Author: Jay Ruud
Publisher: Infobase Publishing
ISBN: 1438108419
Category : Dante Alighieri
Languages : en
Pages : 577
Book Description
Dante Alighieri is one of the greatest poets in world history. His brilliant epic, "The Divine Comedy", an imagined journey through Heaven, Hell, and Purgatory, continues to captivate readers. This work provides an information on his life and work. It covers Dante's canon, including his love poems in "La Vita Nuova" and his philosophical works.
Critical Companion to Dante
Author: Jay Ruud
Publisher: Infobase Publishing
ISBN: 1438108419
Category : Dante Alighieri
Languages : en
Pages : 577
Book Description
Dante Alighieri is one of the greatest poets in world history. His brilliant epic, "The Divine Comedy", an imagined journey through Heaven, Hell, and Purgatory, continues to captivate readers. This work provides an information on his life and work. It covers Dante's canon, including his love poems in "La Vita Nuova" and his philosophical works.
Publisher: Infobase Publishing
ISBN: 1438108419
Category : Dante Alighieri
Languages : en
Pages : 577
Book Description
Dante Alighieri is one of the greatest poets in world history. His brilliant epic, "The Divine Comedy", an imagined journey through Heaven, Hell, and Purgatory, continues to captivate readers. This work provides an information on his life and work. It covers Dante's canon, including his love poems in "La Vita Nuova" and his philosophical works.
Key Figures in Medieval Europe
Author: Richard K. Emmerson
Publisher: Routledge
ISBN: 1136775188
Category : History
Languages : en
Pages : 780
Book Description
From emperors and queens to artists and world travelers, from popes and scholars to saints and heretics, Key Figures in Medieval Europe brings together in one volume the most important people who lived in medieval Europe between 500 and 1500. Gathered from the biographical entries from the on-going series, the Routledge Encyclopedias of the Middle Ages, these A-Z biographical entries discuss the lives of over 575 individuals who have had a historical impact in such areas as politics, religion, or the arts. Individuals from places such as medieval England, France, Germany, Iberia, Italy, and Scandinavia are included as well as those from the Jewish and Islamic worlds. A thematic outline is included that lists people not only by categories, but also by regions. For a full list of entries, contributors, and more, visit the Routledge Encyclopedias of the Middle Ages website.
Publisher: Routledge
ISBN: 1136775188
Category : History
Languages : en
Pages : 780
Book Description
From emperors and queens to artists and world travelers, from popes and scholars to saints and heretics, Key Figures in Medieval Europe brings together in one volume the most important people who lived in medieval Europe between 500 and 1500. Gathered from the biographical entries from the on-going series, the Routledge Encyclopedias of the Middle Ages, these A-Z biographical entries discuss the lives of over 575 individuals who have had a historical impact in such areas as politics, religion, or the arts. Individuals from places such as medieval England, France, Germany, Iberia, Italy, and Scandinavia are included as well as those from the Jewish and Islamic worlds. A thematic outline is included that lists people not only by categories, but also by regions. For a full list of entries, contributors, and more, visit the Routledge Encyclopedias of the Middle Ages website.
Vernacular Translation in Dante's Italy
Author: Alison Cornish
Publisher: Cambridge University Press
ISBN: 1139495380
Category : Literary Criticism
Languages : en
Pages : 287
Book Description
Translation and commentary are often associated with institutions and patronage; but in Italy around the time of Dante, widespread vernacular translation was mostly on the spontaneous initiative of individuals. While Dante is usually the starting point for histories of vernacular translation in Europe, this book demonstrates that The Divine Comedy places itself in opposition to a vast vernacular literature already in circulation among its readers. Alison Cornish explores the anxiety of vernacularization as expressed by translators and contemporary authors, the prevalence of translation in religious experience, the role of scribal mediation, the influence of the Italian reception of French literature on that literature, and how translating into the vernacular became a project of nation-building only after its virtual demise during the Humanist period. Vernacular translation was a phenomenon with which all authors in thirteenth- and fourteenth-century Europe - from Brunetto Latini to Giovanni Boccaccio - had to contend.
Publisher: Cambridge University Press
ISBN: 1139495380
Category : Literary Criticism
Languages : en
Pages : 287
Book Description
Translation and commentary are often associated with institutions and patronage; but in Italy around the time of Dante, widespread vernacular translation was mostly on the spontaneous initiative of individuals. While Dante is usually the starting point for histories of vernacular translation in Europe, this book demonstrates that The Divine Comedy places itself in opposition to a vast vernacular literature already in circulation among its readers. Alison Cornish explores the anxiety of vernacularization as expressed by translators and contemporary authors, the prevalence of translation in religious experience, the role of scribal mediation, the influence of the Italian reception of French literature on that literature, and how translating into the vernacular became a project of nation-building only after its virtual demise during the Humanist period. Vernacular translation was a phenomenon with which all authors in thirteenth- and fourteenth-century Europe - from Brunetto Latini to Giovanni Boccaccio - had to contend.
Dante in the Twentieth Century
Author: Adolph Caso
Publisher: Branden Books
ISBN: 9780937832165
Category : Literary Criticism
Languages : en
Pages : 166
Book Description
Publisher: Branden Books
ISBN: 9780937832165
Category : Literary Criticism
Languages : en
Pages : 166
Book Description
The Divine Comedy of Dante Alighieri
Author: Robert M. Durling
Publisher: Oxford University Press
ISBN: 0199879834
Category : Literary Collections
Languages : en
Pages : 721
Book Description
In the early 1300s, Dante Alighieri set out to write the three volumes which make the up The Divine Comedy. Purgatorio is the second volume in this set and opens with Dante the poet picturing Dante the pilgrim coming out of the pit of hell. Similar to the Inferno (34 cantos), this volume is divided into 33 cantos, written in tercets (groups of 3 lines). The English prose is arranged in tercets to facilitate easy correspondence to the verse form of the Italian on the facing page, enabling the reader to follow both languages line by line. In an effort to capture the peculiarities of Dante's original language, this translation strives toward the literal and sheds new light on the shape of the poem. Again the text of Purgatorio follows Petrocchi's La Commedia secondo l'antica vulgata, but the editor has departed from Petrocchi's readings in a number of cases, somewhat larger than in the previous Inferno, not without consideration of recent critical readings of the Comedy by scholars such as Lanza (1995, 1997) and Sanguineti (2001). As before, Petrocchi's punctuation has been lightened and American norms have been followed. However, without any pretensions to being "critical", the text presented here is electic and being not persuaded of the exclusive authority of any manuscript, the editor has felt free to adopt readings from various branches of the stemma. One major addition to this second volume is in the notes, where is found the Intercantica - a section for each canto that discusses its relation to the Inferno and which will make it easier for the reader to relate the different parts of the Comedy as a whole.
Publisher: Oxford University Press
ISBN: 0199879834
Category : Literary Collections
Languages : en
Pages : 721
Book Description
In the early 1300s, Dante Alighieri set out to write the three volumes which make the up The Divine Comedy. Purgatorio is the second volume in this set and opens with Dante the poet picturing Dante the pilgrim coming out of the pit of hell. Similar to the Inferno (34 cantos), this volume is divided into 33 cantos, written in tercets (groups of 3 lines). The English prose is arranged in tercets to facilitate easy correspondence to the verse form of the Italian on the facing page, enabling the reader to follow both languages line by line. In an effort to capture the peculiarities of Dante's original language, this translation strives toward the literal and sheds new light on the shape of the poem. Again the text of Purgatorio follows Petrocchi's La Commedia secondo l'antica vulgata, but the editor has departed from Petrocchi's readings in a number of cases, somewhat larger than in the previous Inferno, not without consideration of recent critical readings of the Comedy by scholars such as Lanza (1995, 1997) and Sanguineti (2001). As before, Petrocchi's punctuation has been lightened and American norms have been followed. However, without any pretensions to being "critical", the text presented here is electic and being not persuaded of the exclusive authority of any manuscript, the editor has felt free to adopt readings from various branches of the stemma. One major addition to this second volume is in the notes, where is found the Intercantica - a section for each canto that discusses its relation to the Inferno and which will make it easier for the reader to relate the different parts of the Comedy as a whole.
The Shadow of Dante in French Renaissance Lyric
Author: Alison Baird Lovell
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 150151346X
Category : History
Languages : en
Pages : 296
Book Description
This book presents an interpretation of Maurice Scève’s lyric sequence Délie, object de plus haulte vertu (Lyon, 1544) in literary relation to the Vita nuova, Commedia, and other works of Dante Alighieri. Dante’s subtle influence on Scève is elucidated in depth for the first time, augmenting the allusions in Délie to the Canzoniere of Petrarch (Francesco Petrarca). Scève’s sequence of dense, epigrammatic dizains is considered to be an early example, prior to the Pléiade poets, of French Renaissance imitation of Petrarch’s vernacular poetry, in a time when imitatio was an established literary practice, signifying the poet’s participation in a tradition. While the Canzoniere is an important source for Scève’s Délie, both works are part of a poetic lineage that includes Occitan troubadours, Guinizzelli, Cavalcanti, and Dante. The book situates Dante as a relevant predecessor and source for Scève, and examines anew the Petrarchan label for Délie. Compelling poetic affinities emerge between Dante and Scève that do not correlate with Petrarch.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 150151346X
Category : History
Languages : en
Pages : 296
Book Description
This book presents an interpretation of Maurice Scève’s lyric sequence Délie, object de plus haulte vertu (Lyon, 1544) in literary relation to the Vita nuova, Commedia, and other works of Dante Alighieri. Dante’s subtle influence on Scève is elucidated in depth for the first time, augmenting the allusions in Délie to the Canzoniere of Petrarch (Francesco Petrarca). Scève’s sequence of dense, epigrammatic dizains is considered to be an early example, prior to the Pléiade poets, of French Renaissance imitation of Petrarch’s vernacular poetry, in a time when imitatio was an established literary practice, signifying the poet’s participation in a tradition. While the Canzoniere is an important source for Scève’s Délie, both works are part of a poetic lineage that includes Occitan troubadours, Guinizzelli, Cavalcanti, and Dante. The book situates Dante as a relevant predecessor and source for Scève, and examines anew the Petrarchan label for Délie. Compelling poetic affinities emerge between Dante and Scève that do not correlate with Petrarch.
Chaucer's Queer Poetics
Author: Susan Schibanoff
Publisher: University of Toronto Press
ISBN: 0802090354
Category : Poetry
Languages : en
Pages : 376
Book Description
Geoffrey Chaucer was arguably fourteenth-century England's greatest poet. In the nineteenth century, readers of Chaucer's early dream poems - the Book of the Duchess, House of Fame, and Parliament of Fowles - began to detect a tripartite model of his artistic development from a French to an Italian, and finally to an English phase. They fleshed out this model with the liberation narrative, the inspiring story of how Chaucer escaped the emasculating French house of bondage to become the generative father of English poetry. Although this division has now largely been dismissed, both the tripartite model and the accompanying liberation narrative persist in Chaucer criticism. In Chaucer's Queer Poetics, Susan Schibanoff interrogates why the tripartite model remains so tenacious even when literary history does not support it. Revealing deeply rooted Francophobic, homophobic, and nationalistic biases, Schibanoff examines the development paradigm and demonstrates that 'liberated Chaucer' depends on antiquated readings of key source texts for the dream trilogy. This study challenges the long held view the Chaucer fled the prison of effete French court verse to become the 'natural' English father poet and charts a new model of Chaucerian poetic development that discovers the emergence of a queer aesthetic in his work.
Publisher: University of Toronto Press
ISBN: 0802090354
Category : Poetry
Languages : en
Pages : 376
Book Description
Geoffrey Chaucer was arguably fourteenth-century England's greatest poet. In the nineteenth century, readers of Chaucer's early dream poems - the Book of the Duchess, House of Fame, and Parliament of Fowles - began to detect a tripartite model of his artistic development from a French to an Italian, and finally to an English phase. They fleshed out this model with the liberation narrative, the inspiring story of how Chaucer escaped the emasculating French house of bondage to become the generative father of English poetry. Although this division has now largely been dismissed, both the tripartite model and the accompanying liberation narrative persist in Chaucer criticism. In Chaucer's Queer Poetics, Susan Schibanoff interrogates why the tripartite model remains so tenacious even when literary history does not support it. Revealing deeply rooted Francophobic, homophobic, and nationalistic biases, Schibanoff examines the development paradigm and demonstrates that 'liberated Chaucer' depends on antiquated readings of key source texts for the dream trilogy. This study challenges the long held view the Chaucer fled the prison of effete French court verse to become the 'natural' English father poet and charts a new model of Chaucerian poetic development that discovers the emergence of a queer aesthetic in his work.
Dante
Author: Ernest Hatch Wilkins
Publisher:
ISBN:
Category :
Languages : en
Pages : 96
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 96
Book Description
Purgatorio
Author: Dante Alighieri
Publisher:
ISBN:
Category : Heaven
Languages : en
Pages : 516
Book Description
Publisher:
ISBN:
Category : Heaven
Languages : en
Pages : 516
Book Description
Dante
Author: R. W. B. Lewis
Publisher: Penguin
ISBN: 1101162988
Category : Biography & Autobiography
Languages : en
Pages : 225
Book Description
An insightful biography of Florence?s famous son Acclaimed biog rap her R.W.B. Lewis traces the life and complex development? emotional, artistic, philosophical?of this supreme poet-historian. Here we meet the boy who first encounters the mythic Beatrice, the lyric poet obsessed with love and death, the grand master of dramatic narrative and allegory, and his monumental search for ultimate truth in The Divine Comedy. It is in this masterpiece of self-discovery and redemption that Lewis finds Dante?s own autobiography?and the sum of all his shifting passions and epiphanies.
Publisher: Penguin
ISBN: 1101162988
Category : Biography & Autobiography
Languages : en
Pages : 225
Book Description
An insightful biography of Florence?s famous son Acclaimed biog rap her R.W.B. Lewis traces the life and complex development? emotional, artistic, philosophical?of this supreme poet-historian. Here we meet the boy who first encounters the mythic Beatrice, the lyric poet obsessed with love and death, the grand master of dramatic narrative and allegory, and his monumental search for ultimate truth in The Divine Comedy. It is in this masterpiece of self-discovery and redemption that Lewis finds Dante?s own autobiography?and the sum of all his shifting passions and epiphanies.