Giraffes, Black Dragons, and Other Pianos PDF Download
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Author: Edwin Marshall Good
Publisher: Stanford, Calif. : Stanford University Press
ISBN: 9780804733168
Category : Music
Languages : en
Pages : 369
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Book Description
Incorporating the results of recent research, this is a new edition of a book that received the American Musicological Society’s Otto Kinkeldey Award for the best musicological book in English published in 1982-83.
Author: Edwin Marshall Good
Publisher: Stanford, Calif. : Stanford University Press
ISBN: 9780804733168
Category : Music
Languages : en
Pages : 369
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Book Description
Incorporating the results of recent research, this is a new edition of a book that received the American Musicological Society’s Otto Kinkeldey Award for the best musicological book in English published in 1982-83.
Author: Robert Palmieri
Publisher: Routledge
ISBN: 1135949638
Category : Music
Languages : en
Pages : 964
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Book Description
The Encyclopedia of the Piano was selected in its first edition as a Choice Outstanding Book and remains a fascinating and unparalleled reference work. The instrument has been at the center of music history with even composers of large symphonic work asserting that they do not write anything without sketching it out first on a piano; its limitations and expressive capacity have done much to shape the contours of the western musical idiom. Within the scope of this user-friendly guide is everything from the acoustics and construction of the piano to the history of the companies that have built them. The piano-lover might also be surprised to find an entry for Thomas Jefferson, and will no doubt read intently the passages about the changing history of the piano's place in the home. Uniformly well-written and authoritative, this guide will channel anyone's love for the instrument, through social, intellectual, art history and beyond into the electronic age.
Author: Alan Shockley
Publisher: Rowman & Littlefield
ISBN: 144228188X
Category : Music
Languages : en
Pages : 269
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Book Description
With Contemporary Piano: A Performer and Composer’s Guide to Techniques and Resources, Alan Shockley provides a comprehensive resource for composers writing music that uses extended techniques for the piano, and for pianists interested in playing repertoire that makes use of techniques and/or implements unfamiliar to them. Shockley explains dozens of ways to prepare a piano without damaging the instrument, how to notate every standard technique and many, many obscure ones, and the specific geographies of every common concert hall piano. This will be the standard reference for pianists touring and playing inside-the-piano repertoire, and for composers at all levels of familiarity with the piano hoping to understand the mechanical miracle that is the modern piano.
Author: Craig H. Roell
Publisher: UNC Press Books
ISBN: 1469610612
Category : History
Languages : en
Pages : 467
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Book Description
Roell uses company records and the popular press to chronicle the piano industry through changing values, business strategies, economic conditions, and technology. For Roell, as for the industry, music is a byproduct. Originally published in 1991. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author: Geoffrey Lancaster
Publisher: ANU Press
ISBN: 1922144657
Category : Music
Languages : en
Pages : 919
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Book Description
During the late eighteenth century, a musical–cultural phenomenon swept the globe. The English square piano—invented in the early 1760s by an entrepreneurial German guitar maker in London—not only became an indispensable part of social life, but also inspired the creation of an expressive and scintillating repertoire. Square pianos reinforced music as life’s counterpoint, and were played by royalty, by musicians of the highest calibre and by aspiring amateurs alike. On Sunday, 13 May 1787, a square piano departed from Portsmouth on board the Sirius, the flagship of the First Fleet, bound for Botany Bay. Who made the First Fleet piano, and when was it made? Who owned it? Who played it, and who listened? What music did the instrument sound out, and within what contexts was its voice heard? What became of the First Fleet piano after its arrival on antipodean soil, and who played a part in the instrument’s subsequent history? Two extant instruments contend for the title ‘First Fleet piano’; which of these made the epic journey to Botany Bay in 1787–88? The First Fleet Piano: A Musician’s View answers these questions, and provides tantalising glimpses of social and cultural life both in Georgian England and in the early colony at Sydney Cove. The First Fleet piano is placed within the musical and social contexts for which it was created, and narratives of the individuals whose lives have been touched by the instrument are woven together into an account of the First Fleet piano’s conjunction with the forces of history. View ‘The First Fleet Piano: Volume Two Appendices’. Note: Volume 1 and 2 are sold as a set ($180 for both) and cannot be purchased separately.
Author: Richard Burnett
Publisher: Third Millennium Information Ltd
ISBN: 9781903942352
Category : Music
Languages : en
Pages : 248
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Book Description
Richard Burnett traces the development of the piano from its origins to the present day, using instruments from his internationally known collection, at the Finchcocks Museum in Kent, England, as the inspiration and navigational means for his story.
Author: Nicholas J. Giordano
Publisher: Oxford University Press
ISBN: 0199546029
Category : Mathematics
Languages : en
Pages : 183
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Book Description
A central quest in the study of musical instruments is to understand why the sound of the 'same' note depends greatly on the instrument, and to elucidate which aspects of an instrument are most critical in producing the musical tones characteristic of the instrument. The primary goal of this book is to investigate these questions for the piano.
Author: Edwin M. Ripin
Publisher: W. W. Norton & Company
ISBN: 9780393305180
Category : Pianists
Languages : en
Pages : 212
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Book Description
The New Grove Musical Instruments Series, a companion to the much acclaimed New Grove Composer Biography Series, presents in book form many of the lengthy and informative articles published in The New Grove Dictionary of Musical Instruments.
Author: Tom Beghin
Publisher: University of Chicago Press
ISBN: 0226818357
Category : Music
Languages : en
Pages : 441
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Book Description
"In this book, Tom Beghin examines the French piano Beethoven famously acquired from the Erard firm in Paris in 1803. The Erard piano is one of only three extant instruments belonging to Beethoven and is housed in a museum in Austria. Beghin argues that the piano sonatas Beethoven composed between 1803 and 1810-including the "Waldstein" and the "Appassionata"-show the influence of the new French style of pianism and of the Erard in particular, specifically in the uses of tremolo, legato, and the "una corda" pedal, which softens dramatically the volume. Beghin shows that Beethoven was guided by a search for new sonorities and that the specific "touch" provided by the Erard's technology helped to point him toward new compositional horizons, especially at a time when he was forced to withdraw from performance due to his increasing deafness. The book combines informed historical analysis of the musical milieus in Vienna and Paris with the author's own experiments at the keyboard in order to reconstruct the specific techniques that Beethoven was exploiting and the ways they translated into his innovative piano writing"--
Author: Richard Curt Kraus
Publisher: Oxford University Press
ISBN: 0195363264
Category : Political Science
Languages : en
Pages : 317
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Book Description
In China, a nation where the worlds of politics and art are closely linked, Western classical music was considered during the cultural revolution to be an imperialist intrusion, in direct conflict with the native aesthetic. In this revealing chronicle of the relationship between music and politics in twentieth-century China, Richard Kraus examines the evolution of China's ever-changing disposition towards European music and demonstrates the steady westernization of Chinese music. Placing China's cultural conflicts in global perspective, he traces the lives of four Chinese musicians and reflects on how their experiences are indicative of China's place at the furthest edge of an expanding Western international order.
