German-American Hymnology, 1683-1800 ... PDF Download
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Author: William August Haussmann
Publisher:
ISBN:
Category : Hymns, German
Languages : en
Pages : 74
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Author: William August Haussmann
Publisher:
ISBN:
Category : Hymns, German
Languages : en
Pages : 74
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Book Description
Author: William A. Haussmann
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 72
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Author: William August Haussmann
Publisher: Legare Street Press
ISBN: 9781022710870
Category :
Languages : en
Pages : 0
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Book Description
A study of the rich tradition of German-American hymnody, tracing its evolution from the early colonial period to the turn of the 19th century. The author provides detailed analyses of the texts and musical compositions of German-American hymns and their cultural and theological significance. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author:
Publisher:
ISBN:
Category : Comparative literature
Languages : en
Pages : 470
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Author: Allen Anders Seipt
Publisher:
ISBN:
Category : Hymns, German
Languages : en
Pages : 142
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Author: Robert Rutherford Drummond
Publisher: Library of Alexandria
ISBN: 1465552359
Category : History
Languages : en
Pages : 86
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Book Description
The early immigration of Germans to Philadelphia increased to such an extent, that before the middle of the eighteenth century the English colonists became alarmed for fear that Pennsylvania might be alienated from the English crown, and be dominated by the German immigrants. Indeed, throughout the eighteenth century the greater part of the German immigrants landed at Philadelphia, and from there were distributed into other States. We should naturally expect, with so great a population of Germans in Philadelphia and the surrounding country, that these people would continually extend their influence, and constantly spread abroad their ideas of art, religion, music and literature. Let us consider for a moment the condition of the Germans who landed in this country. In 1683, moved by William Penn’s alluring proclamations of the glorious new world, as well as by the fact that freedom of conscience was granted in Pennsylvania to all, a band of German immigrants arrived in Philadelphia and founded Germantown. With the exception of the scholar, Francis Daniel Pastorious, there were no highly cultured men or women among them. These people were of the middle class, and were more interested in weaving and agriculture and religious salvation, than in the cultivation of the fine arts. The conditions in Germany were not conducive to culture. The country was just recovering from the Thirty Years’ War, and the strength of the people was being expended in building up the homes, and improving the land made desolate during that fierce struggle. At this time, too, the German people had little liberty, but rather were under the thumb of absolutism, which was at that time the great force in European countries. It was not an epoch favorable to the cultivation of the fine arts. There was no great literature, no great art, no great music. There was, however, a strong religious spirit, which is often the result of hardship and suffering. It is in the field of religion, too, that we find the best music during the seventeenth century, although it was not original in style, but simply a continuation of Luther’s music. The hymn-writers of that time, both Catholic and Protestant, are not to be despised, and we need mention but a few, whose songs have lived even to the present day: as Paul Fleming (1609-1640) and Paul Gerhardt (1606-1676), Protestant; Friedrich Spee (1591-1635) and Johann Scheffer (1624-1677), Catholics. It can be said, then, with some degree of surety, that the performance of music by the early German settlers in Philadelphia was confined, in the province of music, to hymns.
Author: Oscar Kuhns
Publisher:
ISBN:
Category : Germans
Languages : en
Pages : 298
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Author:
Publisher:
ISBN:
Category : Comparative literature
Languages : en
Pages : 454
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Author: Oscar Kuhns
Publisher:
ISBN:
Category : German Americans
Languages : en
Pages : 286
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Author: Robert Rutherford Drummond
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 112
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