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Author: Richard Brilliant
Publisher:
ISBN:
Category : Gesture in art
Languages : en
Pages : 432
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Book Description
Author: Richard Brilliant
Publisher:
ISBN:
Category : Gesture in art
Languages : en
Pages : 432
Get Book Here
Book Description
Author: Richard Brilliant
Publisher: New Haven : Connecticut Academy of Arts & Sciences
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 250
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Book Description
Author: Richard Brilliant
Publisher: Reaktion Books
ISBN: 9780948462191
Category : Art
Languages : en
Pages : 196
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Book Description
"General and theoretical study devoted entirely to portraiture. Drawing on a broad range of images from Antiquity to the twentieth century, which includes paintings, sculptures, prints, cartoons, postage stamps, medals, documents and photographs ... Richard Brilliant investigates the genre as a particular phenomenon in Western art that is especially sensitive to changes in the perceived nature of the individual in society ... Brilliant presents a thematic and cogent analysis of the connections between the subject-matter of portraits and the beholders's response--the response he or she makes to the image itself and to the person it represents ... the power of this imaginative transaction between the subject, the artist and the beholder ... With 85 illustrations, 10 in full colour"--Back cover.
Author: Gregory S. Aldrete
Publisher: Johns Hopkins University Press
ISBN: 9780801877315
Category : History
Languages : en
Pages : 0
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Book Description
Life in Rome was relentlessly public, and oratory was at its heart. Orations were dramatic spectacles in which the speaker deployed an arsenal of rhetorical tricks and strategies aimed at arousing the emotions of the audience, and spectators responded vigorously and vocally with massed chants of praise or condemnation. Unfortunately, many aspects of these performances have been lost. In the first in-depth study of oratorical gestures and crowd acclamations as methods of communication at public spectacles, Gregory Aldrete sets out to recreate these vital missing components and to recapture the original context of ancient spectacles as interactive, dramatic, and contentious public performances. At the most basic level, this work is a study of communication—how Roman speakers communicated with their audiences, and how audiences in turn were able to reply and convey their reactions to the speakers. Aldrete begins by investigating how orators employed an extraordinarily sophisticated system of hand and body gestures in order to enhance the persuasive power of their speeches. He then turns to the target of these orations—the audience—and examines how they responded through the mechanism of acclamations, that is, rhythmically shouted comments. Aldrete finds much in these ancient spectacles that is relevant to modern questions of political propaganda, manipulation of public image, crowd behavior, and speechmaking. Readers with an interest in rhetoric, urban culture, or communications in any period will find the book informative, as will those working in art history, archaeology, history, and philology.
Author: Anthony Corbeill
Publisher: Princeton University Press
ISBN: 9780691074948
Category : Art
Languages : en
Pages : 236
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Book Description
Bodily gesture. A Roman worshipper spins in a circle in front of a temple. Faced with death, a Roman woman tears her hair and beats her breasts. Enthusiastic spectators at a gladiatorial event gesticulate with thumbs. Examining the tantalizing glimpses of ancient bodies offered by surviving Roman sculptures, paintings, and literary texts, Anthony Corbeill analyzes the role of gesture in medical and religious ritual, in the gladiatorial arena, in mourning practice, in aristocratic competition of the late Republic, and in the court of the emperor Tiberius. Adopting approaches from anthropology, gender studies, and ecological theory, Nature Embodied offers both a series of case studies and an overarching narrative of the role and meanings of gesture in ancient Rome. Arguing that bodily movement grew out of the relationship between Romans and their natural, social, and spiritual environment, the book explores the ways in which an originally harmonious relationship between nature and the body was manipulated as Rome became socially and politically complex. By the time that Tacitus was writing about the reign of Tiberius, the emergence of a new political order had prompted an increasingly inscrutable equation between truth and the body--and something vital in the once harmonizing relationship between bodies and the world beyond them had been lost. Nature Embodied makes an important contribution to an expanding field of research by offering a new theoretical model for the study of gesture in classical times.
Author: Nathan Rosenstein
Publisher: John Wiley & Sons
ISBN: 1444357204
Category : History
Languages : en
Pages : 769
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Book Description
This Companion provides an authoritative and up-to-date overview of Roman Republican history as it is currently practiced. Highlights recent developments, including archaeological discoveries, fresh approaches to textual sources, and the opening up of new areas of historical study Retains the drama of the Republic’s rise and fall Emphasizes not just the evidence of texts and physical remains, but also the models and assumptions that scholars bring to these artefacts Looks at the role played by the physical geography and environment of Italy Offers a compact but detailed narrative of military and political developments from the birth of the Roman Republic through to the death of Julius Caesar Discusses current controversies in the field
Author: David Michael Kleinberg-Levin
Publisher: Stanford University Press
ISBN: 9780804750882
Category : Philosophy
Languages : en
Pages : 540
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Book Description
For Greek antiquity, the question of right or fitting measure constituted the very heart of both ethics and politics. But can the Good of the ethical life and the Justice of the political be reduced to measurement and calculation? If they are matters of measure, are they not also absolutely immeasurable? In critical dialogue with texts by Plato, Hölderlin, Rilke, Heidegger, Benjamin, Adorno, Marx, Merleau-Ponty, Levinas, and Levi, the author argues that the question of measure has become ever more urgent in the context of a modernity pressured by the conditions of a technological economy and a relativism that threatens to destroy a vital sense of moral responsibility and the commitment to justice that underlies the possibility of freedom. Conceived as a task for the “metaphysics” of memory, this book explores the normative problematic of measure, bringing its deeply buried redemptive promise to appearance in our gestures, uses and abuses of the hands, the dialectic of tact, and the manners of social existence.
Author: John R. Clarke
Publisher: Univ of California Press
ISBN: 0520248155
Category : Art
Languages : en
Pages : 400
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Book Description
"Art in the Lives of Ordinary Romans is superbly out of the ordinary. John Clarke's significant and intriguing book takes stock of a half-century of lively discourse on the art and culture of Rome's non-elite patrons and viewers. Its compelling case studies on religion, work, spectacle, humor, and burial in the monuments of Pompeii and Ostia, which attempt to revise the theory of trickle-down Roman art, effectively refine our understanding of Rome's pluralistic society. Ordinary Romans-whether defined in imperialistic monuments or narrating their own stories through art in houses, shops, and tombs-come to life in this stimulating work."—Diana E. E. Kleiner, author of Roman Sculpture "John R. Clarke again addresses the neglected underside of Roman art in this original, perceptive analysis of ordinary people as spectators, consumers, and patrons of art in the public and private spheres of their lives. Clarke expands the boundaries of Roman art, stressing the defining power of context in establishing Roman ways of seeing art. And by challenging the dominance of the Roman elite in image-making, he demonstrates the constitutive importance of the ordinary viewing public in shaping Roman visual imagery as an instrument of self-realization."—Richard Brilliant, author of Commentaries on Roman Art, Visual Narratives, and Gesture and Rank in Roman Art "John Clarke reveals compelling details of the tastes, beliefs, and biases that shaped ordinary Romans' encounters with works of art-both public monuments and private art they themselves produced or commissioned. The author discusses an impressively wide range of material as he uses issues of patronage and archaeological context to reconstruct how workers, women, and slaves would have experienced works as diverse as the Ara Pacis of Augustus, funerary decoration, and tavern paintings at Pompeii. Clarke's new perspective yields countless valuable insights about even the most familiar material."—Anthony Corbeill, author of Nature Embodied: Gesture in Ancient Rome "How did ordinary Romans view official paintings glorifying emperors? What did they intend to convey about themselves when they commissioned art? And how did they use imagery in their own tombstones and houses? These are among the questions John R. Clarke answers in his fascinating new book. Charting a new approach to people's art, Clarke investigates individual images for their functional connections and contexts, broadening our understanding of the images themselves and of the life and culture of ordinary Romans. This original and vital book will appeal to everyone who is interested in the visual arts; moreover, specialists will find in it a wealth of stimulating ideas for further study."—Paul Zanker, author of The Mask of Socrates: The Image of the Intellectual in Antiquity
Author: John Onians
Publisher: Yale University Press
ISBN: 9780300075335
Category : Art
Languages : en
Pages : 328
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Book Description
An inquiry into the foundations of European culture. The account ranges from the Greek Dark Ages to the Christianisation of Rome, revealing how the experience of a constantly changing physical environment influenced the inhabitants of Ancient Greece and Rome.
Author: Alexa Sand
Publisher: Cambridge University Press
ISBN: 1107032229
Category : Art
Languages : en
Pages : 433
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Book Description
Focuses on one of the most attractive features of late medieval manuscript illumination: the portrait of the book owner at prayer within the pages of her prayer-book.
