens up new worlds in the guise of a region called Southeast Asia. Each carefully selected text offers a new point of access to thinking through, across, beyond and with the elusive idea of the “modern.” A signal achievement, this volume is both a rich introduction to the region as well as a vital resource for anyone genuinely committed to art histories that generate new spaces rather than settle for existing realms. —Joan Kee, Professor, History of Art, University of Michigan
Publisher: National Gallery Singapore and NTU Centre for Contemporary Art Singapore
ISBN: 9811406642
Category : Art
Languages : en
Pages : 111
Book Description
Who spoke of the modern in Southeast Asia? When and where was the modern written? How was it written? How was it received? This collection brings together nearly 300 texts that were originally published between the late 19th to late 20th centuries, selected by a group of scholars as responses to questions such as these. The texts were produced chiefly in various locations in the region, by artists, critics, historians and curators in 11 languages, many of which had never before been translated into the English language. Years in the making, this publication is the first to present such breadth and depth of art writing in the region of Southeast Asia, and will be a valuable resource to students, teachers, scholars and those interested in Southeast Asian studies and art history. Looking from inside the region, the rich fecundity of art discourses becomes clear if for example we compare the 1843 text by Raden Saleh from what is now Indonesia with the 1946 text of S. Sudjojono, allowing a historical grasp of modernity from two of its original texts, or across the region to the 1971 text on Malaysia by Piyadasa. The tyranny of physical, cultural, and temporal separation are thus overcome. It is to the great credit of the editors that they have enabled this for us, and this work will be a basic art historical reference both inside and beyond the region for some time to come. —John Clark, Emeritus Professor of Art History, University of Sydney Needed now more than ever, this collection opens up new worlds in the guise of a region called Southeast Asia. Each carefully selected text offers a new point of access to thinking through, across, beyond and with the elusive idea of the “modern.” A signal achievement, this volume is both a rich introduction to the region as well as a vital resource for anyone genuinely committed to art histories that generate new spaces rather than settle for existing realms. —Joan Kee, Professor, History of Art, University of Michigan
Reframing Modernism: Painting from Southeast Asia, Europe and Beyond
Author: Low Sze Wee
Publisher: National Gallery Singapore
ISBN: 981099561X
Category : Art
Languages : en
Pages : 261
Book Description
What is modernism in Southeast Asia? What is modern art, as embodied in the paintings of Southeast Asia? These questions and more are answered in Reframing Modernism: Painting from Southeast Asia, Europe and Beyond, published in conjunction with the exhibition of the same name. Featuring 217 works, in full colour, by 51 Southeast Asian and European artists, from the Centre Pompidou and National Gallery Singapore, as well as other Southeast Asian collections in the region and beyond, this catalogue tells the compelling story of modernism as it developed across continents, and reveals artists' powerful, and sometimes surprising, responses to modernity.
Publisher: National Gallery Singapore
ISBN: 981099561X
Category : Art
Languages : en
Pages : 261
Book Description
What is modernism in Southeast Asia? What is modern art, as embodied in the paintings of Southeast Asia? These questions and more are answered in Reframing Modernism: Painting from Southeast Asia, Europe and Beyond, published in conjunction with the exhibition of the same name. Featuring 217 works, in full colour, by 51 Southeast Asian and European artists, from the Centre Pompidou and National Gallery Singapore, as well as other Southeast Asian collections in the region and beyond, this catalogue tells the compelling story of modernism as it developed across continents, and reveals artists' powerful, and sometimes surprising, responses to modernity.
Contemporary Asian Art and Exhibitions
Author: Caroline Turner
Publisher: ANU Press
ISBN: 1925022005
Category : Art
Languages : en
Pages : 278
Book Description
“… a diverse and stimulating group of essays that together represents a significant contribution to thinking about the nascent field of contemporary Asian art studies … Contemporary Asian Art and Exhibitions: Connectivities and World-making … brings together essays by significant academics, curators and artist working in Australia, Asia and the United Kingdom that reflect on contemporary art in the Asia-Pacific region, and Australia’s cultural interconnections with Asia. It will be a welcome addition to the body of literature related to these emergent areas of art historical study. ” — Dr Claire Roberts, Senior Lecturer in Art History, University of Adelaide This volume draws together essays by leading art experts observing the dramatic developments in Asian art and exhibitions in the last two decades. The authors explore new regional and global connections and new ways of understanding contemporary Asian art in the twenty-first century. The essays coalesce around four key themes: world-making; intra-Asian regional connections; art’s affective capacity in cross-cultural engagement; and Australia’s cultural connections with Asia. In exploring these themes, the essays adopt a diversity of approaches and encompass art history, art theory, visual culture and museum studies, as well as curatorial and artistic practice. With introductory and concluding essays by editors Michelle Antoinette and Caroline Turner this volume features contributions from key writers on the region and on contemporary art: Patrick D Flores, John Clark, Chaitanya Sambrani, Pat Hoffie, Charles Merewether, Marsha Meskimmon, Francis Maravillas, Oscar Ho, Alison Carroll and Jacqueline Lo. Richly illustrated with artworks by leading contemporary Asian artists, Contemporary Asian Art and Exhibitions: Connectivities and World-making will be essential reading for those interested in recent developments in contemporary Asian art, including students and scholars of art history, Asian studies, museum studies, visual and cultural studies.
Publisher: ANU Press
ISBN: 1925022005
Category : Art
Languages : en
Pages : 278
Book Description
“… a diverse and stimulating group of essays that together represents a significant contribution to thinking about the nascent field of contemporary Asian art studies … Contemporary Asian Art and Exhibitions: Connectivities and World-making … brings together essays by significant academics, curators and artist working in Australia, Asia and the United Kingdom that reflect on contemporary art in the Asia-Pacific region, and Australia’s cultural interconnections with Asia. It will be a welcome addition to the body of literature related to these emergent areas of art historical study. ” — Dr Claire Roberts, Senior Lecturer in Art History, University of Adelaide This volume draws together essays by leading art experts observing the dramatic developments in Asian art and exhibitions in the last two decades. The authors explore new regional and global connections and new ways of understanding contemporary Asian art in the twenty-first century. The essays coalesce around four key themes: world-making; intra-Asian regional connections; art’s affective capacity in cross-cultural engagement; and Australia’s cultural connections with Asia. In exploring these themes, the essays adopt a diversity of approaches and encompass art history, art theory, visual culture and museum studies, as well as curatorial and artistic practice. With introductory and concluding essays by editors Michelle Antoinette and Caroline Turner this volume features contributions from key writers on the region and on contemporary art: Patrick D Flores, John Clark, Chaitanya Sambrani, Pat Hoffie, Charles Merewether, Marsha Meskimmon, Francis Maravillas, Oscar Ho, Alison Carroll and Jacqueline Lo. Richly illustrated with artworks by leading contemporary Asian artists, Contemporary Asian Art and Exhibitions: Connectivities and World-making will be essential reading for those interested in recent developments in contemporary Asian art, including students and scholars of art history, Asian studies, museum studies, visual and cultural studies.
The Art of South and Southeast Asia
Author: Steven Kossak
Publisher: Metropolitan Museum of Art
ISBN: 0870999923
Category : Art, South Asian
Languages : en
Pages : 169
Book Description
Presents works of art selected from the South and Southeast Asian and Islamic collection of The Metropolitan Museum of Art, lessons plans, and classroom activities.
Publisher: Metropolitan Museum of Art
ISBN: 0870999923
Category : Art, South Asian
Languages : en
Pages : 169
Book Description
Presents works of art selected from the South and Southeast Asian and Islamic collection of The Metropolitan Museum of Art, lessons plans, and classroom activities.