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Author: Aeschylus
Publisher: Penguin UK
ISBN: 0141955899
Category : Drama
Languages : en
Pages : 249
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Book Description
Aeschylus (525-456 BC) brought a new grandeur and epic sweep to the drama of classical Athens, raising it to the status of high art. The Persians, the only Greek tragedy to deal with events from recent Athenian history, depicts the final defeat of Persia in the battle of Salamis, through the eyes of the Persian court of King Xerxes, becoming a tragic lesson in tyranny. In Prometheus Bound, the defiant Titan Prometheus is brutally punished by Zeus for daring to improve the state of wretchedness and servitude in which mankind is kept. Seven Against Thebes shows the inexorable downfall of the last members of the cursed family of Oedipus, while The Suppliants relates the pursuit of the fifty daughters of Danaus by the fifty sons of Aegyptus, and their final rescue by a heroic king.
Author: Aeschylus
Publisher: Penguin UK
ISBN: 0141955899
Category : Drama
Languages : en
Pages : 249
Get Book Here
Book Description
Aeschylus (525-456 BC) brought a new grandeur and epic sweep to the drama of classical Athens, raising it to the status of high art. The Persians, the only Greek tragedy to deal with events from recent Athenian history, depicts the final defeat of Persia in the battle of Salamis, through the eyes of the Persian court of King Xerxes, becoming a tragic lesson in tyranny. In Prometheus Bound, the defiant Titan Prometheus is brutally punished by Zeus for daring to improve the state of wretchedness and servitude in which mankind is kept. Seven Against Thebes shows the inexorable downfall of the last members of the cursed family of Oedipus, while The Suppliants relates the pursuit of the fifty daughters of Danaus by the fifty sons of Aegyptus, and their final rescue by a heroic king.
Author: Henry George Boker
Publisher: Wildside Press LLC
ISBN: 1479443468
Category : Drama
Languages : en
Pages : 243
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Book Description
This series collects the complete scripts of 100 selected, previously unpublished plays by 19th-Century American playwrights. Volume 3 features George Henry Boker, with "The World a Mask," "Glaucus," and "The Bankrupt."
Author: Matthew Wright
Publisher: Bloomsbury Publishing
ISBN: 1474276482
Category : Drama
Languages : en
Pages : 321
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Book Description
The surviving works of Aeschylus, Sophocles and Euripides have been familiar to readers and theatregoers for centuries; but these works are far outnumbered by their lost plays. Between them these authors wrote around two hundred tragedies, the fragmentary remains of which are utterly fascinating. In this, the second volume of a major new survey of the tragic genre, Matthew Wright offers an authoritative critical guide to the lost plays of the three best-known tragedians. (The other Greek tragedians and their work are discussed in Volume 1: Neglected Authors.) What can we learn about the lost plays of Aeschylus, Sophocles and Euripides from fragments and other types of evidence? How can we develop strategies or methodologies for 'reading' lost plays? Why were certain plays preserved and transmitted while others disappeared from view? Would we have a different impression of the work of these classic authors – or of Greek tragedy as a whole – if a different selection of plays had survived? This book answers such questions through a detailed study of the fragments in their historical and literary context. Making use of recent scholarly developments and new editions of the fragments, The Lost Plays of Greek Tragedy makes these works fully accessible for the first time.
Author: Aeschylus
Publisher: BoD – Books on Demand
ISBN: 3734066522
Category : Fiction
Languages : en
Pages : 190
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Book Description
Reproduction of the original: Suppliant Maidens and Other Plays by Aeschylus
Author: George Henry Boker
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Kathryn Bosher
Publisher: Cambridge University Press
ISBN: 1139510339
Category : History
Languages : en
Pages : 493
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Book Description
This volume brings together archeologists, art historians, philologists, literary scholars, political scientists, and historians to articulate the ways in which western Greek theater was distinct from that of the Greek mainland and, at the same time, to investigate how the two traditions interacted. The chapters intersect and build on each other in their pursuit of a number of shared questions and themes: the place of theater in the cultural life of Sicilian and South Italian 'colonial cities;' theater as a method of cultural self-identification; shared mythological themes in performance texts and theatrical vase-painting; and the reflection and analysis of Sicilian and South Italian theater in the work of Athenian philosophers and playwrights. Together, the essays explore central problems in the study of western Greek theater. By gathering a number of different perspectives and methods, this volume offers the first wide-ranging examination of this hitherto neglected history.
Author: Edmund Stewart
Publisher: Oxford University Press
ISBN: 019106436X
Category : Literary Collections
Languages : en
Pages : 280
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Book Description
Greek tragedy is one of the most important cultural legacies of the classical world, with a rich and varied history and reception, yet it appears to have its roots in a very particular place and time. The authors of the surviving works of Greek tragic drama-Aeschylus, Sophocles, and Euripides-were all from one city, Athens, and all lived in the fifth century BC; unsurprisingly, it has often been supposed that tragic drama was inherently linked in some way to fifth-century Athens and its democracy. Why then do we refer to tragedy as 'Greek', rather than 'Attic' or 'Athenian', as some scholars have argued? This volume argues that the story of tragedy's development and dissemination is inherently one of travel and that tragedy grew out of, and became part of, a common Greek culture, rather than being explicitly Athenian. Although Athens was a major panhellenic centre, by the fifth century a well-established network of festivals and patrons had grown up to encompass Greek cities and sanctuaries from Sicily to Asia Minor and from North Africa to the Black Sea. The movement of professional poets, actors, and audience members along this circuit allowed for the exchange of poetry in general and tragedy in particular, which came to be performed all over the Greek world and was therefore a panhellenic phenomenon even from the time of the earliest performances. The stories that were dramatized were themselves tales of travel-the epic journeys of heroes such as Heracles, Jason, or Orestes- and the works of the tragedians not only demonstrated how the various peoples of Greece were connected through the wanderings of their ancestors, but also how these connections could be sustained by travelling poets and their acts of retelling.
Author: Lynn Enterline
Publisher: Bloomsbury Publishing
ISBN: 1350073377
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
Tracing the development of narrative verse in London's literary circles during the 1590s, this volume puts Shakespeare's Venus and Adonis and The Rape of Lucrece into conversation with poems by a wide variety of contemporary writers, including Thomas Lodge, Francis Beaumont, Christopher Marlowe, Thomas Heywood, Thomas Campion and Edmund Spenser. Chapters investigate the complexities of this literary conversation and contribute for the current, vigorous reassessment of humanism's intended consequences by drawing attention to the highly diverse forms of early modern classicism as well as the complex connection between Latin pedagogy and vernacular poetic invention. Key themes and topics include: -Epyllia, masculinity and sexuality -Classicism and commerce -Genre and mimesis -Rhetoric and aesthetics
Author: D. L. Kirkpatrick
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 664
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Book Description
Author: Kathryn J. Gutzwiller
Publisher: Univ of Wisconsin Press
ISBN: 9780299129446
Category : Literary Criticism
Languages : en
Pages : 322
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Book Description
In a book as beautifully written as the poetry it celebrates, Kathryn Gutzwiller uses the famous Idylls of Theocritus to show us the formative processes at work in the creation of a literary genre--the pastoral--and how the very structure of a genre both shapes and limits judgments about it. Gutzwiller argues that Theocritus' position as first pastoralist has haunted critical assessments of him. Was he merely a beginner, whose simple descriptions of country life were reworked by Vergil into poems of imagination and tender feeling? Or was he a genius of great creative ability, who first found the way to encapsulate in humble detail a metaphysical vision of man's emotional core? Examining Theocritus from the point of view of "beginnings," Gutzwiller succeeds in placing him both within his native Greek intellectual tradition and within the tradition of critical commentary on pastoral. As she points out, "beginnings are hard to pin down . . . the thing begun did not exist before and yet its composite parts were already somewhere in existence." Gutzwiller provides an analysis of the herdsman figure in pre-Hellenistic Greek literature, showing that the simple shepherd or goatherd had long been used as a figure of analogy for characters of higher rank. Theocritus was the first poet to focus on the shepherd himself and bring the analogies down into the pastoral world. Through her careful analyses of the seven pastoral Idylls, Gutzwiller demonstrates that in turning the focus on the shepherd Theocritus created a group of literary works with an inner structure so unique that later readers considered it a new genre. In her conclusion Gutzwiller explores subsequent controversies about the pastoral, from ancient to modern times, revealing how they continue to reflect the structural pattern that originated in Theocritus's poetry.
