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Author: Generali Foundation (Vienna, Austria)
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Generali Foundation (Vienna, Austria)
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: András Pálffy
Publisher: Schlebrugge Editor
ISBN: 9783902833891
Category : Architecture, Modern
Languages : de
Pages : 0
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Book Description
In 1995, the Generali Foundation - founded as the nonprofit art association of the Generali Group Austria - relocated to premises in the fourth district of Vienna, designed by the architects Jabornegg & Pálffy. It moved to a building complex called the Habighof, which dates back to the beginning of the 20th century, when it was used as a hat factory. Here, the Generali Foundation housed an exhibition space, underground storage, study rooms and offices. In 2015, the collection of Generali Foundation was transferred to the Museum der Moderne in Salzburg as a permanent loan, and the site in Vienna was closed down. This book examines this architectural landscape - which has since been listed as an historic site - in its international context as a trend-setting exhibition space. It explores the relation between internal and external architectural structures and examines the commitment of companies in the field of visual arts and architecture in a shifting social context. The images show the abandoned, empty spaces of the Generali Foundation, photographed by Hertha Hurnaus.
Author: Generali Foundation
Publisher: Walther Konig Verlag
ISBN:
Category : Art and technology
Languages : de
Pages : 520
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Book Description
Author: Allan Sekula
Publisher:
ISBN: 9783775713658
Category : Performance art
Languages : de
Pages : 351
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Book Description
Catalog of an exhibition held May 16 to August 17, 2003.
Author: Gustav Metzger
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 320
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Book Description
Gustav Metzger's artistic production finds its base in topical political, economic, and ecological themes. For example, in his manifestos and demonstrations he reacts to the threat posed by the global nuclear arms race, which he also has opposed in a political context since 1956. His auto-destructive art concept, an aesthetic "thematisation" of the twentieth century's destructive potential, was intended as an attack on the capitalist system and the art industry.
Author: Tulga Beyerle
Publisher: Walter de Gruyter
ISBN: 3034608896
Category : Architecture
Languages : en
Pages : 256
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Book Description
A "Century of Austrian Design” offers a highly accessible overview of Austrian design culture from 1900 to the present against the background of the country’s extremely turbulent industrial history. In the process, the key aspects are explained in essays by celebrated experts. The book attempts to delineate a specifically "Austrian” formal language, citing as examples specific achievements in historical and contemporary design. As it does so, it also sheds light on other defining moments of Austria’s design culture, including the enormous potential of its inventors, the phenomenon of semi-industrial manufacturing, and the innovative design solutions advanced by the Austrian sporting goods industry. A yellow pages section with selected design addresses rounds off the volume.
Author: Mary Kelly
Publisher: Graphic Arts Center Publishing
ISBN:
Category : Art, Modern
Languages : de
Pages : 318
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Author: Ilka Becker
Publisher: Taschen
ISBN: 9783822858547
Category : Art
Languages : en
Pages : 594
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Book Description
Taschen's inventive layout is effective in presenting the provocative works, words, and biographies of the nearly 100 women artists gathered here. Grosenick, a freelance art historian in Germany, has selected women artists working in Germany, the US, South Africa, Japan, Poland, France, Scandinavia, and Spain, among other countries. The entry for each artist is six pages, with much of the space devoted to good- quality color photos of her work. c. Book News Inc.
Author: Christine Filippone
Publisher: Routledge
ISBN: 1351549820
Category : Art
Languages : en
Pages : 219
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Book Description
The rise of proxy wars, the Space Race, and cybernetics during the Cold War marked science and technology as vital sites of social and political power. Women artists, historically excluded from these domains, responded critically, while simultaneously redeploying the products of "Technological Society" into works that promoted ideals of progress and alternative concepts of human community. In this innovative book, author Christine Filippone offers the first focused examination of the conceptual use of science and technology by women artists during and just after the women?s movement. She argues that artists Alice Aycock, Agnes Denes, Martha Rosler and Carolee Schneemann used science and technology to mount a critique on Cold War American society as they saw it?conservative and constricting. Motivated by the contemporary American Women?s Movement, these artists transformed science and technology into new modes of artmaking that transgressed modernist, heroic, painterly styles and subverted the traditional economic structures of the gallery, the museum and the dealer. At the same time, the artists also embraced these domains of knowledge and practice as expressions of hope for a better future. Many found inspiration in the scientific theory of open systems, which investigated "problems of wholeness, dynamic interaction and organization", enabling consideration of the porous boundaries between human bodies and their social, political and nonhuman environments. Filippone also establishes that the theory of open systems not only informed feminist art, but also continued to influence women artists? practice of reclamation and ecological art through the twenty-first century.
Author: Mary Kelly
Publisher: Univ of California Press
ISBN: 9780520219410
Category : Art
Languages : en
Pages : 256
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Book Description
"Mary Kelly's Post-Partum Document, one of this century's most significant and influential artistic statements on identity, represents the ultimate merging of feminism and minimalist performativity. . . . It is an extraordinary work that is viscerally experienced rather than statically received."--Maurice Berger, New School for Social Research
