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Author: Jill Gutowitz
Publisher: Simon and Schuster
ISBN: 1982158506
Category : Biography & Autobiography
Languages : en
Pages : 240
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Book Description
A "collection of personal essays exploring the intersection of queerness, relationships, pop culture, the Internet, and identity, introducing one of the most undeniably original new voices today. Jill Gutowitz's life--for better and worse--has always been on a collision course with pop culture, [including] ... the pivotal day when Orange Is the New Black hit the airwaves and broke down the door to Jill's own sexuality. In these honest examinations of identity, desire, and self-worth, Jill explores perhaps the most monumental cultural shift of our lifetimes: the mainstreaming of lesbian culture"--
Author: Jill Gutowitz
Publisher: Simon and Schuster
ISBN: 1982158506
Category : Biography & Autobiography
Languages : en
Pages : 240
Get Book Here
Book Description
A "collection of personal essays exploring the intersection of queerness, relationships, pop culture, the Internet, and identity, introducing one of the most undeniably original new voices today. Jill Gutowitz's life--for better and worse--has always been on a collision course with pop culture, [including] ... the pivotal day when Orange Is the New Black hit the airwaves and broke down the door to Jill's own sexuality. In these honest examinations of identity, desire, and self-worth, Jill explores perhaps the most monumental cultural shift of our lifetimes: the mainstreaming of lesbian culture"--
Author: Tallia Storm
Publisher: Scholastic
ISBN: 9781338160246
Category : Family vacations
Languages : en
Pages : 314
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Book Description
Fourteen-year-old Storm Hall lives to sing. Forget parties. Forget boys. When Storm is told she's going to miss a national competition, to go on a once-in-a-lifetime holiday to Hawaii, her life is OVER. What could be worse than having to give up singing to visit an island paradise? What if her (former) best friend is taking her place? A family trip to Hawaii is just the beginning. Storm meets a Hawaiian band who need a singer last minute. When the song is on local radio the next day all of Storm's dreams are coming true until the band introduce their singer on air. It's NOT her.
Author: Gooyong Kim
Publisher: Rowman & Littlefield
ISBN: 1498548830
Category : Music
Languages : en
Pages : 191
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Book Description
Focusing on female idols’ proliferation in the South Korean popular music (K-pop) industry since the late 1990s, Gooyong Kim critically analyzes structural conditions of possibilities in contemporary popular music from production to consumption. Kim contextualizes the success of K-pop within Korea’s development trajectories, scrutinizing how a formula of developments from the country’ rapid industrial modernization (1960s-1980s) was updated and re-applied in the K-pop industry when the state had to implement a series of neoliberal reformations mandated by the IMF. To that end, applying Michel Foucault’s discussion on governmentality, a biopolitical dimension of neoliberalism, Kim argues how the regime of free market capitalism updates and reproduces itself by 1) forming a strategic alliance of interests with the state, and 2) using popular culture to facilitate individuals’ subjectification and subjectivation processes to become neoliberal agents. As to an importance of K-pop female idols, Kim indicates a sustained utility/legacy of the nation’s century-long patriarchy in a neoliberal development agenda. Young female talents have been mobilized and deployed in the neoliberal culture industry in a similar way to how un-wed, obedient female workers were exploited and disposed on the sweatshop factory floors to sustain the state’s export-oriented, labor-intensive manufacturing industry policy during its rapid developmental stage decades ago. In this respect, Kim maintains how a post-feminist, neoliberal discourse of girl power has marketed young, female talents as effective commodities, and how K-pop female idols exert biopolitical power as an active ideological apparatus that pleasurably perpetuates and legitimates neoliberal mantras in individuals’ everyday lives. Thus, Kim reveals there is a strategic convergence between Korea’s lingering legacies of patriarchy, developmentalism, and neoliberalism. While the current K-pop literature is micro-scopic and celebratory, Kim advances the scholarship by multi-perspectival, critical approaches. With a well-balanced perspective by micro-scopic textual analyses of music videos and macro-scopic examinations of historical and political economy backgrounds, Kim’s book provides a wealth of intriguing research agendas on the phenomenon, and will be a useful reference in International/ Intercultural Communication, Political Economy of the Media, Cultural/ Media Studies, Gender/ Sexuality Studies, Asian Studies, and Korean Studies.
Author: Catherine Driscoll
Publisher: Columbia University Press
ISBN: 9780231119122
Category : Family & Relationships
Languages : en
Pages : 400
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Book Description
Driscoll argues that both 'girls' and 'culture' as ideas are too problematic to fulfill any useful role in theorizing about the emergence of feminine adolescence in popular culture.
Author: Jean-Emmanuel Deluxe
Publisher: Feral House
ISBN: 1936239728
Category : Music
Languages : en
Pages : 557
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Book Description
Yé-Yé means Yeah Yeah! and is best known as a style of '60s pop music heard in France and Québec.
Author: Kristin Lieb
Publisher: Routledge
ISBN: 1351662848
Category : Social Science
Languages : en
Pages : 302
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Book Description
Gender, Branding, and the Modern Music Industry combines interview data with music industry professionals with theoretical frameworks from sociology, mass communication, and marketing to explain and explore the gender differences female artists experience. This book provides a rare lens on the rigid packaging process that transforms female artists of various genres into female pop stars. Stars—and the industry power brokers who make their fortunes—have learned to prioritize sexual attractiveness over talent as they fight a crowded field for movie deals, magazine covers, and fashion lines, let alone record deals. This focus on the female pop star’s body as her core asset has resigned many women to being "short term brands," positioned to earn as much money as possible before burning out or aging ungracefully. This book, which includes interview data from music industry insiders, explores the sociological forces that drive women into these tired representations, and the ramifications for the greater social world.
Author: Kyung Hyun Kim
Publisher: Duke University Press
ISBN: 082237756X
Category : Social Science
Languages : en
Pages : 471
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Book Description
Over the past decade, Korean popular culture has become a global phenomenon. The "Korean Wave" of music, film, television, sports, and cuisine generates significant revenues and cultural pride in South Korea. The Korean Popular Culture Reader provides a timely and essential foundation for the study of "K-pop," relating the contemporary cultural landscape to its historical roots. The essays in this collection reveal the intimate connections of Korean popular culture, or hallyu, to the peninsula's colonial and postcolonial histories, to the nationalist projects of the military dictatorship, and to the neoliberalism of twenty-first-century South Korea. Combining translations of seminal essays by Korean scholars on topics ranging from sports to colonial-era serial fiction with new work by scholars based in fields including literary studies, film and media studies, ethnomusicology, and art history, this collection expertly navigates the social and political dynamics that have shaped Korean cultural production over the past century. Contributors. Jung-hwan Cheon, Michelle Cho, Youngmin Choe, Steven Chung, Katarzyna J. Cwiertka, Stephen Epstein, Olga Fedorenko, Kelly Y. Jeong, Rachael Miyung Joo, Inkyu Kang, Kyu Hyun Kim, Kyung Hyun Kim, Pil Ho Kim, Boduerae Kwon, Regina Yung Lee, Sohl Lee, Jessica Likens, Roald Maliangkay, Youngju Ryu, Hyunjoon Shin, Min-Jung Son, James Turnbull, Travis Workman
Author: Kat Cho
Publisher: Penguin
ISBN: 1984812378
Category : Young Adult Fiction
Languages : en
Pages : 418
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Book Description
New romance and dangers abound in this companion to the crowd-pleasing Wicked Fox. After the events of Wicked Fox, Somin is ready to help her friends pick up the pieces of their broken lives and heal. But Jihoon is still grieving the loss of his grandmother, and Miyoung is distant as she grieves over her mother's death and learns to live without her fox bead. The only one who seems ready to move forward is their not-so-favorite dokkaebi, Junu. Somin and Junu didn't exactly hit it off when they first met. Somin thought he was an arrogant self-serving, conman. Junu was, at first, amused by her hostility toward him until he found himself inexplicably drawn to her. Somin couldn't deny the heat of their attraction. But as the two try to figure out what could be between them, they discover their troubles aren't over after all. The loss of Miyoung's fox bead has caused a tear between the world of the living and the world of the dead, and ghosts are suddenly flooding the streets of Seoul. The only way to repair the breach is to find the missing fox bead or for Miyoung to pay with her life. With few options remaining, Junu has an idea but it might require the ultimate sacrifice. In usual fashion, Somin may have a thing or two to say about that. In Vicious Spirits, Kat Cho delivers another beguiling and addictive read full of otherworldly dangers and romance.
Author: Claire Charles
Publisher: Routledge
ISBN: 1136195882
Category : Education
Languages : en
Pages : 183
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Book Description
Young women’s identities are an issue of public and academic interest across a number of western nations at the present time. This book explores how young women attending an elite school for girls understand and construct ‘empowerment’. It investigates the extent to which, and the ways in which, their constructions of empowerment and identity work to overturn, or resist, key regulations and normative expectations for girls in post-feminist, hyper-sexualised cultural contexts. The book provides a succinct overview of feminist theorisations of normative femininities in young women’s lives in western cultural contexts. It includes familiar sexist discourses such as sexual double standards, as well as more recent commentary about the regulation of young women’s subjectivities in neoliberal, post-feminist, hyper-sexualised cultures. Drawing on ethnographic research in the context of an elite girls’ secondary school, the author explores how empowerment for young women is constructed and understood across a range of textual practices. From visual representations of young women in school promotional material, to students’ constructions of popular celebrities, the question of how girls’ resistance to normative femininities begins to develop is examined. This rich empirical work makes a unique contribution to the study of elite schooling within the sociology of education, drawing on important insights from the field of critical girlhood studies, and posing a challenge to popular feminist notions about media literacy, young women and empowerment. It will be of interest to scholars and postgraduates in the areas of gender studies, sociology, education, youth studies and cultural studies.
Author: Jacqueline Warwick
Publisher: Routledge
ISBN: 1317424603
Category : Music
Languages : en
Pages : 338
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Book Description
This interdisciplinary volume explores the girl’s voice and the construction of girlhood in contemporary popular music, visiting girls as musicians, activists, and performers through topics that range from female vocal development during adolescence to girls’ online media culture. While girls’ voices are more prominent than ever in popular music culture, the specific sonic character of the young female voice is routinely denied authority. Decades old clichés of girls as frivolous, silly, and deserving of contempt prevail in mainstream popular image and sound. Nevertheless, girls find ways to raise their voices and make themselves heard. This volume explores the contemporary girl’s voice to illuminate the way ideals of girlhood are historically specific, and the way adults frame and construct girlhood to both valorize and vilify girls and women. Interrogating popular music, childhood, and gender, it analyzes the history of the all-girl band from the Runaways to the present; the changing anatomy of a girl’s voice throughout adolescence; girl’s participatory culture via youtube and rock camps, and representations of the girl’s voice in other media like audiobooks, film, and television. Essays consider girl performers like Jackie Evancho and Lorde, and all-girl bands like Sleater Kinney, The Slits and Warpaint, as well as performative 'girlishness' in the voices of female vocalists like Joni Mitchell, Beyoncé, Miley Cyrus, Taylor Swift, Kathleen Hanna, and Rebecca Black. Participating in girl studies within and beyond the field of music, this book unites scholarly perspectives from disciplines such as musicology, ethnomusicology, comparative literature, women’s and gender studies, media studies, and education to investigate the importance of girls’ voices in popular music, and to help unravel the complexities bound up in music and girlhood in the contemporary contexts of North America and the United Kingdom.
