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Author: Thomas W. Gaehtgens
Publisher: Getty Publications
ISBN: 1606060171
Category : Antiques & Collectibles
Languages : en
Pages : 230
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Book Description
This is the second volume in the annual publication that showcases the work of the Getty Research Institute. This annual publication showcases work by scholars and staff associated with the Getty Research Institute and the other programs of the prestigious J. Paul Getty Trust. Getty Research Journal offers peer reviewed essays that focus on an object or aspect of the Getty's extensive archival, rare book, and artistic holdings or that relate to the annual research themes of the Research Institute and the Getty Villa. It also presents a selection of short, dynamic pieces about new acquisitions, scholarly activities, and ongoing projects at the Getty.
Author: Thomas W. Gaehtgens
Publisher: Getty Publications
ISBN: 1606060171
Category : Antiques & Collectibles
Languages : en
Pages : 230
Get Book Here
Book Description
This is the second volume in the annual publication that showcases the work of the Getty Research Institute. This annual publication showcases work by scholars and staff associated with the Getty Research Institute and the other programs of the prestigious J. Paul Getty Trust. Getty Research Journal offers peer reviewed essays that focus on an object or aspect of the Getty's extensive archival, rare book, and artistic holdings or that relate to the annual research themes of the Research Institute and the Getty Villa. It also presents a selection of short, dynamic pieces about new acquisitions, scholarly activities, and ongoing projects at the Getty.
Author: Charissa Bremer-David
Publisher: Getty Publications
ISBN: 0892364556
Category : Art
Languages : en
Pages : 130
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Book Description
This beautifully illustrated work brings together more than one hundred objects from the J. Paul Getty Museum’s collection of European decorative arts. Included here is a generous selection of French and Italian furniture from the mid-sixteenth to the early nineteenth century. Masterpieces by André-Charles Boulle, Bernard (II) van Risenburgh, and others reveal the virtuoso craftsmanship that makes these objects such compelling examples of the furniture maker’s art. Many of the Museum’s finest pieces of porcelain, glass, and tin-glazed earthenware are also represented. Tapestries from Gobelins and Beauvais, bronze firedogs from Fontainebleau, and a lathe-turned ivory goblet of astonishing complexity from Saxony are among the other highlights of this handsome volume.
Author: The J. Paul Getty Museum
Publisher: Getty Publications
ISBN: 0892362081
Category : Art
Languages : en
Pages : 190
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Book Description
The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Manuscripts, Paintings, Drawings, Decorative Arts, Sculpture and Works of Art, and Photographs. The Journal also contains an illustrated checklist of the Museum’s acquisitions for the previous year, a staff listing, and a statement by the Museum’s Director outlining the year’s most important activities. Volume 19 of the J. Paul Getty Museum Journal includes articles by Nicholas Penny, Ariane van Suchtelen, Thomas DaCosta Kaufmann and Virginia Roehrig Kaufmann, Frits Scholten, David Harris Cohen, and Dawson W. Carr.
Author: Nancy Perloff
Publisher: Getty Publications
ISBN: 1606065084
Category : Art
Languages : en
Pages : 210
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Book Description
The artists’ books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets—including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky— collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning “beyond the mind”), which was distinctive in its emphasis on “sound as such” and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval’ (Explodity). In addition, Nancy Perloff examines the profound differences between the Russian avant-garde and Western art movements, including futurism, and she uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry (the Brazilian Noigandres group, Ian Hamilton Finlay, and Henri Chopin), contemporary Western conceptual art, and the artist’s book. Sound recordings of zaum poems featured in the book are available at www.getty.edu.
Author: J. Paul Getty Museum
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 380
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Book Description
Author: Marcia Reed
Publisher: Getty Publications
ISBN: 1606066625
Category : Art
Languages : en
Pages : 146
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Book Description
An exploration of the radical artists who transformed the ways art is conceived, exhibited, and collected, through the Dada, Surrealist, and Fluxus collections of Jean and Leonard Brown. Throughout the 1960s, Jean and Leonard Brown used their radical tastes, prescient instincts, and friendships with artists to assemble an extensive archive of Dada and surrealist publications and prints—including works by Marcel Duchamp, Man Ray, and Tristan Tzara. After Leonard’s death in 1970, Jean’s attention turned to Fluxus and other contemporary genres. Jean also established a site of alternative art production at her Shaker Seed House in Tyringham, Massachusetts, where she invited artists to engage with her collections. Fluxus works embraced the social and political critiques of earlier avant-garde artists and questioned the authority of the increasingly powerful contemporary art world of critics, collectors, curators, and gallerists. This examination of artists and their antiestablishment demands for change shows how their art was created, performed, exhibited, and collected in new ways that intentionally challenged traditional modes. By providing an expanded understanding of avant-garde and Fluxus artists through the lens of the Jean Brown Archive at the Getty Research Institute, this volume demonstrates the profound influence these artists had on contemporary art.
Author: Gail Feigenbaum
Publisher: Getty Publications
ISBN: 1606066080
Category : Art
Languages : en
Pages : 240
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Book Description
The Getty Research Journal features the work of art historians, museum curators, and conservators from around the world as part of the Getty’s mission to promote the presentation, conservation, and interpretation of the world’s artistic legacy. Articles present original scholarship related to the Getty’s collections, initiatives, and research. This issue features essays on the culture of display in eighteenth-century Venetian palaces, the influence of prehistoric cave paintings on American abstract artists, the life and writings of Pauline Gibling Schindler, an unrealized project by Sam Francis and Walter Hopps for a contemporary art venue in 1960s Los Angeles, Harald Szeemann’s early plans for the documenta 5 exhibition, and the notebooks and manuscripts that led to Aldo Rossi’s Scientific Autobiography. Shorter texts include notices on Felipe Guaman Poma de Ayala’s illustrations accompanying a tale in Martín de Murúa’s Historia general del Piru, copperplate prints depicting the Qing army’s invasion of Nepal in 1792, the Nazi-era business records of the Gustav Cramer gallery in The Hague, Netherlands, and a proposal for the integration of provenance research into all aspects of museum activities, including a call for cross-institutional databases and international collaborations.
Author: Marlyn Musicant
Publisher: Getty Publications
ISBN: 1606063243
Category : Architecture
Languages : en
Pages : 130
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Book Description
Union Station today is a celebrated architectural icon and vibrant centerpiece of Los Angeles’s regional transportation network. Designed by John and Donald B. Parkinson, its mission revival architecture speaks to a mythic vision of Spanish heritage, but with streamline moderne and art deco details. At first glance this masterpiece, conceived as a magnificent gateway to the growing metropolis, offers no hint of the civic, financial, and legal battles surrounding its development, siting, style, and construction—battles that were waged across decades in the early twentieth century and that went as high as the U.S. Supreme Court. Los Angeles Union Station explores this compelling example of how transit and corporations disrupted regional balances of power and political economies. Aided by new research and beautiful drawings from the Getty Research Institute’s archive, the authors demonstrate how contentious politics informed architectural design—and the many ways in which Union Station was at the heart of the rise of Los Angeles. The book accompanies the exhibition No Further West, on view at the Los Angeles Public Library from May 2 through August 10, 2014.
Author: Gail Feigenbaum
Publisher: Getty Publications
ISBN: 1606067168
Category : Art
Languages : en
Pages : 226
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Book Description
The Getty Research Journal features the work of art historians, museum curators, and conservators around the world as part of Getty’s mission to promote the presentation, conservation, and interpretation of the world’s artistic legacy. Articles present original scholarship related to Getty collections, initiatives, and broad research interests. This issue features essays on a Parthian stag rhyton and new epigraphic and technical discoveries; gendered devotion and owner portraits in illuminated manuscripts from northern France around 1300; a technical analysis of heraldic devices in a missal from Renaissance Bologna; a new social and collective practice of drawing among French architect pensionnaires of the 1820s and 1830s at Pompeii; artist Malvina Hoffman’s representations of race during her travels to Southeastern Europe as part of her work with the American Yugo-Slav Relief; Raimundo de Madrazo y Garreta’s painting Reverie—The Letter and the small-world sensation as a methodology for global art history; arguments that disprove the attribution of the J. Paul Getty Museum’s sculpture Head with Horns to artist Paul Gauguin; Head with Horns and Gauguin’s creative appropriation of objects; and the unpublished first draft of critic Clement Greenberg’s essay "Towards a Newer Laocoon."
Author: Jamie Camplin
Publisher: Getty Publications
ISBN: 1606065866
Category : Art
Languages : en
Pages : 14
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Book Description
“Why do artists love books?” This volume takes this tantalizingly simple question as a starting point to reveal centuries of symbiosis between the visual and literary arts. First looking at the development of printed books and the simultaneous emergence of the modern figure of the artist, The Art of Reading appraises works by the many great masters who took inspiration from the printed word. Authors Jamie Camplin and Maria Ranauro weave together an engaging cultural history that probes the ways in which books and paintings represent a key to understanding ourselves and the past. Paintings contain a world of information about religion, class, gender, and power, but they also reveal details of everyday life often lost in history texts. Such artworks show us not only how books have been valued over time but also how the practice of reading has evolved in Western society. Featuring over one hundred works by artists from across Europe and the United States and all painting genres, The Art of Reading explores the two-thousand-year story of the great painters and the preeminent information-providing, knowledge-endowing, solace-giving, belief-supporting, leisure-enriching, pleasure-delivering medium of all time: the book.
