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Author: Adolf Bernhard Marx
Publisher: Cambridge University Press
ISBN: 1108051758
Category : Music
Languages : en
Pages : 147
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Book Description
A work on music theory and practice, published in 1854, in Novello's Library for the Diffusion of Musical Knowledge series.
Author: Adolf Bernhard Marx
Publisher: Cambridge University Press
ISBN: 1108051758
Category : Music
Languages : en
Pages : 147
Get Book Here
Book Description
A work on music theory and practice, published in 1854, in Novello's Library for the Diffusion of Musical Knowledge series.
Author: Adolf Bernhard Marx
Publisher:
ISBN:
Category :
Languages : en
Pages : 176
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Book Description
Author: John Hawkins
Publisher:
ISBN:
Category :
Languages : en
Pages : 580
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 408
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Book Description
Author: Euing Musical Library
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 282
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Book Description
Author: Library of Congress
Publisher:
ISBN:
Category : Classification
Languages : en
Pages : 174
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Book Description
Author: Library of Congress. Subject Cataloging Division
Publisher:
ISBN:
Category : Classification
Languages : en
Pages : 268
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 270
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Book Description
Author: Library of Congress. Music Division
Publisher:
ISBN:
Category : Classification
Languages : en
Pages : 174
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Book Description
Author: Holly Watkins
Publisher: Cambridge University Press
ISBN: 1139501593
Category : Music
Languages : en
Pages : 351
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Book Description
What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From the Romantic aesthetics of E. T. A. Hoffmann to the modernist theories of Arnold Schoenberg, metaphors of depth attest to the cross-pollination of music with discourses ranging from theology, geology and poetics to psychology, philosophy and economics. The book demonstrates that the persistence of depth metaphors in musicology and music theory today is an outgrowth of their essential role in articulating and transmitting Germanic cultural values. While musical depth metaphors have historically served to communicate German nationalist sentiments, Watkins shows that an appreciation for the broad connotations of those metaphors opens up exciting new avenues for interpretation.
