German Paintings of the Fifteenth Through Seventeenth Centuries PDF Download
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Author: John Oliver Hand
Publisher: Cambridge University Press
ISBN: 9780521450935
Category : Painting
Languages : en
Pages : 215
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Book Description
A catalogue of fifteenth and sixteenth century German paintings in the National Gallery of Art, Washington DC.
Author: John Oliver Hand
Publisher: Cambridge University Press
ISBN: 9780521450935
Category : Painting
Languages : en
Pages : 215
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Book Description
A catalogue of fifteenth and sixteenth century German paintings in the National Gallery of Art, Washington DC.
Author: Otto Benesch
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 702
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Book Description
Author: Joseph Leo Koerner
Publisher: University of Chicago Press
ISBN: 9780226449999
Category : Art
Languages : en
Pages : 574
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Book Description
So foundational is this invention to modern aesthetics, Koerner argues, that interpreting it takes us to the limits of traditional art-historical method. Self-portraiture becomes legible less through a history leading up to it, or through a sum of contexts that occasion it, than through its historical sight-line to the present. After a thorough examination of Durer's startlingly new self-portraits, the author turns to the work of Baldung, Durer's most gifted pupil, and demonstrates how the apprentice willfully disfigured Durer's vision. Baldung replaced the master's self-portraits with some of the most obscene and bizarre pictures in the history of art. In images of nude witches, animated cadavers, and copulating horses, Baldung portrays the debased self of the viewer as the true subject of art. The Moment of Self-Portraiture thus unfolds as passages from teacher to student, artist to viewer, reception, all within a culture that at once deified and abhorred originality.
Author: Michael Baxandall
Publisher: Oxford Paperbacks
ISBN: 9780192821447
Category : Art
Languages : en
Pages : 200
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Book Description
An introduction to 15th century Italian painting and the social history behind it, arguing that the two are interlinked and that the conditions of the time helped fashion distinctive elements in the painter's style.
Author: Jaroslav Pešina
Publisher:
ISBN:
Category : Painting, German
Languages : en
Pages : 162
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Book Description
Author: Catherine Jenkins
Publisher: Metropolitan Museum of Art
ISBN: 1588396495
Category : Art
Languages : en
Pages : 311
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Book Description
The Renaissance of Etching is a groundbreaking study of the origins of the etched print. Initially used as a method for decorating armor, etching was reimagined as a printmaking technique at the end of the fifteenth century in Germany and spread rapidly across Europe. Unlike engraving and woodcut, which required great skill and years of training, the comparative ease of etching allowed a wide variety of artists to exploit the expanding market for prints. The early pioneers of the medium include some of the greatest artists of the Renaissance, such as Albrecht Dürer, Parmigianino, and Pieter Bruegel the Elder, who paved the way for future printmakers like Rembrandt, Goya, and many others in their wake. Remarkably, contemporary artists still use etching in much the same way as their predecessors did five hundred years ago. Richly illustrated and including a wealth of new information, The Renaissance of Etching explores how artists in Germany, the Netherlands, Italy, and France developed the new medium of etching, and how it became one of the most versatile and enduring forms of printmaking. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Author: Klaus H. Carl
Publisher: Parkstone International
ISBN: 1783107936
Category : Art
Languages : en
Pages : 461
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Book Description
In a country only unified since 1871, German culture and art is derived from ancient tradition. Studying German painting requires viewing it on a different scale, larger than the current geographical frontiers. From the Middle Ages through to the New Objectivity of the 20th century, we introduce you to the German artists who have marked history: Albrecht Dürer, the Romantic Caspar David Friedrich, and the Expressionist Otto Dix. Original in its themes, German painting always seeks harmony whilst remaining inquisitive.
Author: Hans Holbein
Publisher:
ISBN:
Category :
Languages : en
Pages : 36
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Book Description
Author: Christopher S. Wood
Publisher: University of Chicago Press
ISBN: 0226905977
Category : Art
Languages : en
Pages : 399
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Book Description
Credulity -- Reference by artifact -- Germany and "Renaissance"--Forgery -- Replica -- Fiction -- Re-enactment.
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
