A General History Of Music

A General History Of Music PDF Author: Charles Burney
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 618

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Book Description

A General History Of Music

A General History Of Music PDF Author: Charles Burney
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 618

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Book Description


GENERAL HISTORY OF MUSIC, FROM THE EARLIEST AGES TO THE PRESENT PERIOD (1789),

GENERAL HISTORY OF MUSIC, FROM THE EARLIEST AGES TO THE PRESENT PERIOD (1789), PDF Author: CHARLES. BURNEY
Publisher:
ISBN: 9781033382660
Category :
Languages : en
Pages : 0

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“A” General History of Music

“A” General History of Music PDF Author: Charles Burney
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 614

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Book Description


A General History of Music

A General History of Music PDF Author: Charles Burney
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 817

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History of Music, from the Christian Era to the Present Time

History of Music, from the Christian Era to the Present Time PDF Author: Frédéric Louis Ritter
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 490

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A General History of Music, From the Earliest Ages to the Present Period (1789)

A General History of Music, From the Earliest Ages to the Present Period (1789) PDF Author: Charles 1726-1814 Burney
Publisher: Legare Street Press
ISBN: 9781022889804
Category :
Languages : en
Pages : 0

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Book Description
A General History of Music is a classic work that provides a comprehensive survey of music history. Written by the renowned English composer Charles Burney, it covers the development of music from ancient times to the late eighteenth century. This edition includes a new introduction by the musicologist Frank Mercer, providing historical context and critical analysis. A must-read for music lovers and historians alike. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

History of Music from the Christian Era to the Present Time : in the Form of Lectures

History of Music from the Christian Era to the Present Time : in the Form of Lectures PDF Author: Frédéric Louis Ritter
Publisher: London : W. Reeves, Reeves, & Turner
ISBN:
Category : Gregorian chants
Languages : en
Pages : 484

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Historical Dictionary of Romantic Music

Historical Dictionary of Romantic Music PDF Author: John Michael Cooper
Publisher: Scarecrow Press
ISBN: 0810874849
Category : Music
Languages : en
Pages : 794

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Book Description
This Historical Dictionary of Romantic Music provides detailed and authoritative articles for the most important composers, concepts, genres, music educators, performers, theorists, writings, and works of cultivated music in Europe and the Americas during the period 1789-1914. The roster of biographical entries includes not only canonical composers such as Beethoven, Berlioz, Brahms, Chopin, Fauré, Grieg, Liszt, Mahler, Mendelssohn, Mussorgsky, Rossini, Schubert, Robert Schumann, Sibelius, Strauss, Tchaikovsky, Verdi, Wagner, and Wolf, but also less-well-known distinguished contemporaries of those composers (among them George Whitefield Chadwick, Cécile Chaminade, Ernesto Elorduy, Chiquinha Gonzaga, Fanny Hensel, C. H. Parry, and Clara Schumann, to name but a few). Significant literary and cultural topics such as Goethe’s Faust and Wagner’s theoretical writings of the 1850s, as well as entries on other cultural luminaries who significantly influenced music’s Romanticisms – among them J. S. Bach, Goethe, Haydn, Handel, Heine, Mozart, Schiller, and Shakespeare – are also included. Entries on important institutions (conservatory, orphéon, Männerchor), concepts (biographical fallacy, copyright, exoticism, feminism, nationalism, performance practice), and political caesurae and movements (First and Second French Empire, First, Second, and Third French Republic, Franco-Prussian War, Revolutions of 1848, Risorgimento) round out the dictionary section. Like other volumes in this series, this book's more than 500 entries are preceded by an introductory essay that explains the essential concepts necessary for understanding and exploring further the vast and complex musical landscape of Romanticism, plus a detailed Chronology. Concluding the volume is an extensive bibliography that lists the most important source-critical series of editions of Romantic music, important general writings on the period and its music, and composer-by-composer bibliographies.

Empire of Liberty

Empire of Liberty PDF Author: Gordon S. Wood
Publisher: Oxford University Press
ISBN: 0199738335
Category : History
Languages : en
Pages : 801

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Book Description
The Oxford History of the United States is by far the most respected multi-volume history of our nation. The series includes three Pulitzer Prize winners, two New York Times bestsellers, and winners of the Bancroft and Parkman Prizes. Now, in the newest volume in the series, one of America's most esteemed historians, Gordon S. Wood, offers a brilliant account of the early American Republic, ranging from 1789 and the beginning of the national government to the end of the War of 1812. As Wood reveals, the period was marked by tumultuous change in all aspects of American life--in politics, society, economy, and culture. The men who founded the new government had high hopes for the future, but few of their hopes and dreams worked out quite as they expected. They hated political parties but parties nonetheless emerged. Some wanted the United States to become a great fiscal-military state like those of Britain and France; others wanted the country to remain a rural agricultural state very different from the European states. Instead, by 1815 the United States became something neither group anticipated. Many leaders expected American culture to flourish and surpass that of Europe; instead it became popularized and vulgarized. The leaders also hope to see the end of slavery; instead, despite the release of many slaves and the end of slavery in the North, slavery was stronger in 1815 than it had been in 1789. Many wanted to avoid entanglements with Europe, but instead the country became involved in Europe's wars and ended up waging another war with the former mother country. Still, with a new generation emerging by 1815, most Americans were confident and optimistic about the future of their country. Named a New York Times Notable Book, Empire of Liberty offers a marvelous account of this pivotal era when America took its first unsteady steps as a new and rapidly expanding nation.

The Symphonic Repertoire, Volume I

The Symphonic Repertoire, Volume I PDF Author: Mary Sue Morrow
Publisher: Indiana University Press
ISBN: 0253072131
Category : Music
Languages : en
Pages : 918

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Book Description
Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as one of the ultimate compositional challenges. In his five-volume series The Symphonic Repertoire, the late A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. In Volume 1, The Eighteenth-Century Symphony, 22 of Brown's former students and colleagues collaborate to complete the work that he began on this critical period of development in symphonic history. The work follows Brown's outline, is organized by country, and focuses on major composers. It includes a four-chapter overview and concludes with a reframing of the symphonic narrative. Contributors address issues of historiography, the status of research, and questions of attribution and stylistic traits, and provide background material on the musical context of composition and early performances. The volume features a CD of recordings from the Bloomington Early Music Festival Orchestra, highlighting the largely unavailable repertoire discussed in the book.