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Author: Ken Jackson
Publisher: University of Notre Dame Pess
ISBN: 026808355X
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
In Shakespeare and Abraham, Ken Jackson illuminates William Shakespeare’s dramatic fascination with the story of Abraham’s near sacrifice of his son Isaac in Genesis 22. Themes of child killing fill Shakespeare’s early plays: Genesis 22 informed Clifford’s attack on young Rutland in 3 Henry 6, Hubert’s providentially thwarted murder of Arthur in King John, and Aaron the Moor’s surprising decision to spare his son amidst the filial slaughters of Titus Andronicus, among others. However, the playwright’s full engagement with the biblical narrative does not manifest itself exclusively in scenes involving the sacrifice of children or in verbal borrowings from the famously sparse story of Abraham. Jackson argues that the most important influence of Genesis 22 and its interpretive tradition is to be found in the conceptual framework that Shakespeare develops to explore relationships among ideas of religion, sovereignty, law, and justice. Jackson probes the Shakespearean texts from the vantage of modern theology and critical theory, while also orienting them toward the traditions concerning Abraham in Jewish, Pauline, patristic, medieval, and Reformation sources and early English drama. Consequently, the playwright’s “Abrahamic explorations” become strikingly apparent in unexpected places such as the “trial” of Shylock in The Merchant of Venice and the bifurcated structure of Timon of Athens. By situating Shakespeare in a complex genealogy that extends from ancient religion to postmodern philosophy, Jackson inserts Shakespeare into the larger contemporary conversation about religion in the modern world.
Author: Peter D Matthews
Publisher: Bassano Publishing House
ISBN: 0992461618
Category : Literary Criticism
Languages : en
Pages : 463
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Book Description
This book is the result of fourteen years research scrutinizing thousands of historical documents. Dr Matthews reveals never before seen facts regarding the earliest quartos and the first folio – even new research into the leather cover of the Bodleian first folio and how that particular copy came into the possession of the Turbutt family. Dr Matthews has forensically dated the majority of the Shakespearean plays twenty years before earlier scholars, such as Rowe, Malone and Chambers – some plays dated as early as 1561, 1559 and 1558 – up to six years before William Shakespeare was born. Dr Matthews’ exemplary philosophical dissertation of the Shakespearean works and its critics, reveals much about the identity of the real authors. A unique reference work essential to Shakespearean scholars and students alike – this crucial work redates the Shakespearean works, scrutinizes each candidate, and definitively answers the authorship debate.
Author: Ken Jackson
Publisher: University of Notre Dame Pess
ISBN: 026808355X
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
In Shakespeare and Abraham, Ken Jackson illuminates William Shakespeare’s dramatic fascination with the story of Abraham’s near sacrifice of his son Isaac in Genesis 22. Themes of child killing fill Shakespeare’s early plays: Genesis 22 informed Clifford’s attack on young Rutland in 3 Henry 6, Hubert’s providentially thwarted murder of Arthur in King John, and Aaron the Moor’s surprising decision to spare his son amidst the filial slaughters of Titus Andronicus, among others. However, the playwright’s full engagement with the biblical narrative does not manifest itself exclusively in scenes involving the sacrifice of children or in verbal borrowings from the famously sparse story of Abraham. Jackson argues that the most important influence of Genesis 22 and its interpretive tradition is to be found in the conceptual framework that Shakespeare develops to explore relationships among ideas of religion, sovereignty, law, and justice. Jackson probes the Shakespearean texts from the vantage of modern theology and critical theory, while also orienting them toward the traditions concerning Abraham in Jewish, Pauline, patristic, medieval, and Reformation sources and early English drama. Consequently, the playwright’s “Abrahamic explorations” become strikingly apparent in unexpected places such as the “trial” of Shylock in The Merchant of Venice and the bifurcated structure of Timon of Athens. By situating Shakespeare in a complex genealogy that extends from ancient religion to postmodern philosophy, Jackson inserts Shakespeare into the larger contemporary conversation about religion in the modern world.
Author: Peter D Matthews
Publisher: Bassano Publishing House
ISBN: 0987365266
Category : Drama
Languages : en
Pages : 317
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Book Description
William Shakespeare is viewed today as the quintessential English writer who has continued to influence art, poetry, philosophy and even science for over four centuries. His graphic imagery of Venice, Padua and Verona carefully braided with poignant tragic wreckages of real life circumstances, shrewdly infused with the ancient Kabbalah and transcendent Platonism was nothing short of genius. That is, if he ever put pen to paper! These chronicles reveal documentary evidence to confirm who really penned the Shakespearean canon. For centuries these works have been accoladed as the very basis of English literature, yet the author might not have been English at all! Amidst the mischief, mayhem and murder, these chronicles answer all the questions, including one of the greatest discoveries of all time - who owned the finest collection of Venetian, Italian and Byzantinian jewellery in the world - The Cheapside Hoard.
Author: Margo Anderson
Publisher: Untreed Reads
ISBN: 1611871786
Category : Literary Criticism
Languages : en
Pages : 667
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Book Description
The debate over the true author of the Shakespeare canon has raged for centuries. Astonishingly little evidence supports the traditional belief that Will Shakespeare, the actor and businessman from Stratford-upon-Avon, was the author. Legendary figures such as Mark Twain, Walt Whitman and Sigmund Freud have all expressed grave doubts that an uneducated man who apparently owned no books and never left England wrote plays and poems that consistently reflect a learned and well-traveled insider's perspective on royal courts and the ancient feudal nobility. Recent scholarship has turned to Edward de Vere, 17th Earl of Oxford-an Elizabethan court playwright known to have written in secret and who had ample means, motive and opportunity to in fact have assumed the "Shakespeare" disguise. "Shakespeare" by Another Name is the literary biography of Edward de Vere as "Shakespeare." This groundbreaking book tells the story of de Vere's action-packed life-as Renaissance man, spendthrift, courtier, wit, student, scoundrel, patron, military adventurer, and, above all, prolific ghostwriter-finding in it the background material for all of The Bard's works. Biographer Mark Anderson incorporates a wealth of new evidence, including de Vere's personal copy of the Bible (in which de Vere underlines scores of passages that are also prominent Shakespearean biblical references).
Author: Janet Adelman
Publisher: Routledge
ISBN: 1136607374
Category : Literary Criticism
Languages : en
Pages : 396
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Book Description
An original reading of Shakespeare's plays illuminating his negotiations with mothers, present and absent, and tracing the genesis of Shakespearean tragedy and romance to a psychologized version of the Fall.
Author: Neil Rhodes
Publisher: Oxford University Press, USA
ISBN: 019924572X
Category : Drama
Languages : en
Pages : 271
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Book Description
What existed before there was a subject known as English? How did English eventually come about? Focusing specifically on Shakespeare's role in the origins of the subject, Rhodes addresses the evolution of English from the early modern period up to the late eighteenth century. He deals with the kinds of literary and educational practices that would have formed Shakespeare's experience and shaped his work and traces the origins of English in certain aspects of the educational regime that existed before English literature became an established part of the curriculum. Rhodes then presents Shakespeare both as a product of Renaissance rhetorical teaching and as an agent of the transformation of rhetoric in the eighteenth century into the subject that emerged as the modern study of English. By transferring terms from contemporary disciplines, such as 'media studies' and 'creative writing', or the technology of computing, to earlier cultural contexts Rhodes aims both to invite further reflection on the nature of the practices themselves, and also to offer new ways of thinking about their relationship to the discipline of English. Shakespeare and the Origins of English attempts not only an explanation of where English came from, but suggests how some of the things that we do now in the name of 'English' might usefully be understood in a wider historical perspective. By extending our view of its past, we may achieve a clearer view of its future.
Author: Scranton Public Library (Scranton, Pa.)
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 260
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Book Description
Author: Rory Loughnane
Publisher: Cambridge University Press
ISBN: 1108853749
Category : Literary Criticism
Languages : en
Pages : 339
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Book Description
Early Shakespeare, 1588–1594 draws together leading scholars of text, performance, and theatre history to offer a rigorous re-appraisal of Shakespeare's early career. The contributors offer rich new critical insights into the theatrical and poetic context in which Shakespeare first wrote and his emergence as an author of note, while challenging traditional readings of his beginnings in the burgeoning theatre industry. Shakespeare's earliest works are treated on their own merit and in their own time without looking forward to Shakespeare's later achievements; contributors situate Shakespeare, in his twenties, in a very specific time, place, and cultural moment. The volume features essays about Shakespeare's early style, characterisation, and dramaturgy, together with analysis of his early co-authors, rivals, and influences (including Lyly, Spenser and Marlowe). This collection provides essential entry points to, and original readings of, the poet-dramatist's earliest extant writings and shines new light on his first activities as a professional author.
Author: Charlotte Artese
Publisher: Princeton University Press
ISBN: 0691190860
Category : Literary Collections
Languages : en
Pages : 390
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Book Description
CYMBELINE; The Wager on the Wife's Chastity; Yolando Pino- Saavedra, "The Wager on the Wife's Chastity"; Kurt Ranke, "The Innkeeper of Moscow"; Italo Calvino, "Wormwood"; J. M. Synge, "The Lady O'Conor"; Snow White; Yolando Pino- Saavedra, "Blanca Rosa and the Forty Thieves"; Violet Paget, "The Glass Coffin"; Alan Bruford, "Lasair Gheug, the King of Ireland's Daughter"; The Maiden Who Seeks Her BrothersPeter Christian Asbjørnsen and Jørgen Moe, "The Twelve Wild Ducks"; VIII. THE TEMPEST; The Magic Flight; Joseph Jacobs, "Nix Nought Nothing"; Peter Buchan, "Green Sleeves"; Jacob and Wilhelm Grimm, "The Two Kings' Children"; Zora Neale Hurston, "Jack Beats the Devil"; Marie- Catherine d'Aulnoy, "The Bee and the Orange Tree.".
Author: Jean I. Marsden
Publisher: University Press of Kentucky
ISBN: 0813161436
Category : Drama
Languages : en
Pages : 205
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Book Description
Shakespeare's plays were not always the inviolable texts they are almost universally considered to be today. The Restoration and eighteenth century committed what many critics view as one of the most subversive acts in literary history—the rewriting and restructuring of Shakespeare's plays. Many of us are familiar with Nahum Tate's "audacious" adaptation of King Lear with its resoundingly happy ending, but Tate was only one of a score of playwrights who adapted Shakespeare's plays. Between 1660 and 1777, more than fifty adaptations appeared in print and on the stage, works in which playwrights augmented, substantially cut, or completely rewrote the original plays. The plays were staged with new characters, new scenes, new endings, and, underlying all this novelty, new words. Why did this happen? And why, in the later eighteenth century, did it stop? These questions have serious implications regarding both the aesthetics of the literary text and its treatment, for the adaptations manifest the period's perceptions of Shakespeare. As such, they demonstrate an important evolution in the definition of poetic language, and in the idea of what constitutes a literary work. In The Re-Imagined Text, Jean I. Marsden examines both the adaptations and the network of literary theory that surrounds them, thereby exploring the problems of textual sanctity and of the author's relationship to the text. As she demonstrates, Shakespeare's works, and English literature in general, came to be defined by their words rather than by the plots and morality on which the older aesthetic theory focused—a clear step toward our modern concern for the word and its varying levels of signification.
