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Author: Simone Facchinetti
Publisher: Royal Academy Books
ISBN:
Category : Art
Languages : en
Pages : 152
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Book Description
Acclaimed by some as one of the best portraitists of all time, Italian painter Giovan Battista Moroni (1522-1579) created penetrating images of the aristoc-racy of Bergamo, in which the sitters often gaze at the spectator with an unflinching directness. Admired in Italy since the 16th century, when Titian is said to have praised his portraits, Moroni did not achieve an international reputation until the 19th century and remains relatively little known. This handsome catalog encompasses Moroni's entire career. It includes portraits of all formats and styles, demonstrating not just Moroni's brilliance at capturing the elegance of his sitters and the fashions of the time, but also his realistic representation of Bergamo's society, which became a model for Caravaggio. The volume also includes Moroni's religious paintings, which also incorporate highly accomplished likenesses of their patrons, once again showing the striking psychological insight for which Moroni is acclaimed. Arturo Galansino, curator at the Royal Academy of Arts, has also curated exhibitions for the Louvre and the National Gallery, London. Simone Facchinetti is curator at the Museo Diocesano in Bergamo.
Author: Simone Facchinetti
Publisher: Royal Academy Books
ISBN:
Category : Art
Languages : en
Pages : 152
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Book Description
Acclaimed by some as one of the best portraitists of all time, Italian painter Giovan Battista Moroni (1522-1579) created penetrating images of the aristoc-racy of Bergamo, in which the sitters often gaze at the spectator with an unflinching directness. Admired in Italy since the 16th century, when Titian is said to have praised his portraits, Moroni did not achieve an international reputation until the 19th century and remains relatively little known. This handsome catalog encompasses Moroni's entire career. It includes portraits of all formats and styles, demonstrating not just Moroni's brilliance at capturing the elegance of his sitters and the fashions of the time, but also his realistic representation of Bergamo's society, which became a model for Caravaggio. The volume also includes Moroni's religious paintings, which also incorporate highly accomplished likenesses of their patrons, once again showing the striking psychological insight for which Moroni is acclaimed. Arturo Galansino, curator at the Royal Academy of Arts, has also curated exhibitions for the Louvre and the National Gallery, London. Simone Facchinetti is curator at the Museo Diocesano in Bergamo.
Author: Aimee Ng
Publisher: Scala Arts Publishers Incorporated
ISBN: 9781785511851
Category :
Languages : en
Pages : 244
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Book Description
Giovanni Battista Moroni is considered one of the great portraitists of sixteenth-century Italy. Published with The Frick Collection to accompany the first major exhibition devoted to the artist in the United States, this sumptuous volume celebrates the painter's eye for exquisite detail in depicting his sitters' interior and material worlds. New scholarship includes in-depth studies of individual portraits, as well as essays on the artist in the context of portrait painting in northern Italy in the later cinquecento. Contents: Director's Foreword; Preface and Acknowledgements; Moroni's Eyes; Moroni between Likeness and Presence; Catalogue of the Exhibition; Bibliography; Index. The publication is linked to an exhibition running at The Frick Collection from February to June 2019. AUTHORS: Aimee Ng is an Associate Curator at The Frick Collection, New York. Arturo Galansino is the Director of the Palazzo Strozzi, Florence. Simone Facchinetti is a Curator at the Museo Adriano Bernareggi, Bergamo. SELLING POINTS: * The only substantial treatment of this renowned Old Master's portraiture in print * Accompanies the major exhibition at The Frick Collection from February to June 2019 * Offers new insights by experts in the field with accessibly written text 90 colour images
Author: Richard Rand
Publisher: Clark Art Institute
ISBN: 9780300175646
Category : Art
Languages : en
Pages : 0
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Book Description
Eye to eye : European portraits 1450-1850 / David Ekserdjian -- Catalogue / Richard Rand and Kathleen M. Morris
Author: Andrea Bayer
Publisher: Metropolitan Museum of Art
ISBN: 1588391175
Category : Naturalism in art
Languages : en
Pages : 273
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Book Description
"Largely as a result of Leonardo's innovative work for the Sforza court in Milan, a rich vein of naturalism developed in North Italian art during the late fifteenth century. Questioning the strongly classicizing, idealized style dominant in areas south of the Apennines, artists in the region of Lombardy turned to an investigation of the natural world based on direct observation and adherence to strict visual truth. This heritage of realism continued to be of key importance for more than two hundred years, finding its greatest expression in the art of Caravaggio and eventually influencing the course of Baroque painting throughout Europe. Religious scenes, portraits, and landscapes were all transformed by this new naturalism, which also spurred an interest in still lifes and genre scenes as subjects for paintings. Painters of Reality, titled after an influential exhibition held in Milan more than fifty years ago, is the first study in English of this major aspect of Italian art. Reexamining the subject in light of copious subsequent scholarship, the authors of this volume contribute major essays that define and discuss naturalism as it appeared in both Lombard paintings and drawings. There is also a fresh consideration of the Northern Italian predecessors whose influence is apparent, either directly or indirectly, in the paintings of Caravaggio. More detailed discussions of the subject center on the precise elements that constituted Leonardo's "hypernaturalism"; the important schools of painting that arose in Brescia, Bergamo, Cremona, and Milan; and Caravaggio's most notable successors in northern Italy, who kept Lombard realism alive into the eighteenth century. Map, artists' biographies, bibliography, and index are also included" -- Metropolitan Museum of Art website.
Author: Andrea Bayer
Publisher: Metropolitan Museum of Art
ISBN: 1588394530
Category : Art
Languages : en
Pages : 82
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Book Description
Catalog of an exhibition held at the Metropolitan Museum of Art, New York, May 15-Sept. 3, 2012.
Author: Matheo Pagano
Publisher: Legare Street Press
ISBN: 9781014378101
Category :
Languages : en
Pages : 52
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Gabriele Paleotti
Publisher: Getty Publications
ISBN: 160606116X
Category : Art
Languages : en
Pages : 370
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Book Description
In the wake of the Counter-Reformation, Cardinal Gabriele Paleotti, the archbishop of Bologna, wrote a remarkable treatise on art during a time when the Church feared rampant abuse in the arts. Paleotti's 'Discourse on Sacred and Profane Images' argues that art should address a broad audience and explains the painter's responsibility to his spectators.
Author: Dr Aron Vinegar
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409456131
Category : Art
Languages : en
Pages : 378
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Book Description
Heidegger and the Work of Art History explores the impact and future possibilities of Heidegger’s philosophy for art history and visual culture in the 21st century. Scholars from the fields of art history, visual and material studies, design, philosophy, aesthetics and new media pursue diverse lines of thinking that have departed from Heidegger’s work in order to foster compelling new accounts of works of art and their historicity.
Author: David Young Kim
Publisher: Princeton University Press
ISBN: 0691231176
Category : Art
Languages : en
Pages : 264
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Book Description
An illuminating look at a fundamental yet understudied aspect of Italian Renaissance painting The Italian Renaissance picture is renowned for its depiction of the human figure, from the dramatic foreshortening of the body to create depth to the subtle blending of tones and colors to achieve greater naturalism. Yet these techniques rely on a powerful compositional element that often goes overlooked. Groundwork provides the first in-depth examination of the complex relationship between figure and ground in Renaissance painting. “Ground” can refer to the preparation of a work’s surface, the fictive floor or plane, or the background on which figuration occurs. In laying the material foundation, artists perform groundwork, opening the ground as a zone that can precede, penetrate, or fracture the figure. David Young Kim looks at the work of Gentile da Fabriano, Giovanni Bellini, Giovanni Battista Moroni, and Caravaggio, reconstructing each painter’s methods to demonstrate the intricacies involved in laying ground layers whose translucency and polychromy permeate the surface. He charts significant transitions from gold ground painting in the Trecento to the darkened grounds in Baroque tenebrism, and offers close readings of period texts to shed new light on the significance of ground forms such as rock face, wall, and cave. This beautifully illustrated book reconceives the Renaissance picture, revealing the passion and mystery of groundwork and discovering figuration beyond the human figure.
Author: Irma B. Jaffe
Publisher: Fordham Univ Press
ISBN: 9780823221806
Category : Italian poetry
Languages : en
Pages : 484
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Book Description
