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Author: Jean M. Lutes
Publisher: Cambridge University Press
ISBN: 1108805507
Category : Literary Criticism
Languages : en
Pages : 645
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Book Description
Gender in American Literature and Culture introduces readers to key developments in gender studies and American literary criticism. It offers nuanced readings of literary conventions and genres from early American writings to the present and moves beyond inflexible categories of masculinity and femininity that have reinforced misleading assumptions about public and private spaces, domesticity, individualism, and community. The book also demonstrates how rigid inscriptions of gender have perpetuated a legacy of violence and exclusion in the United States. Responding to a sense of 21st century cultural and political crisis, it illuminates the literary histories and cultural imaginaries that have set the stage for urgent contemporary debates.
Author: Jean M. Lutes
Publisher: Cambridge University Press
ISBN: 1108805507
Category : Literary Criticism
Languages : en
Pages : 645
Get Book Here
Book Description
Gender in American Literature and Culture introduces readers to key developments in gender studies and American literary criticism. It offers nuanced readings of literary conventions and genres from early American writings to the present and moves beyond inflexible categories of masculinity and femininity that have reinforced misleading assumptions about public and private spaces, domesticity, individualism, and community. The book also demonstrates how rigid inscriptions of gender have perpetuated a legacy of violence and exclusion in the United States. Responding to a sense of 21st century cultural and political crisis, it illuminates the literary histories and cultural imaginaries that have set the stage for urgent contemporary debates.
Author: Janina Corda
Publisher:
ISBN: 9783828836808
Category :
Languages : en
Pages : 120
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Book Description
Author: Dorri Beam
Publisher: Cambridge University Press
ISBN: 1139489232
Category : Literary Criticism
Languages : en
Pages :
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Book Description
In this 2010 book, Dorri Beam presents an important contribution to nineteenth-century fiction by examining how and why a florid and sensuous style came to be adopted by so many authors. Discussing a diverse range of authors, including Margaret Fuller and Pauline Hopkins, Beam traces this style through a variety of literary endeavors and reconstructs the political rationale behind the writers' commitments to this form of prose. Beam provides both close readings of a number of familiar and unfamiliar works and an overarching account of the importance of this form of writing, suggesting new ways of looking at style as a medium through which gender can be signified and reshaped. Style, Gender, and Fantasy in Nineteenth Century American Women's Writing redefines our understanding of women's relation to aesthetics and their contribution to both American literary romanticism and feminist reform. This illuminating account provides valuable new insights for scholars of American literature and women's writing.
Author: Will Fisher
Publisher: Cambridge University Press
ISBN: 0521858518
Category : Drama
Languages : en
Pages : 94
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Book Description
Analyses the construction of gender through bodily elements and clothing in early modern England.
Author: Lori Merish
Publisher: Duke University Press
ISBN: 9780822325161
Category : Business & Economics
Languages : en
Pages : 410
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Book Description
Examines the constructions of feminine consumption in the nineteenth century in relation to capitalism and domesticity.
Author: J. D. Stahl
Publisher: University of Georgia Press
ISBN: 0820341126
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
Often regarded as the quintessential American author, Mark Twain in fact mined his knowledge and experience of Europe as assiduously as he did his adventures on the Mississippi and in the American West. In this challenging and original study, J. D. Stall looks closely at various Twain works with European settings and traces the manner in which the great writer redefined European notions of class into American concepts of gender, identity, and society. Stahl not only examines such famous writings as The Innocents Abroad, The Prince and the Pauper, A Connecticut Yankee in King Arthur's Court, and the "Mysterious Stranger" manuscripts but also treats a number of neglected works, including 1601, "A Memorable Midnight Experience", and Personal Recollections of Joan of Arc. In these writings, Stahl shows, Twain utilized the terms and symbols of European society and history to express his deepest concerns involving father–son relationships, the legitimation of parentage, female political and sexual power, the victimization of "good" women, and, ultimately, the desire to bridge or even destroy the barriers between the sexes. The "exoticism" of foreign culture—with its kings and queens, priests, and aristocrats—furnished Twain with some especially potent images of power, authority, and tradition. These images, Stahl argues, were "plastic material in Mark Twain's hands", enabling the writer to explore the uncertainties and ambiguities of gender in America: what it meant to be a man in Victorian America; what Twain thought it meant to be a woman; how men and women did, could, and should relate to each other. Stahl's approach yields a wealth of fresh insights into Twain's work. In discussing The Innocents Abroad, for example, he analyzes the emergence of the "Mark Twain" persona as part of a quest for cultural authority that often took the form of sexual role-playing. He also demonstrates that The Prince and the Pauper, even more strikingly than Adventures of Huckleberry Finn, embodies the writer's central myth of orphaned sons searching for surrogate fathers. His reading of A Connecticut Yankee is a tour de force, uncovering the psychological contradictions in Twain's political aspirations toward democratic equality. Stahl's book is an important contribution to literary scholarship, informed by psychology, gender study, cultural theory, and traditional Twain criticism. It confirms Mark Twain's debt to European culture even as it illuminates his re-envisioning of that culture in his own uniquely American way.
Author: Emma Staniland
Publisher: Routledge
ISBN: 1134614977
Category : Literary Collections
Languages : en
Pages : 251
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Book Description
This book explores six texts from across Spanish America in which the coming-of-age story ('Bildungsroman') offers a critique of gendered selfhood as experienced in the region’s socio-cultural contexts. Looking at a range of novels from the late twentieth century, Staniland explores thematic concerns in terms of their role in elucidating a literary journey towards agency: that is, towards the articulation of a socially and personally viable female gendered identity, mindful of both the hegemonic discourses that constrain it, and the possibility of their deconstruction and reconfiguration. Myth, exile and the female body are the three central themes for understanding the personal, social and political aims of the Post-Boom women writers whose work is explored in this volume: Isabel Allende, Laura Esquivel, Ángeles Mastretta, Sylvia Molloy, Cristina Peri Rossi and Zoé Valdés. Their adoption, and adaptation, of an originally eighteenth-century and European literary genre is seen here to reshape the global canon as much as it works to reshape our understanding of gendered identities as socially constructed, culturally contingent, and open-ended.
Author: Sarah N. Roth
Publisher: Cambridge University Press
ISBN: 1107043689
Category : History
Languages : en
Pages : 331
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Book Description
In the decades leading to the Civil War, popular conceptions of African American men shifted dramatically. The savage slave featured in 1830s' novels and stories gave way by the 1850s to the less-threatening humble black martyr. This radical reshaping of black masculinity in American culture occurred at the same time that the reading and writing of popular narratives were emerging as largely feminine enterprises. In a society where women wielded little official power, white female authors exalted white femininity, using narrative forms such as autobiographies, novels, short stories, visual images, and plays, by stressing differences that made white women appear superior to male slaves. This book argues that white women, as creators and consumers of popular culture media, played a pivotal role in the demasculinization of black men during the antebellum period, and consequently had a vital impact on the political landscape of antebellum and Civil War-era America through their powerful influence on popular culture.
Author: Susan Coultrap-McQuin
Publisher: Univ of North Carolina Press
ISBN: 0807860891
Category : History
Languages : en
Pages : 272
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Book Description
Coultrap-McQuin investigates the reasons for women's unprecedented literary professionalism in the nineteenth century, highlighting the experiences of E.D.E.N. Southworth, Harriet Beecher Stowe, Gail Hamilton, Helen Hunt Jackson, and Elizabeth Stuart Phelps Ward. She examines the cultural milieu of women writers, the ideals and practices of the literary marketplace, and the characteristics of women's literary activities that brought them success. Originally published in 1990. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author: George Hutchinson
Publisher: Columbia University Press
ISBN: 0231545967
Category : Literary Criticism
Languages : en
Pages : 420
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Book Description
Mythologized as the era of the “good war” and the “Greatest Generation,” the 1940s are frequently understood as a more heroic, uncomplicated time in American history. Yet just below the surface, a sense of dread, alienation, and the haunting specter of radical evil permeated American art and literature. Writers returned home from World War II and gave form to their disorienting experiences of violence and cruelty. They probed the darkness that the war opened up and confronted bigotry, existential guilt, ecological concerns, and fear about the nature and survival of the human race. In Facing the Abyss, George Hutchinson offers readings of individual works and the larger intellectual and cultural scene to reveal the 1940s as a period of profound and influential accomplishment. Facing the Abyss examines the relation of aesthetics to politics, the idea of universalism, and the connections among authors across racial, ethnic, and gender divisions. Modernist and avant-garde styles were absorbed into popular culture as writers and artists turned away from social realism to emphasize the process of artistic creation. Hutchinson explores a range of important writers, from Saul Bellow and Mary McCarthy to Richard Wright and James Baldwin. African American and Jewish novelists critiqued racism and anti-Semitism, women writers pushed back on the misogyny unleashed during the war, and authors such as Gore Vidal and Tennessee Williams reflected a new openness in the depiction of homosexuality. The decade also witnessed an awakening of American environmental and ecological consciousness. Hutchinson argues that despite the individualized experiences depicted in these works, a common belief in art’s ability to communicate the universal in particulars united the most important works of literature and art during the 1940s. Hutchinson’s capacious view of American literary and cultural history masterfully weaves together a wide range of creative and intellectual expression into a sweeping new narrative of this pivotal decade.
