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Author: Ding Yaping
Publisher: Routledge
ISBN: 1000434850
Category : Art
Languages : en
Pages : 329
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Book Description
The early years of the history of Chinese film have lately been the subject of resurgent interest and a growing body of scholarship has come to recognise and identify an extraordinarily diverse and complex period. This volume explores the development of Chinese film from 1896 to 1949. The volume covers the screening of foreign films in Shanghai, Hong Kong and other coastal cities in China, the technological and industrial development of Chinese national cinema, key filmmakers and actors of early Chinese cinema, changing modes of representation and narration, as well as the social and cultural contexts within which early Chinese films were produced and circulated. The relationship between the War of Resistance against Japan and the Chinese civil war and Chinese film is also explored. The book will be essential reading for scholars and students in film studies, Chinese studies, cultural studies and media studies, helping readers develop a comprehensive understanding of Chinese film.
Author: Ding Yaping
Publisher: Routledge
ISBN: 1000434850
Category : Art
Languages : en
Pages : 329
Get Book Here
Book Description
The early years of the history of Chinese film have lately been the subject of resurgent interest and a growing body of scholarship has come to recognise and identify an extraordinarily diverse and complex period. This volume explores the development of Chinese film from 1896 to 1949. The volume covers the screening of foreign films in Shanghai, Hong Kong and other coastal cities in China, the technological and industrial development of Chinese national cinema, key filmmakers and actors of early Chinese cinema, changing modes of representation and narration, as well as the social and cultural contexts within which early Chinese films were produced and circulated. The relationship between the War of Resistance against Japan and the Chinese civil war and Chinese film is also explored. The book will be essential reading for scholars and students in film studies, Chinese studies, cultural studies and media studies, helping readers develop a comprehensive understanding of Chinese film.
Author: Ding Yaping
Publisher: Routledge
ISBN: 1000469905
Category : Art
Languages : en
Pages : 304
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Book Description
The Reform and Opening-up of China since the late 1970s has not only transformed the economic and political situation of the country but also transformed the Chinese film industry. This volume focuses on the 40 years of the history of Chinese film in the post-Mao era. As all aspects of film production, distribution, and exhibition have been commercialized, Chinese film has become an industry of immense scale and has grown by leaps and bounds. Meanwhile, contemporary Chinese film is marked by a new zeitgeist, with Chinese film closely integrated with Chinese society and the economy. The author argues that the Chinese film industry clearly stands at a turning point where the future of Chinese film and the way to further awaken, change, and shape film production have become important issues worth consideration in contemporary film history. The book will be an essential reading for scholars and students in film studies, Chinese studies, cultural studies and media studies, helping readers to develop a comprehensive understanding of Chinese film.
Author: Ding Yaping
Publisher: Routledge
ISBN: 1000434877
Category : Art
Languages : en
Pages : 206
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Book Description
Since 1949, Chinese film has been greatly influenced by a variety of historical, cultural, and political events in the history of the People’s Republic of China. This volume explores the development of Chinese film from 1949 to 1976. This volume restores Chinese film to its original historical form and assesses its complex relationship with society, politics, culture, and art in the Maoist period. The 17-year films, Cultural Revolution-era films, the influence of model operas, and the documentary newsreels of Xinwen Jianbao are discussed. Combining a macro-perspective with a micro-perspective, the author analyzes the special characteristics of Chinese film in this period and showcases the inheritance and differences between earlier Chinese film and Chinese film in the newly founded the People’s Republic of China. The book will be essential reading for scholars and students in film studies, Chinese studies, cultural studies, and media studies, helping readers develop a comprehensive understanding of Chinese film.
Author: Ding Yaping
Publisher: Bridge21 Publications
ISBN: 9781626430310
Category : Motion pictures
Languages : en
Pages : 0
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Book Description
Perhaps no art form in China has engendered as much controversy or has had such a checkered past as film. From the horrors of war to the red carpet at Cannes, the history of Chinese film has illustrated the extremes of politics and art in a delicate dance that has captivated the attention of art and film historians for decades. Ding Yaping's authoritative, accessible, and concise history of Chinese cinema comprehensively covers the early years of pro-China propaganda films through the first decade of the twenty-first century, where Chinese film now represents a cinematic movement of the highest order. Ding traces the development of Chinese film as a source of high culture from the 1990s to the present day.
Author: Emilie Yueh-yu Yeh
Publisher: University of Michigan Press
ISBN: 0472053728
Category : Art
Languages : en
Pages : 365
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Book Description
A pathbreaking collection of essays on early Chinese-language cinema
Author: Ding Yaping
Publisher: Routledge Studies in Chinese Cinema
ISBN: 9781032069531
Category : Foreign films
Languages : en
Pages : 242
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Book Description
This volume explores the development of Chinese film from 1949 to 1976. The author exhibits the complex relations of film with society, politics, culture, and art in the Maoist period, and showcases the inheritance and differences between earlier Chinese film and Chinese film in the newly founded People's Republic of China.
Author: Zhang Zhen
Publisher: University of Chicago Press
ISBN: 9780226982373
Category : History
Languages : en
Pages : 534
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Book Description
Illustrating the cultural significance of film and its power as a vehicle for social change, this book reveals the intricacies of the cultural movement and explores its connections to other art forms such as photography, drama, and literature.
Author: Christopher G. Rea
Publisher: Columbia University Press
ISBN: 0231547676
Category : Performing Arts
Languages : en
Pages : 454
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Book Description
Winner, 2023 Choice Outstanding Academic Title Chinese Film Classics, 1922–1949 is an essential guide to the first golden age of Chinese cinema. Offering detailed introductions to fourteen films, this study highlights the creative achievements of Chinese filmmakers in the decades leading up to 1949, when the Communists won the civil war and began nationalizing cultural industries. Christopher Rea reveals the uniqueness and complexity of Republican China’s cinematic masterworks, from the comedies and melodramas of the silent era to the talkies and musicals of the 1930s and 1940s. Each chapter appraises the artistry of a single film, highlighting its outstanding formal elements, from cinematography to editing to sound design. Examples include the slapstick gags of Laborer’s Love (1922), Ruan Lingyu’s star turn in Goddess (1934), Zhou Xuan’s mesmerizing performance in Street Angels (1937), Eileen Chang’s urbane comedy of manners Long Live the Missus! (1947), the wartime epic Spring River Flows East (1947), and Fei Mu’s acclaimed work of cinematic lyricism, Spring in a Small Town (1948). Rea shares new insights and archival discoveries about famous films, while explaining their significance in relation to politics, society, and global cinema. Lavishly illustrated and featuring extensive guides to further viewings and readings, Chinese Film Classics, 1922–1949 offers an accessible tour of China’s early contributions to the cinematic arts.
Author: Hsiu-Chuang Deppman
Publisher: University of Hawaii Press
ISBN: 0824833732
Category : Performing Arts
Languages : en
Pages : 258
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Book Description
Hsiu-Chang Deppman puts landmark contemporary Chinese films in the context of their literary origins & explores how the best Chinese directors adapt fictional narratives & styles for film.
Author: Jubin Hu
Publisher: Hong Kong University Press
ISBN: 9789622096103
Category : Social Science
Languages : en
Pages : 280
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Book Description
This is the first major work on pre-1949 Chinese cinema in English. As such, it represents a major contribution to existing discussions of both Chinese cinema and national cinema, and is an indispensible basic resource for scholars interested in Chinese film history. The book analyses the wide variety of conceptions of "Chinese national cinema" between the early years of the 20th century and 1949, and contrasts these to conceptions of national cinema in Europe and China. After years of exhausting primary historical research, the author has been able to bring to light sources hitherto not widely available. The author argues that questions and debates about the status and meaning of the "national" in "Chinese national cinema" are central to any consideration of cinema during this period, and addresses the issue of Chinese nationalism as part of a complex history of cinema within the early modern Chinese nation.
