Author: James Gilbert
Publisher:
ISBN:
Category : Great Exhibition
Languages : en
Pages : 264
Book Description
Gilbert's Visitor's Guide to London ...
Author: James Gilbert
Publisher:
ISBN:
Category : Great Exhibition
Languages : en
Pages : 264
Book Description
Publisher:
ISBN:
Category : Great Exhibition
Languages : en
Pages : 264
Book Description
Religion and the Great Exhibition of 1851
Author: Geoffrey Cantor
Publisher: OUP Oxford
ISBN: 0191616575
Category : Religion
Languages : en
Pages : 240
Book Description
The Great Exhibition of 1851 is routinely portrayed as a manifestly secular event which was confined to celebrating the success of science, technology, and manufacturing in the mid-Victorian age. Geoffrey Cantor presents an innovative reappraisal of the Exhibition, demonstrating that it was widely understood by contemporaries to possess a religious dimension and that it generated controversy among religious groups. Prince Albert bestowed legitimacy on the Exhibition by proclaiming it to be a display of divine providence whilst others interpreted it as a sign of the coming Apocalypse. With anti-Catholic feeling running high following the recent 'papal aggression', many Protestants roundly condemned those exhibits associated with Catholicism and some even denounced the Exhibition as a Papist plot. Catholics, for their part, criticized the Exhibition as a further example of religious repression. Several evangelical religious organisations energetically rose to the occasion, considering the Exhibition to be a divinely ordained opportunity to make converts, especially among 'heathens' and foreigners. Jews generally welcomed the Exhibition, as did Unitarians, Quakers, Congregationalists, and a wide spectrum of Anglicans - but all for different reasons. Cantor explores this diversity of perception through contemporary sermons, and, most importantly, the highly differentiated religious press. Taken all together these religious responses to the Exhibition shed fresh light on a crucial mid-century event.
Publisher: OUP Oxford
ISBN: 0191616575
Category : Religion
Languages : en
Pages : 240
Book Description
The Great Exhibition of 1851 is routinely portrayed as a manifestly secular event which was confined to celebrating the success of science, technology, and manufacturing in the mid-Victorian age. Geoffrey Cantor presents an innovative reappraisal of the Exhibition, demonstrating that it was widely understood by contemporaries to possess a religious dimension and that it generated controversy among religious groups. Prince Albert bestowed legitimacy on the Exhibition by proclaiming it to be a display of divine providence whilst others interpreted it as a sign of the coming Apocalypse. With anti-Catholic feeling running high following the recent 'papal aggression', many Protestants roundly condemned those exhibits associated with Catholicism and some even denounced the Exhibition as a Papist plot. Catholics, for their part, criticized the Exhibition as a further example of religious repression. Several evangelical religious organisations energetically rose to the occasion, considering the Exhibition to be a divinely ordained opportunity to make converts, especially among 'heathens' and foreigners. Jews generally welcomed the Exhibition, as did Unitarians, Quakers, Congregationalists, and a wide spectrum of Anglicans - but all for different reasons. Cantor explores this diversity of perception through contemporary sermons, and, most importantly, the highly differentiated religious press. Taken all together these religious responses to the Exhibition shed fresh light on a crucial mid-century event.
Catalogue of a Collection of Works on Or Having Reference to the Exhibition of 1851
Author: Charles Wentworth Dilke
Publisher: Cambridge University Press
ISBN: 1108036619
Category : History
Languages : en
Pages : 127
Book Description
Privately published in 1855, this catalogue lists several hundred contemporary publications that testify to the impact of the Great Exhibition.
Publisher: Cambridge University Press
ISBN: 1108036619
Category : History
Languages : en
Pages : 127
Book Description
Privately published in 1855, this catalogue lists several hundred contemporary publications that testify to the impact of the Great Exhibition.
The Art circular, a monthly record of illustrated literature and art manufactures
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 52
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 52
Book Description
Bulletin of the New York Public Library
Author: New York Public Library
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 824
Book Description
Includes its Report, 1896-19 .
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 824
Book Description
Includes its Report, 1896-19 .
The Athenæum
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1450
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1450
Book Description
Punch
Author:
Publisher:
ISBN:
Category : Caricatures and cartoons
Languages : en
Pages : 338
Book Description
Publisher:
ISBN:
Category : Caricatures and cartoons
Languages : en
Pages : 338
Book Description
The Roman Catholic question [letters, articles, sermons and other documents].
Author: Roman Catholic question
Publisher:
ISBN:
Category :
Languages : en
Pages : 238
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 238
Book Description
List of Works Relating to British Genealogy and Local History
Author: New York Public Library
Publisher:
ISBN:
Category : Genealogy
Languages : en
Pages : 390
Book Description
Publisher:
ISBN:
Category : Genealogy
Languages : en
Pages : 390
Book Description
Dickens, Reynolds, and Mayhew on Wellington Street
Author: Mary L. Shannon
Publisher: Routledge
ISBN: 1317151143
Category : Literary Criticism
Languages : en
Pages : 338
Book Description
A glance over the back pages of mid-nineteenth-century newspapers and periodicals published in London reveals that Wellington Street stands out among imprint addresses. Between 1843 and 1853, Household Words, Reynolds’s Weekly Newspaper, the Examiner, Punch, the Athenaeum, the Spectator, the Morning Post, and the serial edition of London Labour and the London Poor, to name a few, were all published from this short street off the Strand. Mary L. Shannon identifies, for the first time, the close proximity of the offices of Charles Dickens, G.W.M. Reynolds, and Henry Mayhew, examining the ramifications for the individual authors and for nineteenth-century publishing. What are the implications of Charles Dickens, his arch-competitor the radical publisher G.W.M. Reynolds, and Henry Mayhew being such close neighbours? Given that London was capital of more than Britain alone, what connections does Wellington Street reveal between London print networks and the print culture and networks of the wider empire? How might the editors’ experiences make us rethink the ways in which they and others addressed their anonymous readers as ’friends’, as if they were part of their immediate social network? As Shannon shows, readers in the London of the 1840s and '50s, despite advances in literacy, print technology, and communications, were not simply an ’imagined community’ of individuals who read in silent privacy, but active members of an imagined network that punctured the anonymity of the teeming city and even the empire.
Publisher: Routledge
ISBN: 1317151143
Category : Literary Criticism
Languages : en
Pages : 338
Book Description
A glance over the back pages of mid-nineteenth-century newspapers and periodicals published in London reveals that Wellington Street stands out among imprint addresses. Between 1843 and 1853, Household Words, Reynolds’s Weekly Newspaper, the Examiner, Punch, the Athenaeum, the Spectator, the Morning Post, and the serial edition of London Labour and the London Poor, to name a few, were all published from this short street off the Strand. Mary L. Shannon identifies, for the first time, the close proximity of the offices of Charles Dickens, G.W.M. Reynolds, and Henry Mayhew, examining the ramifications for the individual authors and for nineteenth-century publishing. What are the implications of Charles Dickens, his arch-competitor the radical publisher G.W.M. Reynolds, and Henry Mayhew being such close neighbours? Given that London was capital of more than Britain alone, what connections does Wellington Street reveal between London print networks and the print culture and networks of the wider empire? How might the editors’ experiences make us rethink the ways in which they and others addressed their anonymous readers as ’friends’, as if they were part of their immediate social network? As Shannon shows, readers in the London of the 1840s and '50s, despite advances in literacy, print technology, and communications, were not simply an ’imagined community’ of individuals who read in silent privacy, but active members of an imagined network that punctured the anonymity of the teeming city and even the empire.