Giotto and Medieval Art PDF Download
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Author: Lucia Corrain
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 72
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Book Description
Examines the life, work, and world of the medieval Italian artist, and assesses his impact on later art.
Author: Lucia Corrain
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 72
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Book Description
Examines the life, work, and world of the medieval Italian artist, and assesses his impact on later art.
Author: Hayden B. J. Maginnis
Publisher: Penn State University Press
ISBN:
Category : Art
Languages : en
Pages : 376
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Book Description
This book is a revisionist account of central Italian painting in the period 1260 - 1370.
Author: Anne Derbes
Publisher: Cambridge University Press
ISBN: 0521770076
Category : Art
Languages : en
Pages : 43
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Book Description
Sample Text
Author: Giotto
Publisher: DK Publishing (Dorling Kindersley)
ISBN:
Category : Painters
Languages : en
Pages : 148
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Book Description
The artist who influenced the whole of the Italian Renaissance, of whom Vasari wrote "GIOTTO restored the link between art and nature."
Author: Francesca Flores d'Arcais
Publisher: Abbeville Press
ISBN: 9780789211149
Category :
Languages : en
Pages : 0
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Book Description
"The preface to the second Italian edition was translated by Marguerite Shore"--T.p. verso.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 724
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Book Description
Author: Julian Gardner
Publisher: Harvard University Press
ISBN: 0674050800
Category : Art
Languages : en
Pages : 273
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Book Description
Political strife and religious faction lacerated fourteenth-century Italy. Giotto's commissions are best understood against the background of this social turmoil. They reflected the demands of his patrons, the requirements of the Franciscan Order, and the restlessly inventive genius of the painter. Julian Gardner examines this important period of Giotto's path-breaking career through works originally created for Franciscan churches: Stigmatization of Saint Francis from San Francesco at Pisa, now in the Louvre, the Bardi Chapel cycle of the Life of St. Francis in Santa Croce at Florence, and the frescoes of the crossing vault above the tomb of Saint Francis in the Lower Church of San Francesco at Assisi.
Author: Janetta Rebold Benton
Publisher: Bloomsbury Publishing USA
ISBN: 1567206557
Category : History
Languages : en
Pages : 347
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Book Description
A comprehensive and informed analysis explores the startlingly diverse and sophisticated fine arts in the Middle Ages. Materials, Methods, and Masterpieces of Medieval Art provides a comprehensive and detailed analysis of the work done by artists in western Europe during the Middle Ages. Art historian Janetta Rebold Benton uses examples such as the Book of Kells, Bury Saint Edmunds Cross, and the Bayeux Tapestry, and the work of artists such as Jan van Eyck and Giotto to explore the various media available to medieval artists and the ways in which those media were used to create a stunning array of masterworks. Although the visual arts of the Middle Ages were extremely colorful, today much of that color has diminished or disappeared, the pigments and threads faded, the gold abraded, the silver tarnished. Materials, Methods, and Masterpieces of Medieval Art allows these works to sparkle once more.
Author: John Ruskin
Publisher: London : Arundel Society
ISBN:
Category : Madonna dell'Arena (Chapel) Padua, Italy
Languages : en
Pages : 140
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Book Description
Author: Laura Jacobus
Publisher: Harvey Miller
ISBN:
Category : Art
Languages : en
Pages : 468
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Book Description
This book is divided into two parts, the first presenting new evidence and reconstructions of the chapel's design and early history; the second offering new interpretations of Giotto's frescoes. Appendices present original sources, all of which are newly-discovered, unpublished or previously published in inaccessible editions. An outline of the early history of the Scrovegni family and the career of the chapel's patron, Enrico Scrovegni, introduces the first part of the book. It is argued that the chapel's varied functions played an important part in determining the form of the building and the content of its frescoes. A complete reconstruction of the appearance of the Arena Chapel at the time of its consecration in 1305 forms the basis for an entirely new understanding of Giotto's frescoes. Giotto was the architect of the Arena Chapel, architecture and decoration were completely integrated in his design. Changes in the design brief during the period 1300-1305 prevented the full realization of his design. Some of the paintings now seen in the Arena Chapel, which have always been attributed to Giotto, are not in fact by him. Several independent masters worked under Giotto's direction. He headed a flexibly-organized workshop. Part II is introduced by a discussion of the frescoes that would be encountered by visitors to the Arena Chapel. These frescoes were deliberately placed in these positions by Giotto in order to further a process of luminal transformation upon entry into sacred space. Giotto employed radically new compositional devices to evoke correspondences between the pictured protagonists in their fictive environments, and viewers in the real environment of the chapel. Dr. Laura Jacobus' research interests cover various aspects of Italian visual culture during the period c.1250-1450. She teaches at Birkbeck University of London.
