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Author: Dayananda Pathak
Publisher: Mittal Publications
ISBN:
Category : Christian drama, English
Languages : en
Pages : 196
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Author: Dayananda Pathak
Publisher: Mittal Publications
ISBN:
Category : Christian drama, English
Languages : en
Pages : 196
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Book Description
Author: Archibald Henderson
Publisher:
ISBN:
Category : Authors, Irish
Languages : en
Pages : 586
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Author: Archibald Henderson
Publisher: Library of Alexandria
ISBN: 1465573437
Category : Biography & Autobiography
Languages : en
Pages : 952
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Book Description
It is a circumstance of no little significance that Bernard Shaw and Oscar Wilde, two dramatists whose plays have achieved so notable a success on the European stage, should both have been born in Dublin within two years of one another. It has been the good fortune of no other living British or Irish dramatist of our day to receive the enthusiastic acclaim of the most cultured public of continental Europe. What more fitting and natural than this sustention, by the countrymen of Swift and Sheridan, of the Celtic reputation for brilliancy, cleverness and wit? George Bernard Shaw was born on July 26th, 1856—well-nigh a century later than his countryman and fellow-townsman, Richard Brinsley Sheridan. Only one year before, in 1855, was born Shaw's sole rival to the place of the foremost living dramatist of the United Kingdom, Arthur Wing Pinero. It is an interesting coincidence that the year which saw the demise of that “first man of his century,” Heinrich Heine, also witnessed the birth of the brilliant and original spirit who is, in some sense, his natural and logical successor: Bernard Shaw. There is some suggestion of the workings of that wonderful law of compensation, which Emerson preached with such high seriousness, in this synchronous relation of birth and death, connecting Heine and Shaw. The circumstance might be said to proclaim the unbroken continuity of the comic spirit. Bernard Shaw possesses the unique faculty of befuddling the brains of more sane writers than any other living man. The critic of conventional view-point is dismayed by the discovery that Shaw is bound by no conventions whatever, with the possible exception of the mechanical conventions of the stage. Shaw is essentially an intellectual, not an emotional, talent; the critic of large imaginative sympathy discovers in him one who on occasion disclaims the possession of imagination. Unlike the idealist critic, Shaw is never a hero-worshipper: he derides heroism and makes game of humanity. To the analytic critic, with his schools, his classifications, his labellings, Shaw is the elusive and unanalyzable quantity—a fantastic original, a talent wholly sui generis. With all his realism, he cannot be called the exponent of a school. It would be nearer the truth to say that he is himself a school. It is futile to attempt to measure Shaw with the foot-rule of prejudice or convention. Only by placing oneself exactly at his peculiar point of view and recording the impressions received without prejudice, preference or caricature, can one ever hope to fathom the mystery of this disquieting intelligence. Most mocking when most serious, most fantastic when most earnest; his every word belies his intent. The antipode to the farcicality of pompous dulness, his gravity is that of the masquerader in motley, the mordant humour of the licensed fool. Contradiction between manner and meaning, between method and essence, constitutes the real secret of his career. The truly noteworthy consideration is not that Shaw is incorrigibly fantastic and frivolous; the alarming fact is that he is remarkably consistent and profoundly in earnest. The willingness of the public to accept the artist at his face value blinds its eyes to the profound, almost grim, seriousness of the man. The great solid and central fact of his life is that he has used the artistic mask of humour to conceal the unswerving purpose of the humanitarian and social reformer. The story of the career of George Bernard Shaw, in whom is found the almost unprecedented combination of the most brilliantly whimsical humour with the most serious and vital purpose, has already, even in our time, taken on somewhat of the character of a legend. It might become a fairy story, in very fact, if we did not finally determine to relate it, to associate it in printed form with the life of our time. How to write the biography of so complex a nature? The greatest living English dramatic critic once confessed that he never approached a more difficult task than that of interpretation of Shaw's plays. One of Shaw's most intimate friends once suggested that the title of his biography would probably be “The Court Jester who was Hanged.”
Author: Joseph Giovannoli
Publisher: Rosetta Press, Inc.
ISBN: 0970813716
Category : Medical
Languages : en
Pages : 391
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Book Description
Author: Marc DiPaolo
Publisher: McFarland
ISBN: 0786467800
Category : Religion
Languages : en
Pages : 275
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Book Description
When computers freeze, they are "rebooted" and soon working properly again. Similarly, legendary thinkers throughout history have argued that Christianity should start fresh by recapturing the humanitarian spirit of Jesus' original message. These include such disparate individuals as Thomas Jefferson, Oscar Wilde, Charles Dickens, Walt Whitman, Friedrich Nietzsche, Leo Tolstoy, George Bernard Shaw, and the religious leaders of the Occupy Wall Street movement. Surprisingly enough, even classic television shows and films meant to be entertaining--Lost, Battlestar Galactica, It's a Wonderful Life, Groundhog Day, Decalogue, and A Charlie Brown Christmas--are attempts to apply the basic principles of Christianity to modern times. This book offers new essays by scholars of literature, film, history, theology and philosophy examining how various thinkers and storytellers over time have conceived of a reinvented Christianity. In confronting this controversial idea, this book examines how unorthodox interpretations of the Bible can be some of the most valid, how visions of Jesus as a revolutionary may be the most historically sound, and how compassionate Christians such as Origen have wrestled with the eternal questions of the existence of evil, the gift of free will and the promise of universal salvation.
Author: Ralph Barton Perry
Publisher:
ISBN:
Category : Philosophy, Modern
Languages : en
Pages : 766
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Author: Samiran Kumar Paul
Publisher: Notion Press
ISBN: 1649516460
Category : Literary Criticism
Languages : en
Pages : 684
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Book Description
The Genius of George Bernard Shaw is a criticism of George Bernard Shaw’s work that explores his art, aesthetics, philosophy, and revolutionary ideas. Shaw wrote his plays raising and dealing with the problems of individuals, families, society, nations, and the world. It is occasionally stated that Shaw’s support for totalitarianism grew out of his frustration with nineteenth-century liberalism, which ineffectually culminated in a disastrous world war. Yet, close analysis to two of Shaw’s Major Critical Essays from the 1890s shows that even then Shaw expressed a desire for a ruthless man of action unencumbered by the burden of conscience to come on the scene and establish a new world order, to initiate the utopian epoch. Indeed, further analysis of a number of plays from before the war shows the impulse to be persistent and undeniable. Shaw hated disorder, and he wanted to see society managed efficiently by a small caste of technocratic experts who were at the same time, in Karl Popper’s memorable phrase, utopian social engineers. He had very little confidence in the average man and woman, who could not work mentally at the same speed? as the Fabian executive committee, his ideal of what a ruling caste would look like. Shaw’s ideal society, what I am calling his utopian vision, resembles Plato’s ideal city or Comte’s Religion of Humanity more than any society that has presumably ever existed on earth. This need for absolute order and control found many means of expression in both his life and work and was intricately bound up with his longing for perfection. This book is useful for world teachers, students, and research scholars in English in schools, colleges, universities all over the world.
Author: Onder Cakirtas
Publisher: Wipf and Stock Publishers
ISBN: 1532669070
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
By comparing the literary works of two of the greatest playwrights of our time, Önder Cakirtas reveals the similarities and contrasts between their political views and the political backdrop of their respective nations. In Britain, George Bernard Shaw, the leading British dramatist for the first half of the twentieth century, wrote his plays to explicitly reflect his socialist political and economic views, and highlight the need for equal rights for women. In Turkey, decades later, Orhan Asena confronted similar issues with plays that challenged the dominant political powers of his time - a stance which ultimately led to his political exile from Turkey.
Author: Atma Ram
Publisher: Mittal Publications
ISBN: 9788170996101
Category : Authors, English
Languages : en
Pages : 128
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 604
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