The Baroque in Architectural Culture, 1880-1980 PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Baroque in Architectural Culture, 1880-1980 PDF full book. Access full book title The Baroque in Architectural Culture, 1880-1980 by Andrew Leach. Download full books in PDF and EPUB format.
Author: Andrew Leach
Publisher: Routledge
ISBN: 1317040600
Category : Architecture
Languages : en
Pages : 292
Get Book Here
Book Description
In his landmark volume Space, Time and Architecture, Sigfried Giedion paired images of two iconic spirals: Tatlin’s Monument to the Third International and Borromini’s dome for Sant’Ivo alla Sapienza. The values shared between the baroque age and the modern were thus encapsulated on a single page spread. As Giedion put it, writing of Sant’Ivo, Borromini accomplished 'the movement of the whole pattern [...] from the ground to the lantern, without entirely ending even there.' And yet he merely 'groped' towards that which could 'be completely effected' in modern architecture-achieving 'the transition between inner and outer space.' The intellectual debt of modern architecture to modernist historians who were ostensibly preoccupied with the art and architecture of earlier epochs is now widely acknowledged. This volume extends this work by contributing to the dual projects of the intellectual history of modern architecture and the history of architectural historiography. It considers the varied ways that historians of art and architecture have historicized modern architecture through its interaction with the baroque: a term of contested historical and conceptual significance that has often seemed to shadow a greater contest over the historicity of modernism. Presenting research by an international community of scholars, this book explores through a series of cross sections the traffic of ideas between practice and history that has shaped modern architecture and the academic discipline of architectural history across the long twentieth century. The editors use the historiography of the baroque as a lens through which to follow the path of modern ideas that draw authority from history. In doing so, the volume defines a role for the baroque in the history of architectural historiography and in the history of modern architectural culture.
Author: Andrew Leach
Publisher: Routledge
ISBN: 1317040600
Category : Architecture
Languages : en
Pages : 292
Get Book Here
Book Description
In his landmark volume Space, Time and Architecture, Sigfried Giedion paired images of two iconic spirals: Tatlin’s Monument to the Third International and Borromini’s dome for Sant’Ivo alla Sapienza. The values shared between the baroque age and the modern were thus encapsulated on a single page spread. As Giedion put it, writing of Sant’Ivo, Borromini accomplished 'the movement of the whole pattern [...] from the ground to the lantern, without entirely ending even there.' And yet he merely 'groped' towards that which could 'be completely effected' in modern architecture-achieving 'the transition between inner and outer space.' The intellectual debt of modern architecture to modernist historians who were ostensibly preoccupied with the art and architecture of earlier epochs is now widely acknowledged. This volume extends this work by contributing to the dual projects of the intellectual history of modern architecture and the history of architectural historiography. It considers the varied ways that historians of art and architecture have historicized modern architecture through its interaction with the baroque: a term of contested historical and conceptual significance that has often seemed to shadow a greater contest over the historicity of modernism. Presenting research by an international community of scholars, this book explores through a series of cross sections the traffic of ideas between practice and history that has shaped modern architecture and the academic discipline of architectural history across the long twentieth century. The editors use the historiography of the baroque as a lens through which to follow the path of modern ideas that draw authority from history. In doing so, the volume defines a role for the baroque in the history of architectural historiography and in the history of modern architectural culture.
Author: Shulamith Behr
Publisher: Princeton University Press
ISBN: 0691044627
Category : Art
Languages : en
Pages : 312
Get Book Here
Book Description
A beautifully illustrated examination of the women artists whose inspired search for artistic integrity and equality influenced Expressionist avant-garde culture Women Artists in Expressionism explores how women negotiated the competitive world of modern art during the late Wilhelmine and early Weimar periods in Germany. Their stories challenge predominantly male-oriented narratives of Expressionism and shed light on the divergent artistic responses of women to the dramatic events of the early twentieth century. Shulamith Behr shows how the posthumous critical reception of Paula Modersohn-Becker cast her as a prime agent of the feminization of the movement, and how Käthe Kollwitz used printmaking as a vehicle for technical innovation and sociopolitical commentary. She looks at the dynamic relationship between Marianne Werefkin and Gabriele Münter, whose different paths in life led them to the Blaue Reiter, a group of Expressionist artists that included Wassily Kandinsky and Paul Klee. Behr examines Nell Walden’s role as an influential art dealer, collector, and artist, who promoted women Expressionists during the First World War, and discusses how Dutch artist Jacoba van Heemskerck’s spiritual abstraction earned her the status of an honorary German Expressionist. She demonstrates how figures such as Rosa Schapire and Johanna Ey contributed to the development of the movement as spectators, critics, and collectors of male avant-gardism. Richly illustrated, Women Artists in Expressionism is a women-centered history that reveals the importance of emancipative ideals to the shaping of modernity and the avant-garde.
Author:
Publisher: BRILL
ISBN: 9004450033
Category : Art
Languages : en
Pages : 245
Get Book Here
Book Description
This collection of essays assesses the significance of sport for the European avant-garde in the first half of the 20th century from an international and interdisciplinary perspective. It shows the extent to which avant-garde art and culture was shaped by the dynamic encounter with modern sports.
Author:
Publisher: BRILL
ISBN: 9004309276
Category : Literary Criticism
Languages : en
Pages : 392
Get Book Here
Book Description
The figure of the barbarian has captivated the Western imagination from Greek antiquity to the present. Since the 1990s, the rhetoric of civilization versus barbarism has taken center stage in Western political rhetoric and the media. But how can the longevity and popularity of this opposition be accounted for? Why has it become such a deeply ingrained habit of thought that is still being so effectively mobilized in Western discourses? The twenty essays in this volume revisit well-known and obscure chapters in barbarism's genealogy from new perspectives and through contemporary theoretical idioms. With studies spanning from Greek antiquity to the present, they show how barbarism has functioned as the negative outside separating a civilized interior from a barbarian exterior; as the middle term in-between savagery and civilization in evolutionary models; as a repressed aspect of the civilized psyche; as concomitant with civilization; as a term that confuses fixed notions of space and time; or as an affirmative notion in philosophy and art, signifying radical change and regeneration. Proposing an original interdisciplinary approach to barbarism, this volume includes both overviews of the concept's travels as well as specific case studies of its workings in art, literature, philosophy, film, ethnography, design, and popular culture in various periods, geopolitical contexts, and intellectual traditions. Through this kaleidoscopic view of the concept, it recasts the history of ideas not only as a task for historians, but also literary scholars, art historians, and cultural analysts.
Author: Kenneth S. Calhoon
Publisher: University of Toronto Press
ISBN: 1487526970
Category : Literary Criticism
Languages : en
Pages : 283
Get Book Here
Book Description
The Long Century’s Long Shadow approaches German Romanticism and Weimar cinema as continuous developments, enlisting both in a narrative of reciprocal illumination. The author investigates different moments and media as connected phenomena, situated at alternate ends of the "long nineteenth century" but joined by their mutual rejection of the neo-classical aesthetic standard of placid and weightless poise in numerous media, including film, painting, sculpture, prose, poetry, and dance. Connecting Weimar filmmaking to Romantic thought and practice, Kenneth S. Calhoon offers a non-technological, aesthetic genealogy of cinema. He focuses on well-known literary and artistic works, including films such as Nosferatu, Metropolis, Frankenstein, and Fantasia; the writings of Conrad, Kafka, Goethe, and Novalis; and the paintings of Caspar David Friedrich, one of the leading artists of German Romanticism. With an eye to the modernism of which Weimar filmmaking was a part, The Long Century’s Long Shadow employs the Romantic landscape in poetry and painting as a mirror in which to regard cinema.
Author: Anne Thurmann-Jajes
Publisher: transcript Verlag
ISBN: 3839436176
Category : Art
Languages : en
Pages : 313
Get Book Here
Book Description
Acoustic signals, voice, sound, articulation, music and spatial networking are dispositifs of radiophonic transmission which have brought forth a great number of artistic practices. Up to and into the digital present radio has been and is employed and explored as an apparatus-based structure as well as an expanded model for performance and perception. This volume investigates a broad range of aesthetic experiments with the broadcasting technology of radio, and the use of radio as a means of disseminating artistic concepts. With exemplary case studies, its contributions link conceptual, recipient-response-related, and sociocultural issues to matters of relevance to radio art's mediation.
Author: Gabriele Knapstein
Publisher: Moderne Kunst Verlag Fur
ISBN:
Category : Architecture
Languages : en
Pages : 188
Get Book Here
Book Description
"The exhibition 'Architektonika' at the Hamburger Bahnhof - Museum für Gegenwart - Berlin displayed sculptural works, paintings, photographs and films that relate to architecture in a variety of ways. The thematic presentation sought to illustrate how differently artists have approached the interface between art and architecture since the 1960s. Besides the design, they also reflect on the social implications of buildings and urban spaces. This publicaiton considers the exhibition from various viewpoints, whilst focusing on individual aspects of this multifaceted topic"--Front cover flap.
Author: Peter Paret
Publisher: Belknap Press
ISBN: 9780674182349
Category :
Languages : en
Pages : 284
Get Book Here
Book Description
Author: Lionel Gossman
Publisher: Open Book Publishers
ISBN: 1906924066
Category : History
Languages : en
Pages : 217
Get Book Here
Book Description
"Princess Marie Adelheid of Lippe-Biesterfeld was a rebellious young writer who became a fervent Nazi. Heinrich Vogeler was a well-regarded artist who was to join the German Communist Party. Ludwig Roselius was a successful businessman who had made a fortune from his invention of decaffeinated coffee. What was it about the revolutionary climate following World War I that induced three such different personalities to collaborate in the production of a slim volume of poetry -- entitled Gott in mir -- about the indwelling of the divine within the human? Lionel Gossman's study situates this poem in the ideological context that made the collaboration possible. The study also outlines the subsequent life of the Princess who, until her death in 1993, continued to support and celebrate the ideals and heroes of National Socialism"--Publisher's description.
Author: Kurt Schwitters
Publisher:
ISBN: 9780226129396
Category : Art
Languages : en
Pages : 656
Get Book Here
Book Description
"The first anthology in English of the critical and theoretical writings of the great German artist Kurt Schwitters, considered by scholars, museums, devotees, and collectors alike to be one of the most important "thinking artists" of the twentieth century, surpassed only by Marcel Duchamp in his influence on subsequent generations. Throughout his life Schwitters wrote and published in many genres-and across genres. His children's stories and his poetry and fiction have been translated into English, as have a handful of essays. But most of his critical writing has never been translated into English, and this volume even includes material that has never been published in any language--until now. Schwitters was a prolific writer, lecturer, and critic who penned important works about architecture and design, "the problem of painting" (before it was fashionable to do so), media, aesthetics, style, abstraction, concrete writing, politics, and more. Issuing this book will be a major publishing event in the history of modern art and in the history of this extraordinary artist. The translations are superb, making the volume an extraordinary resource for art historians, curators, critics, and artists. Megan Luke's introduction is accessible, and for the first time, a large field of Schwitters's writing is available not just to Anglophone readers but to readers of numerous nationalities who consider English the lingua franca of their work"--
