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Author: Catherine Phillips
Publisher: OUP Oxford
ISBN: 0191528196
Category : Literary Collections
Languages : en
Pages : 328
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Book Description
Gerard Manley Hopkins initially planned to become a poet-artist. For five years he trained his eye, learned about contemporary art and architecture, and made friends in the Pre-Raphaelite circle. In her fascinating and beautifully illustrated book, Catherine Phillips, whose knowledge of Hopkins's poems is expert, uses letters, new archival material, and contemporary publications to reconstruct the visual world Hopkins knew between 1862 and 1889, and especially in the 1860s, with its illustrated journals, art exhibitions, Gothic architecture, photographic shows, and changing art criticism. Phillips identifies three artistic contexts for the Hopkins's life: his childhood circle of artistic relatives who were important in shaping his early vision; his friends at university and the criticism he absorbed while there that inflected his view as a young man; and the mature religious beliefs which came to govern his understanding of a visual world interconnected with an eternal one. With chapters devoted to Hopkins own drawings, and to visual theories of the time, Phillips is able to suggests fresh links between this visual world and the startling originality of Hopkins's mature writing that will alter radically our understanding of Hopkins's practice as a poet.
Author: Catherine Phillips
Publisher: OUP Oxford
ISBN: 0191528196
Category : Literary Collections
Languages : en
Pages : 328
Get Book Here
Book Description
Gerard Manley Hopkins initially planned to become a poet-artist. For five years he trained his eye, learned about contemporary art and architecture, and made friends in the Pre-Raphaelite circle. In her fascinating and beautifully illustrated book, Catherine Phillips, whose knowledge of Hopkins's poems is expert, uses letters, new archival material, and contemporary publications to reconstruct the visual world Hopkins knew between 1862 and 1889, and especially in the 1860s, with its illustrated journals, art exhibitions, Gothic architecture, photographic shows, and changing art criticism. Phillips identifies three artistic contexts for the Hopkins's life: his childhood circle of artistic relatives who were important in shaping his early vision; his friends at university and the criticism he absorbed while there that inflected his view as a young man; and the mature religious beliefs which came to govern his understanding of a visual world interconnected with an eternal one. With chapters devoted to Hopkins own drawings, and to visual theories of the time, Phillips is able to suggests fresh links between this visual world and the startling originality of Hopkins's mature writing that will alter radically our understanding of Hopkins's practice as a poet.
Author: Catherine Phillips
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 336
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Book Description
In her fascinating and beautifully illustrated book, Catherine Phillips uses letters, new archival material, and contemporary publications to reconstruct the visual world Gerard Manley Hopkins knew between 1862 and 1889 - with its illustrated journals, art exhibitions, Gothic architecture, photographic shows, and changing art criticism - and to show how it was connected to the startling originality of his writing.
Author: Dennis Sobolev
Publisher: CUA Press
ISBN: 0813218551
Category : Literary Criticism
Languages : en
Pages : 377
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Book Description
For the first time in almost half a century, the world of Hopkins is examined as an indivisible whole. The Split World of Gerard Manley Hopkins is a synthetic study of Hopkins's writings, written within a framework of semiotic phenomenology.
Author: Gerard Manley Hopkins
Publisher: Oxford University Press
ISBN: 0199534004
Category : Biography & Autobiography
Languages : en
Pages : 780
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Book Description
Gerard Manley Hopkins was not only one of the most gifted Victorian poets, he was a compelling diarist who used his journals for everything from daily to-do lists to the most intimate spiritual self-assessments. This volume represents Hopkins as a man of extremes, both emotionally and psychologically. There are mundane memoranda about neckties to purchase or letters to write, but also exacting revisions of poems. There are entries of quiet rapture, his attentioncaught by the beauty of the natural world. Paintings, sculptures, and works of literature are stringently assessed, his aesthetic principles freely exercised. There are also nightmares relived;undergraduate 'sins' unsparingly recorded; 'signs' of heavenly mercy carefully noted. This is the first unexpurgated edition of all extant diaries. The entries extend from September 1863, during his second term at Oxford, until February 1875, while studying theology as a Jesuit in his beloved Wales, and from February 1884 until July 1885, while Hopkins was living at a 'third remove' in Dublin.
Author: Martin Dubois
Publisher: Cambridge University Press
ISBN: 1107180457
Category : Literary Criticism
Languages : en
Pages : 243
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Book Description
Machine generated contents note: Introduction; Part I. Forms of Devotion: 1. Bibles; 2. Prayer; Part II. Models of Faith: 3. The soldier; 4. The martyr; Part III. Last Things: 5. Death and judgement; 6. Heaven and hell
Author: Angus Easson
Publisher: Routledge
ISBN: 113685469X
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
Hopkins was an experimental and idiosyncratic writer whose work remains important for any student of Victorian literature. This guidebook offers extensive introductory comments on the contexts, critical history and interpretations of his work. Part of the Routledge Guides to Literature series, this volume cross-references thoroughly between sections and presents useful suggestions for further reading.
Author: Paul Mariani
Publisher: Penguin
ISBN: 1101078839
Category : Biography & Autobiography
Languages : en
Pages : 516
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Book Description
An insightful and inspirational biography of the heroic and spiritual poet. Gerard Manley Hopkins (1844?1889) may well have been the most original and innovative poet writing in the English language during the nineteenth century. Yet his story of personal struggle, doubt, intense introspection, and inward heroism has never been told fully. As a Jesuit priest, Hopkins?s descent into loneliness and despair and his subsequent recovery are a remarkable and inspiring spiritual journey that will speak to many readers, regardless of their faith or philosophies. Paul Mariani, an award-winning poet himself and author of a number of biographies of literary figures, brilliantly integrates Hopkins?s spiritual life and his literary life to create a rich and compelling portrait of a man whose work and life continue to speak to readers a century after his death.
Author: Anne-Marie Millim
Publisher: Routledge
ISBN: 1317012615
Category : Literary Criticism
Languages : en
Pages : 227
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Book Description
In her examination of neglected diaristic texts, Anne-Marie Millim expands the field of Victorian diary criticism by complicating the conventional notion of diaries as mainly private sources of biographical information. She argues that for Elizabeth Rigby Eastlake, Henry Crabb Robinson, George Eliot, George Gissing, John Ruskin, Edith Simcox and Gerard Manley Hopkins, the exposure or publication of their diaries was a real possibility that they either coveted or feared. Millim locates the diary at the intersection of the public and private spheres to show that well-known writers and public figures of both sexes exploited the diary's self-reflexive, diurnal structure in order to enhance their creativity and establish themselves as authors. Their object was to manage, rather than to indulge or repress, their emotions for the purposes of perfecting their observational and critical skills. Reading these diaries as literary works in their own right, Millim analyses their crucial role in the construction of authorship. By relating these Victorian writers' diaries to their publications and to contemporary works of cultural criticism, Millim shows the multifarious ways in which diaristic practices, emotional management and professional output corresponded to experiences of the literary marketplace and to nineteenth-century codes of propriety.
Author: Kirstie Blair
Publisher: Oxford University Press
ISBN: 0199644500
Category : Literary Criticism
Languages : en
Pages : 267
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Book Description
This study explores Victorian poetry in relation to Victorian religion, with particular emphasis on the bitter contemporary debates over the use of forms in worship. It discusses major Victorian poets - Tennyson, the Brownings, Rossetti, Hopkins, Hardy - and also argues that their work was influenced by a host of minor and less studied writers.
Author: Kumiko Tanabe
Publisher: Cambridge Scholars Publishing
ISBN: 1443882429
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
This book explores the poetics of “fancy” in the works of Gerard Manley Hopkins, a term often paired with imagination in well-known Romantic poetics. It sheds new light on this concept, which is described positively in Hopkins’s poetics and later becomes the essence of his idiosyncratic concept of “inscape”, as shown here. Chapter One discusses the influence of Coleridge and Ruskin on Hopkins’s poetics of fancy, Hopkins’s experiments in the language of inspiration produced by fancy before his conversion to Catholicism, his idea of inscape as revealed by fancy, and the relation between his fancy and the aesthetics of Romantic poets such as Keats and Wordsworth. Chapter Two focuses on the concept of fancy in Hopkins’s predecessors, William Shakespeare and Alfred Lord Tennyson, who, along with Coleridge and Ruskin, had a major influence on the writer, leading him to pen the play “Floris in Italy” and the sonnet series “The Beginning of the End” in order to experiment with the language of inspiration which he argued only fancy could produce. This chapter also discusses Hopkins’s interest in J. E. Millais and the impact of the Pre-Raphaelites in the development of his poetics of fancy, Hopkins’s fancy as metalanguage, the contrast between his fancy and the impressionism of Walter Pater, and the role of fancy in Hopkins’s sonnets. Chapter Three treats Hopkins’s conversion to Catholicism and his views on Catholic art, including his interest in William Butterfield and the Gothic Revival, as well as the abrupt parallelism between Christ and fancy in “The Wreck of the Deutschland”. Hopkins’s poetic diction is a condensed evocation of art and nature with fancy as the source of his inspiration. His metaphors are not ordinary figures expressing the attributes of things, but are autonomous and have their nature within themselves. Hopkins’s poetic idiosyncrasy is generated by the parallelism between distinctive and autonomous images which repeat the surprise and ecstasy of the poet contemplating art and nature. He endeavoured to achieve the poetry of inspiration with his emphasis on fancy as the basis of his poetic diction so as to reinstate it as the source of a “new Realism”. Hopkins’s fancy foregrounds the discontinuous nature of a new poetic diction, which demonstrates unfettered combinations between autonomous images and signs in metalanguage in advance of semiotic literary theories.
