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Author: Adrienne Baxter Bell
Publisher: George Braziller
ISBN:
Category : Art
Languages : en
Pages : 184
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Book Description
The landscape painter George Inness (1825-1894) was one of the foremost American artists of his generation. Born in Newburgh, New York, Inness studied the works of the old masters and, as a young man, painted in the reigning style of the Hudson River School. Within a few years, however, he found himself more attuned to the gestural, expressive approach of the Barbizon School. He greatly admired the free handling of paint and the expression of soulfulness in the works of Theodore Rousseau. Equally important were Inness's philosophical and spiritual concerns. Along with contemporaries Ralph Waldo Emerson, Elizabeth Barrett Browning, and Walt Whitman, Inness studied the writings of the Swedish scientist-turned-mystic Emanuel Swedenborg (1688-1772). During a trip to Italy in the early 1870s, Inness began to structure his landscapes around geometric forms, a development that may have reflected the Swedenborgian idea that the natural world corresponds to the spiritual world and that geometric forms possess spiritual identities. Through these and other compositional devices, Inness created paintings to inspire an almost "religious experience" in his viewers. George Inness and the Visionary Landscape includes forty color reproductions of Inness's most important paintings and presents both a chronological overview of Inness's life and a more focused treatment of the artist's main philosophical and religious preoccupations. It suggests resonances between Inness's visionary landscapes and the concurrent efforts, on the part of the psychologist/philosopher William James (1842-1910), to validate the existence of mystical states of mind. It shows Inness to have anticipated many of the most importanttenets of modernism, an achievement that continues to inspire contemporary audiences.
Author: Adrienne Baxter Bell
Publisher: George Braziller
ISBN:
Category : Art
Languages : en
Pages : 184
Get Book Here
Book Description
The landscape painter George Inness (1825-1894) was one of the foremost American artists of his generation. Born in Newburgh, New York, Inness studied the works of the old masters and, as a young man, painted in the reigning style of the Hudson River School. Within a few years, however, he found himself more attuned to the gestural, expressive approach of the Barbizon School. He greatly admired the free handling of paint and the expression of soulfulness in the works of Theodore Rousseau. Equally important were Inness's philosophical and spiritual concerns. Along with contemporaries Ralph Waldo Emerson, Elizabeth Barrett Browning, and Walt Whitman, Inness studied the writings of the Swedish scientist-turned-mystic Emanuel Swedenborg (1688-1772). During a trip to Italy in the early 1870s, Inness began to structure his landscapes around geometric forms, a development that may have reflected the Swedenborgian idea that the natural world corresponds to the spiritual world and that geometric forms possess spiritual identities. Through these and other compositional devices, Inness created paintings to inspire an almost "religious experience" in his viewers. George Inness and the Visionary Landscape includes forty color reproductions of Inness's most important paintings and presents both a chronological overview of Inness's life and a more focused treatment of the artist's main philosophical and religious preoccupations. It suggests resonances between Inness's visionary landscapes and the concurrent efforts, on the part of the psychologist/philosopher William James (1842-1910), to validate the existence of mystical states of mind. It shows Inness to have anticipated many of the most importanttenets of modernism, an achievement that continues to inspire contemporary audiences.
Author: Rachael Z. DeLue
Publisher: University of Chicago Press
ISBN: 0226142310
Category : Art
Languages : en
Pages : 353
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Book Description
George Inness (1825-94), long considered one of America's greatest landscape painters, has yet to receive his full due from scholars and critics. A complicated artist and thinker, Inness painted stunningly beautiful, evocative views of the American countryside. Less interested in representing the details of a particular place than in rendering the "subjective mystery of nature," Inness believed that capturing the spirit or essence of a natural scene could point to a reality beyond the physical or, as Inness put it, "the reality of the unseen." Throughout his career, Inness struggled to make visible what was invisible to the human eye by combining a deep interest in nineteenth-century scientific inquiry—including optics, psychology, physiology, and mathematics—with an idiosyncratic brand of mysticism. Rachael Ziady DeLue's George Inness and the Science of Landscape—the first in-depth examination of Inness's career to appear in several decades—demonstrates how the artistic, spiritual, and scientific aspects of Inness's art found expression in his masterful landscapes. In fact, Inness's practice was not merely shaped by his preoccupation with the nature and limits of human perception; he conceived of his labor as a science in its own right. This lavishly illustrated work reveals Inness as profoundly invested in the science and philosophy of his time and illuminates the complex manner in which the fields of art and science intersected in nineteenth-century America. Long-awaited, this reevaluation of one of the major figures of nineteenth-century American art will prove to be a seminal text in the fields of art history and American studies.
Author: Adrienne Baxter Bell
Publisher: National Geographic Books
ISBN: 0807600091
Category : Antiques & Collectibles
Languages : en
Pages : 0
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Book Description
The essential book on the innovative American landscape painter, with a new preface by the author. A “rare, valuable and luminously illustrated monograph.” (Booklist) This eloquent examination of Inness' most important paintings illuminates the artist’s philosophical and religious preoccupations. It provides an overview of his life and situates Inness within the contexts of key issues in American history, such as the Hudson River School, Transcendentalism, Swedenborgianism, and the work of William James. It explains for the first time how Inness treated landscape painting as a form of philosophical inquiry that could communicate his holistic belief in the unity of nature and spirit. “Bell’s handsomely illustrated, eloquently written, and well-documented text considerably expands previous scholarship. ..[A] first-rate study. Highly recommended.” (Choice)
Author: Amy Ellis
Publisher: Yale University Press
ISBN: 0300101163
Category : Art
Languages : en
Pages : 202
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Book Description
A breathtaking selection of works from the largest and finest collection of Hudson River paintings in the world Hudson River School paintings are among America's most admired and well-loved artworks. Such artists as Thomas Cole, Frederic Church, and Albert Bierstadt left a powerful legacy to American art, embodying in their epic works the reverence for nature and the national idealism that prevailed during the middle of the nineteenth century. This book features fifty-seven major Hudson River School paintings from the collection of the Wadsworth Atheneum Museum of Art, recognized as the most extensive and finest in the world. Gorgeously and amply illustrated, the book includes paintings by all the major figures of the Hudson River School. Each work is beautifully reproduced in full color and is accompanied by a concise description of its significance and historical background. The book also includes artists' biographies and a brief introduction to American nineteenth-century landscape painting and the Wadsworth Atheneum's unique role in collecting Hudson River pictures.
Author: Mark D. Mitchell
Publisher:
ISBN: 9780876332269
Category : Italy
Languages : en
Pages : 0
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Book Description
Published on the occasion of an exhibition held at the Philadelphia Museum of Art, Philadelphia, Pa., Feb. 19-May 15, 2011, the Timken Museum of Art, San Diego, Calif., June 10-Sept. 18, 2011, and the Taft Museum of Art, Cincinnati, Ohio, Oct. 7, 2011-Jan. 8, 2012.
Author: David Adams Cleveland
Publisher:
ISBN: 9780988902220
Category : Art, American
Languages : en
Pages : 0
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Book Description
A History of American Tonalism: 1880-1920 will change standard theory on American art history with a new paradigm that places the origins of American modernism in the late 1870s. Crucially, it also demonstrates how the Tonalist movement became the driving force in the development of a distinctly American art form: mystic, visionary, and nostalgic, yet essentially modern in its progressive dynamic of non-narrative abstraction--a fundamentally expressive and symbolic art that set its seal on American art then and now. --Book Jacket.
Author: Adrienne Baxter Bell
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 184
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Book Description
The American landscape painter George Inness (1825-1894) was one of the most thoughtful and inventive artists of his generation.
Author: Theresa Fairbanks
Publisher: Yale University Press
ISBN:
Category : Art
Languages : en
Pages : 184
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Book Description
At the Royal Academy exhibition of 1794, Paul Sandby (1725-1809) exhibited his newly paintedA View of Vinters at Boxley, Kent, with Mr. Whatman's Turkey Paper Mills.Sandby, one of the founding members of the Royal Academy and one of the preeminent British landscape painters of the day, included the celebrated Whatman papermaking mill at the center of this landscape composition. James Whatman I and his son James Whatman II were the most famous English papermakers of the eighteenth century, and by 1760 Turkey Mill was the largest paper mill in the country. This handsome and engaging book looks at how theView of Vinters and Turkey Millis both a superb example of Sandby's art and an important document of the rise of industry in the British countryside and of the intertwined developments of papermaking and the art of painting in watercolor. It also features other watercolors by Sandby and materials relating to the processes of papermaking and to the Whatman family and its mill.
Author: James Elkins
Publisher: Routledge
ISBN: 113595013X
Category : Art
Languages : en
Pages : 218
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Book Description
This deeply personal account of emotion and vulnerability draws upon anecdotes related to individual works of art to present a chronicle of how people have shown emotion before works of art in the past.
Author: Paul H. Walton
Publisher: London : Pilkington Press
ISBN:
Category : Drawing
Languages : en
Pages : 210
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Book Description
"The drawings selected in this book from a distinguished private collection reveal new facets of a drawing activity that was clearly much more than a research tool. They provide a cross section of works requiring attention as expressions of a remarkable artistic talent offering many parallels with the freedom and individuality of the twentieth century. But Ruskin's drawing cannot be considered simply as the produce of a keen eye and highly developed aesthetic sense. His mind was always engaged as he drew and it is an important aim of this book to trace the memories, theories, passions and convictions associated with the subjects he chose to depict." --Book Jacket.
