German Secular Song-books of the Mid-seventeenth Century: An Examination of the Texts in Collections of Songs Published in the German-language Area Between 1624 and 1660 PDF Download
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Author: Anthony J. Harper
Publisher: Taylor & Francis
ISBN: 1040280277
Category : Social Science
Languages : en
Pages : 358
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Book Description
This title was first published in 2003. The secular song of the 17th century represents a relatively neglected area of German culture. In this book, Anthony J. Harper first studies the songs of the two great models of the time, Martin Opitz and Paul Fleming, following this with an analysis of the song-books and collections from three regions: the North-East, Central Germany, and the North. The procedure is thus both historical and geographical. The texts of these songs are examined in relation to structural principles, thematic range and stylistic treatment. Harper establishes common features and regional variations of this genre, which involves love-poetry, songs of manners with colourful portrayals of everyday life, and comic songs in a lower stylistic register. Particular attention is paid to the work of Albert and Dach in Konigsberg, Finckelthaus, Schirmer, Krieger and Schoch in Leipzig and Dresden, and Rist, Voigtlander, Zesen, Greflinger and Stieler in the Hamburg region. Where appropriate, the book assesses the role of musical settings, while not seeking to offer technical insights into musical matters. Of value to scholars of German literature, this study should also be of interest to musicologists working on the Renaissance and Baroque periods.
Author: Anthony J. Harper
Publisher: Taylor & Francis
ISBN: 1040280277
Category : Social Science
Languages : en
Pages : 358
Get Book Here
Book Description
This title was first published in 2003. The secular song of the 17th century represents a relatively neglected area of German culture. In this book, Anthony J. Harper first studies the songs of the two great models of the time, Martin Opitz and Paul Fleming, following this with an analysis of the song-books and collections from three regions: the North-East, Central Germany, and the North. The procedure is thus both historical and geographical. The texts of these songs are examined in relation to structural principles, thematic range and stylistic treatment. Harper establishes common features and regional variations of this genre, which involves love-poetry, songs of manners with colourful portrayals of everyday life, and comic songs in a lower stylistic register. Particular attention is paid to the work of Albert and Dach in Konigsberg, Finckelthaus, Schirmer, Krieger and Schoch in Leipzig and Dresden, and Rist, Voigtlander, Zesen, Greflinger and Stieler in the Hamburg region. Where appropriate, the book assesses the role of musical settings, while not seeking to offer technical insights into musical matters. Of value to scholars of German literature, this study should also be of interest to musicologists working on the Renaissance and Baroque periods.
Author: Mara R. Wade
Publisher: Rodopi
ISBN: 9789042016866
Category : German literature
Languages : en
Pages : 386
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Book Description
Author: Megan Kaes Long
Publisher: Oxford University Press
ISBN: 0190851929
Category : Music
Languages : en
Pages : 301
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Book Description
The question of tonality's origins in music's pitch content has long vexed many scholars of music theory. However, tonality is not ultimately defined by pitch alone, but rather by pitch's interaction with elements like rhythm, meter, phrase structure, and form. Hearing Homophony investigates the elusive early history of tonality by examining a constellation of late-Renaissance popular songs which flourished throughout Western Europe at the turn of the seventeenth century. Megan Kaes Long argues that it is in these songs, rather than in more ambitious secular and sacred works, that the foundations of eighteenth century style are found. Arguing that tonality emerges from features of modal counterpoint - in particular, the rhythmic, phrase structural, and formal processes that govern it - and drawing on the arguments of theorists such as Dahlhaus, Powers, and Barnett, she asserts that modality and tonality are different in kind and not mutually exclusive. Using several hundred homophonic partsongs from Italy, Germany, England, and France, Long addresses a historical question of critical importance to music theory, musicology, and music performance. Hearing Homophony presents not only a new model of tonality's origins, but also a more comprehensive understanding of what tonality is, providing novel insight into the challenging world of seventeenth-century music.
Author: Anthony John Harper
Publisher: Librairie Droz
ISBN: 9780852618219
Category : Emblems in art
Languages : en
Pages : 228
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Book Description
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Publisher:
ISBN:
Category : Learning and scholarship
Languages : en
Pages : 876
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Book Description
Author: Kevin L. Cope
Publisher: AMS Press
ISBN: 9780404622312
Category : History
Languages : en
Pages : 712
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Book Description
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Publisher:
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Category : American literature
Languages : en
Pages : 824
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Book Description
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 880
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Book Description
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 2576
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Book Description
Author: Anthony John Harper
Publisher: Routledge
ISBN:
Category : Literary Criticism
Languages : en
Pages : 370
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Book Description
The secular song of the seventeenth century represents a relatively neglected area of German culture. In this book Anthony J. Harper first studies the songs of the two great models of the time, Martin Opitz and Paul Fleming, following this by an analysis of the song-books and collections from three regions: the North-East, Central Germany, and the North. The procedure is thus both historical and geographical. The texts of these songs are examined in relation to structural principles, thematic range and stylistic treatment.Harper establishes common features and regional variations of this genre, which involves love-poetry, songs of manners with colourful portrayals of everyday life, and comic songs in a lower stylistic register. Particular attention is paid to the work of Albert and Dach in Königsberg, Finckelthaus, Schirmer, Krieger and Schoch in Leipzig and Dresden, and Rist, Voigtländer, Zesen, Greflinger and Stieler in the Hamburg region.Where appropriate, the book assesses the role of musical settings, while not seeking to offer technical insights into musical matters. Of value to scholars of German literature, this study will also be of interest to musicologists working on the Renaissance and Baroque periods.
