Author: Sir Walter Gilbey
Publisher:
ISBN:
Category : Landscape painters
Languages : en
Pages : 524
Book Description
George Morland
Author: Sir Walter Gilbey
Publisher:
ISBN:
Category : Landscape painters
Languages : en
Pages : 524
Book Description
Publisher:
ISBN:
Category : Landscape painters
Languages : en
Pages : 524
Book Description
The Life of George Morland
Author: George Dawe
Publisher:
ISBN:
Category : Morland, George, 1763-1804
Languages : en
Pages : 342
Book Description
Publisher:
ISBN:
Category : Morland, George, 1763-1804
Languages : en
Pages : 342
Book Description
Illustrations of the Book of Job
Author: William Blake
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 112
Book Description
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 112
Book Description
George Morland, Painter, London (1763-1804)
Author: Ralph Richardson
Publisher:
ISBN:
Category :
Languages : en
Pages : 196
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 196
Book Description
George Morland
Author: George Charles Williamson
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 370
Book Description
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 370
Book Description
The Art of the Picture Frame
Author: Jacob Simon
Publisher: Ben Uri Gallery & Museum
ISBN:
Category : Art
Languages : en
Pages : 234
Book Description
Published to accompany exhibition held at the National Portrait Gallery, London, 8/11/96 - 9/2/97.
Publisher: Ben Uri Gallery & Museum
ISBN:
Category : Art
Languages : en
Pages : 234
Book Description
Published to accompany exhibition held at the National Portrait Gallery, London, 8/11/96 - 9/2/97.
Sacred Hunger
Author: Barry Unsworth
Publisher: Anchor
ISBN: 0307948447
Category : Fiction
Languages : en
Pages : 647
Book Description
Winner of the Booker Prize A historical novel set in the eighteenth century, Sacred Hunger is a stunning, engrossing exploration of power, domination, and greed in the British Empire as it entered fully into the slave trade and spread it throughout its colonies. Barry Unsworth follows the failing fortunes of William Kemp, a merchant pinning his last chance to a slave ship; his son who needs a fortune because he is in love with an upper-class woman; and his nephew who sails on the ship as its doctor because he has lost all he has loved. The voyage meets its demise when disease spreads among the slaves and the captain's drastic response provokes a mutiny. Joining together, the sailors and the slaves set up a secret, utopian society in the wilderness of Florida, only to await the vengeance of the single-minded, young Kemp.
Publisher: Anchor
ISBN: 0307948447
Category : Fiction
Languages : en
Pages : 647
Book Description
Winner of the Booker Prize A historical novel set in the eighteenth century, Sacred Hunger is a stunning, engrossing exploration of power, domination, and greed in the British Empire as it entered fully into the slave trade and spread it throughout its colonies. Barry Unsworth follows the failing fortunes of William Kemp, a merchant pinning his last chance to a slave ship; his son who needs a fortune because he is in love with an upper-class woman; and his nephew who sails on the ship as its doctor because he has lost all he has loved. The voyage meets its demise when disease spreads among the slaves and the captain's drastic response provokes a mutiny. Joining together, the sailors and the slaves set up a secret, utopian society in the wilderness of Florida, only to await the vengeance of the single-minded, young Kemp.
The Dark Side of the Landscape
Author: John Barrell
Publisher: Cambridge University Press
ISBN: 9780521276559
Category : Art
Languages : en
Pages : 192
Book Description
The eighteenth-century saw a radical change in the depiction of country life in English painting: feeling less constrained by the conventions of classical or theatrical pastoral, landscape painters attempted to offer a portrayal of what life was really like, or was thought to be like, in England; and this inevitably involved a distinct approach to the depiction of the rural poor. John Barrell's influential 1980 study shows why the poor began to be of such interest to painters, and examines the ways in which they could be represented so as to be an acceptable part of the décor of the salons of the rich. His discussion focuses on the work of three painters: Thomas Gainsborough, George Morland and John Constable. Throughout the book, Barrell draws illuminating comparisons with the literature of rural life and with the work of other painters. His terse and vigourous account has provided a landmark for social historians and literary critics, as well as historians of art.
Publisher: Cambridge University Press
ISBN: 9780521276559
Category : Art
Languages : en
Pages : 192
Book Description
The eighteenth-century saw a radical change in the depiction of country life in English painting: feeling less constrained by the conventions of classical or theatrical pastoral, landscape painters attempted to offer a portrayal of what life was really like, or was thought to be like, in England; and this inevitably involved a distinct approach to the depiction of the rural poor. John Barrell's influential 1980 study shows why the poor began to be of such interest to painters, and examines the ways in which they could be represented so as to be an acceptable part of the décor of the salons of the rich. His discussion focuses on the work of three painters: Thomas Gainsborough, George Morland and John Constable. Throughout the book, Barrell draws illuminating comparisons with the literature of rural life and with the work of other painters. His terse and vigourous account has provided a landmark for social historians and literary critics, as well as historians of art.
The First Bohemians
Author: Vic Gatrell
Publisher: Penguin UK
ISBN: 0718195825
Category : History
Languages : en
Pages : 589
Book Description
The colourful, salacious and sumptuously illustrated story of Covent Garden - the creative heart of Georgian London - from Wolfson Prize-winning author Vic Gatrell SHORT-LISTED FOR THE HESSELL TILTMAN PRIZE 2014 In the teeming, disordered, and sexually charged square half-mile centred on London's Covent Garden something extraordinary evolved in the 18th century. It was the world's first creative 'Bohemia'. The nation's most significant artists, actors, poets, novelists, and dramatists lived here. From Soho and Leicester Square across Covent Garden's Piazza to Drury Lane, and down from Long Acre to the Strand, they rubbed shoulders with rakes, prostitutes, market people, craftsmen, and shopkeepers. It was an often brutal world full of criminality, poverty and feuds, but also of high spirits, and was as culturally creative as any other in history. Virtually everything that we associate with Georgian culture was produced here. Vic Gatrell's spectacular new book recreates this time and place by drawing on a vast range of sources, showing the deepening fascination with 'real life' that resulted in the work of artists like Hogarth, Blake, and Rowlandson, or in great literary works like The Beggar's Opera and Moll Flanders. The First Bohemians is illustrated by over two hundred extraordinary pictures, many rarely seen, for Gatrell celebrates above all one of the most fertile eras in Britain's artistic history. He writes about Joshua Reynolds and J. M. W. Turner as well as the forgotten figures who contributed to what was a true golden age: the men and women who briefly dazzled their contemporaries before being destroyed - or made - by this magical but also ferocious world. About the author: Vic Gatrell's last book, City of Laughter, won both the Wolfson Prize for History and the PEN Hessell-Tiltman Prize; his The Hanging Tree won the Whitfield Prize of the Royal Historical Society. He is a Life Fellow of Caius College, Cambridge.
Publisher: Penguin UK
ISBN: 0718195825
Category : History
Languages : en
Pages : 589
Book Description
The colourful, salacious and sumptuously illustrated story of Covent Garden - the creative heart of Georgian London - from Wolfson Prize-winning author Vic Gatrell SHORT-LISTED FOR THE HESSELL TILTMAN PRIZE 2014 In the teeming, disordered, and sexually charged square half-mile centred on London's Covent Garden something extraordinary evolved in the 18th century. It was the world's first creative 'Bohemia'. The nation's most significant artists, actors, poets, novelists, and dramatists lived here. From Soho and Leicester Square across Covent Garden's Piazza to Drury Lane, and down from Long Acre to the Strand, they rubbed shoulders with rakes, prostitutes, market people, craftsmen, and shopkeepers. It was an often brutal world full of criminality, poverty and feuds, but also of high spirits, and was as culturally creative as any other in history. Virtually everything that we associate with Georgian culture was produced here. Vic Gatrell's spectacular new book recreates this time and place by drawing on a vast range of sources, showing the deepening fascination with 'real life' that resulted in the work of artists like Hogarth, Blake, and Rowlandson, or in great literary works like The Beggar's Opera and Moll Flanders. The First Bohemians is illustrated by over two hundred extraordinary pictures, many rarely seen, for Gatrell celebrates above all one of the most fertile eras in Britain's artistic history. He writes about Joshua Reynolds and J. M. W. Turner as well as the forgotten figures who contributed to what was a true golden age: the men and women who briefly dazzled their contemporaries before being destroyed - or made - by this magical but also ferocious world. About the author: Vic Gatrell's last book, City of Laughter, won both the Wolfson Prize for History and the PEN Hessell-Tiltman Prize; his The Hanging Tree won the Whitfield Prize of the Royal Historical Society. He is a Life Fellow of Caius College, Cambridge.
Dilettanti
Author: Bruce Redford
Publisher: Getty Publications
ISBN: 0892369248
Category : Art
Languages : en
Pages : 240
Book Description
Bruce Redford re-creates the vibrant culture of connoisseurship in Enlightenment England by investigating the multifaceted activities and achievements of the Society of Dilettani. Elegantly and wittily he dissects the British connoisseurs whose expeditions, collections, and publications laid the groundwork for the Neoclassical revival and for the scholarly study of Graeco-Roman antiquity. After the foundation of the society in 1732, the Dilettani commissioned portraits of the members. Including a striking group of mock-classical and mock-religious representations, these portraits were painted by George Knapton, Sir Joshua Reynolds, and Sir Thomas Lawrence. During the second half of the century, the society’s expeditions to the Levant yielded a series of pioneering architectural folios, beginning with the first volume The Antiquities of Athens in 1762. These monumental volumes aspired to empirical exactitude in text and image alike. They prepared the way for Specimens of Antient Sculpture (1809), which combines the didactic (detailed investigations into technique, condition, restoration, and provenance) with the connoisseurial (plates that bring the illustration of ancient sculpture to new artistic heights). The Society of Dilettanti’s projects and publications exemplify the Enlightenment ideal of the gentleman amateur, which is linked in turn to a culture of wide-ranging curiosity.
Publisher: Getty Publications
ISBN: 0892369248
Category : Art
Languages : en
Pages : 240
Book Description
Bruce Redford re-creates the vibrant culture of connoisseurship in Enlightenment England by investigating the multifaceted activities and achievements of the Society of Dilettani. Elegantly and wittily he dissects the British connoisseurs whose expeditions, collections, and publications laid the groundwork for the Neoclassical revival and for the scholarly study of Graeco-Roman antiquity. After the foundation of the society in 1732, the Dilettani commissioned portraits of the members. Including a striking group of mock-classical and mock-religious representations, these portraits were painted by George Knapton, Sir Joshua Reynolds, and Sir Thomas Lawrence. During the second half of the century, the society’s expeditions to the Levant yielded a series of pioneering architectural folios, beginning with the first volume The Antiquities of Athens in 1762. These monumental volumes aspired to empirical exactitude in text and image alike. They prepared the way for Specimens of Antient Sculpture (1809), which combines the didactic (detailed investigations into technique, condition, restoration, and provenance) with the connoisseurial (plates that bring the illustration of ancient sculpture to new artistic heights). The Society of Dilettanti’s projects and publications exemplify the Enlightenment ideal of the gentleman amateur, which is linked in turn to a culture of wide-ranging curiosity.