Why Mona Lisa Smiles and Other Tales by Vasari PDF Download
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Author: Paul Barolsky
Publisher: Penn State Press
ISBN: 0271038527
Category : Art
Languages : en
Pages : 149
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Book Description
Author: Paul Barolsky
Publisher: Penn State Press
ISBN: 0271038527
Category : Art
Languages : en
Pages : 149
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Book Description
Author: Mary Arrigan
Publisher: Frances Lincoln Childrens Books
ISBN: 1845074041
Category : Juvenile Fiction
Languages : en
Pages : 26
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Book Description
Young Mario wants to help Giotto as he paints a fresco featuring the nativity scene, but he only causes trouble until he figures out what the picture is missing.
Author: Andrew Ladis
Publisher: Penn State University Press
ISBN:
Category : Art
Languages : en
Pages : 238
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Book Description
A discussion of the murals by Giotto in the Arena Chapel of Padua, Italy. The artist's work is considered in terms of its relationship to the structure of the poetry of Dante, biblical exegesis, geometry, and symmetry.
Author: Paolo Guarnieri
Publisher: Farrar, Straus & Giroux (BYR)
ISBN: 9780374309312
Category : Juvenile Nonfiction
Languages : en
Pages : 28
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Book Description
Eight-year-old Giotto the shepherd boy confesses his dream of becoming an artist to the painter Cimabue, who teaches him how to make marvelous pigments from minerals, flowers, and eggs and takes him on as his pupil.
Author: Michael Viktor Schwarz
Publisher: Böhlau Wien
ISBN: 3205217357
Category : Art
Languages : en
Pages : 1454
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Book Description
Vol. 1: Life Giotto (1334) is the first European artist about whom it is possible to write following the schema of "life and work". The situation of the sources, however, is complicated: On Giotto's life, there are – on the one hand – biographical accounts from the mid-fourteenth century onwards that responded to various ideological requirements (patriotism, humanism, Renaissance ideology, cult of the artist); on the other, there is extensive documentary material from Giotto's lifetime, which seems to reflect less the biography of an artist than that of a bourgeois businessman resolutely climbing the social ladder. The present volume focuses on this second aspect of the Giotto figure's double life relating it to the form of existence of the pre-modern artist. Vol. 2: Works The paintings examined and contextualised in this volume are those secured for Giotto through early written sources. These sources also help to reconstruct the sequence of his works and artistic inventions as is plausible in the context of media culture in the decades around and after 1300: while Giotto was spiritually and intellectually formed in the sphere of the Florentine Dominicans, his artistic path began in Rome in the shadow of the Curia. The breakthrough to his own artistic concept came immediately before and during his work in Padua. In addition to prominent churchmen, ecclesiastical institutions, and the King of Naples, his clients were predominantly members of Italy's urban and financial elites. The adoption and further development of his inventions by other - especially Sienese - painters pressured him in his later years to try new approaches again. Vol. 3: Survival Giotto is considered by many to be the founder of modern painting. This thesis is discussed and modified in the present volume on an empirical basis. What emerges is that Giotto's impact cannot be reduced simply to the introduction of the study of nature. Rather, his art was involved in the development of pictorial idioms that were attuned to the skills and interests of their audiences. The new approaches in his painting contributed in particular to the possibility of examining and communicating psychological, narrative and allegorical content of great complexity outside the media of language and text, which not only changed the face of European art but certainly contributed to the intellectual opening of Western societies.
Author: Georgiana M. Craik
Publisher:
ISBN:
Category :
Languages : en
Pages : 304
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Book Description
Author: Basil De Selincourt
Publisher:
ISBN:
Category : Mural painting and decoration, Gothic
Languages : en
Pages : 364
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Book Description
Author: Amy Steedman
Publisher: BoD – Books on Demand
ISBN: 9359322083
Category : Biography & Autobiography
Languages : en
Pages : 120
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Book Description
"Knights of Art" is an enthralling work written by Amy Steedman, a British writer well-known for her contributions to children's literature. Some stories are violent and strange, while others creep up on you and slowly suck you in. This edition of "Knights of Art" is both modern and legible, with an eye-catching new cover and a beautifully typeset book. The realm of art and well-known Italian Renaissance painters are introduced to young readers in this book. Steedman's storytelling ability shows through throughout, as she crafts enthralling stories about the lives and artistic exploits of renowned luminaries such as Leonardo da Vinci, Raphael, Titian, and others. With captivating storytelling and vivid descriptions, she transports readers to the colorful and creative landscape of Renaissance Italy. "Knights of Art" is more than a collection of biographies; it demonstrates Steedman's commitment to making art history accessible and inspiring to young people. Her story immerses readers in the art, society, and historical backdrop of this pivotal era, prompting them to appreciate the beauty and value of these works.
Author: Madeleine L'Engle
Publisher: Simon & Schuster Books For Young Readers
ISBN: 9780671686901
Category : Christian biography
Languages : en
Pages : 0
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Book Description
Describes the life of Jesus Christ and presents twenty-four paintings showing scenes from the life of Christ by the fourteenth-century Italian artist Giotto.
Author: Michael Viktor Schwarz
Publisher: Böhlau Wien
ISBN: 3205216970
Category : Art
Languages : en
Pages : 427
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Book Description
Giotto (1334) is the first European artist about whom it is possible to write following the schema of "life and work". The situation of the sources, however, is complicated: On Giotto's life, there are – on the one hand – biographical accounts from the mid-fourteenth century onwards that responded to various ideological requirements (patriotism, humanism, Renaissance ideology, cult of the artist); on the other, there is extensive documentary material from Giotto's lifetime, which seems to reflect less the biography of an artist than that of a bourgeois businessman resolutely climbing the social ladder. The present volume focuses on this second aspect of the Giotto figure's double life relating it to the form of existence of the pre-modern artist.
