Georg Rudolf Weckherlin

Georg Rudolf Weckherlin PDF Author: Aaron Schaffer
Publisher:
ISBN:
Category : German language
Languages : en
Pages : 132

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Georg Rudolf Weckherlin

Georg Rudolf Weckherlin PDF Author: Aaron Schaffer
Publisher:
ISBN:
Category : German language
Languages : en
Pages : 132

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Hesperia

Hesperia PDF Author:
Publisher:
ISBN:
Category : German literature
Languages : en
Pages : 132

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Weckherlin's Eclogues of the Seasons

Weckherlin's Eclogues of the Seasons PDF Author: Elizabeth Friench Johnson
Publisher:
ISBN:
Category :
Languages : en
Pages : 76

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Chips from a German Workshop

Chips from a German Workshop PDF Author: Friedrich Max Müller
Publisher:
ISBN:
Category : Comparative linguistics
Languages : en
Pages : 518

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Chips from a German Workshop: Essays on literature, biography and antiquities

Chips from a German Workshop: Essays on literature, biography and antiquities PDF Author: Friedrich Max Müller
Publisher:
ISBN:
Category : Comparative linguistics
Languages : en
Pages : 512

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Chips from a German Workshop by Max Müller

Chips from a German Workshop by Max Müller PDF Author: Friedrich Max Müller
Publisher:
ISBN:
Category :
Languages : en
Pages : 560

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Chips From a German Workshop. Vol. III.

Chips From a German Workshop. Vol. III. PDF Author: Friedrich Max Muller
Publisher:
ISBN: 3752436654
Category : Fiction
Languages : en
Pages : 354

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Reproduction of the original: Chips From a German Workshop. Vol. III. by Friedrich Max Muller

Essays on literature, biography, and antiquities

Essays on literature, biography, and antiquities PDF Author: Friedrich Max Müller
Publisher:
ISBN:
Category : Comparative linguistics
Languages : en
Pages : 540

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Milton in the Long Restoration

Milton in the Long Restoration PDF Author: Blair Hoxby
Publisher: Oxford University Press
ISBN: 0191082392
Category : Literary Criticism
Languages : en
Pages : 656

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Book Description
Milton criticism often treats the poet as if he were the last of the Renaissance poets or a visionary prophet who remained misunderstood until he was read by the Romantics. At the same time, literary histories of the period often invoke a Long Eighteenth Century that reaches its climax with the French Revolution or the Reform Bill of 1832. What gets overlooked in such accounts is the rich story of Milton's relationship to his contemporaries and early eighteenth-century heirs. The essays in this collection demonstrate that some of Milton's earliest readers were more perceptive than Romantic and twentieth-century interpreters. The translations, editions, and commentaries produced by early eighteenth century men of letters emerge as the seedbed of modern criticism and the term 'neoclassical' is itself unmasked as an inadequate characterization of the literary criticism and poetry of the period—a period that could brilliantly define a Miltonic sublime, even as it supported and described all the varieties of parody and domestication found in the mock epic and the novel. These essays, which are written by a team of leading Miltonists and scholars of the Restoration and eighteenth century, cover a range of topics—from Milton's early editors and translators to his first theatrical producers; from Miltonic similes in Pope's Iliad to Miltonic echoes in Austen's Pride and Prejudice; from marriage, to slavery, to republicanism, to the heresy of Arianism. What they share in common is a conviction that the early eighteenth century understood Milton and that the Long Restoration cannot be understood without him.

Ludwig Strauss: An Approach to His Bilingual “Parallel Poems”

Ludwig Strauss: An Approach to His Bilingual “Parallel Poems” PDF Author: Julia Matveev
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311059076X
Category : History
Languages : en
Pages : 236

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This book is devoted to the study of the bilingual “parallel poems” of Ludwig Strauss (Aachen 1892 ˗ Jerusalem 1953) created between 1934 and 1952 in Palestine/Israel and which exist in two variants, a Hebrew and a German version, one of which is the original and the other a self-translation. The aim of this study is to compare the versions and their interpretation based on Strauss’s theoretical essays on poetry and translation, his political writings and works of literary criticism. Special attention is paid to Strauss’s concept (linked with the idea of messianic redemption) of poetry as a “fore-image” of a future true community of men and as “the earthly expression of the Absolute” directed at interpreting divine revelation and its “translation” into human language. In examining Strauss’s experiments with self-translation, by which he aimed at establishing a dialogue between languages, and between people and nations, this study considers the two processes of translation: from divine speech into human language and from one human language into another.