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Author: Rohan Amanda Maitzen
Publisher: Routledge
ISBN: 113652651X
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
First published in 1999. and Middlemarch and of a range of nineteenth-century historical works, including works by and about women that are discussed extensively here for the first time. The blurring of boundaries between historical and fictional narratives, stimulated by the enormous success of Walter Scott's novels, and the development of social history are shown to have been key factors in an uneven, controversial, but persistent feminization of history, the first because of the longstanding association of novels with women the second because social history focuses on the private sphere, traditionally women's domain. Along with the appearance of numerous historical texts written by women and taking women as their subjects, these developments challenged conventional beliefs about historical authority and relevance that had long relegated women to the margins, both literally and metaphorically. In its exploration of these changes and their implications, Gender and Victorian Historical Writing revises standard assumptions about Victorian ideas of history, finding an awareness of and experimentation with gender and genre that prefigure theoretical and scholarly concerns in contemporary women's history.
Author: Rohan Amanda Maitzen
Publisher: Routledge
ISBN: 113652651X
Category : Literary Criticism
Languages : en
Pages : 254
Get Book Here
Book Description
First published in 1999. and Middlemarch and of a range of nineteenth-century historical works, including works by and about women that are discussed extensively here for the first time. The blurring of boundaries between historical and fictional narratives, stimulated by the enormous success of Walter Scott's novels, and the development of social history are shown to have been key factors in an uneven, controversial, but persistent feminization of history, the first because of the longstanding association of novels with women the second because social history focuses on the private sphere, traditionally women's domain. Along with the appearance of numerous historical texts written by women and taking women as their subjects, these developments challenged conventional beliefs about historical authority and relevance that had long relegated women to the margins, both literally and metaphorically. In its exploration of these changes and their implications, Gender and Victorian Historical Writing revises standard assumptions about Victorian ideas of history, finding an awareness of and experimentation with gender and genre that prefigure theoretical and scholarly concerns in contemporary women's history.
Author: Alexis Easley
Publisher: Rowman & Littlefield
ISBN: 1611490162
Category : Language Arts & Disciplines
Languages : en
Pages : 281
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Book Description
This study examines literary celebrity in Britain from 1850 to 1914. Through lively analysis of rare cultural materials, Easley demonstrates the crucial role of the celebrity author in the formation of British national identity. As Victorians toured the homes and haunts of famous writers, they developed a sense of shared national heritage. At the same time, by reading sensational accounts of writers' lives, they were able to reconsider conventional gender roles and domestic arrangements. As women were featured in interviews and profiles, they were increasingly associated with the ephemerality of the popular press and were often excluded from emerging narratives of British literary history, which defined great literature as having a timeless appeal. Nevertheless, women writers were able to capitalize on celebrity media as a way of furthering their own careers and retelling history on their own terms. Press attention had a more positive effect on men's literary careers since they were expected to assume public identities; however, in some cases, media exposure had the effect of sensationalizing their lives, bodies, and careers. With the development of proto-feminist criticism and historiography, the life stories of male writers were increasingly used to expose unhealthy domestic relationships and imagine ideal forms of British masculinity. The first section of Literary Celebrity explores the practice of literary tourism in Victorian Britain, focusing specifically on the homes and haunts of Charles Dickens, Christina Rossetti, George Eliot, Elizabeth Barrett Browning, and Harriet Martineau. This investigation incorporates analysis of fascinating cultural texts, including maps, periodicals, and tourist guidebooks. Easley links the practice of literary tourism to a variety of cultural developments, including nationalism, urbanization, spiritualism, the women's movement, and the expansion of popular print culture. The second section provides fresh insight into the ways that celebrity culture informed thedevelopment of Victorian historiography. Easley demonstrates how women were able to re-tell history from a proto-feminist perspective by writing contemporary history, participating in architectural reform movements, and becoming active in literary societi
Author: Kristi Siegel
Publisher: Peter Lang
ISBN: 9780820449050
Category : Foreign Language Study
Languages : en
Pages : 340
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Book Description
Women experience and portray travel differently: Gender matters - irreducibly and complexly. Building on recent scholarship in women's travel writing, these provocative essays not only affirm the impact of gender, but also cast women's journeys against coordinates such as race, class, culture, religion, economics, politics, and history. The book's scope is unique: Women travelers extend in time from Victorian memsahibs to contemporary «road girls», and topics range from Anna Leonowens's slanted portrayal of Siam - later popularized in the movie, The King and I, to current feminist «descripting» of the male-road-buddy genre. The extensive array of writers examined includes Nancy Prince, Frances Trollope, Cameron Tuttle, Lady Mary Montagu, Catherine Oddie, Kate Karko, Frances Calderón de la Barca, Rosamond Lawrence, Zilpha Elaw, Alexandra David-Néel, Amelia Edwards, Erica Lopez, Paule Marshall, Bharati Mukherjee, and Marilynne Robinson.
Author: NA NA
Publisher: Palgrave Macmillan
ISBN: 9780312221973
Category : Literary Criticism
Languages : en
Pages : 398
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Book Description
Author: M. Spongberg
Publisher: Springer
ISBN: 1349724688
Category : Psychology
Languages : en
Pages : 729
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Book Description
This A-Z reference work provides the first comprehensive reference guide to the wide range of historical writing with which women have been involved, particularly since the Renaissance. The Companion covers biographical writing, travelogue and historical fictions, broadening the concept of history to include the forms of writing with which women have historically engaged. The focus is on women writing in English internationally, but historical and historiographical traditions from beyond the English-speaking world are also examined. Brief biographies of individual writers are included.
Author: Easley Alexis
Publisher: Edinburgh University Press
ISBN: 9781474433914
Category : History
Languages : en
Pages : 0
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Book Description
Presents 35 thematically organised, research-led essays on women, periodicals and print culture in Victorian Britain.
Author: Joanne Wilkes
Publisher: Routledge
ISBN: 1134776950
Category : Literary Criticism
Languages : en
Pages : 194
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Book Description
Focusing particularly on the critical reception of Jane Austen, Charlotte Brontë and George Eliot, Joanne Wilkes offers in-depth examinations of reviews by eight female critics: Maria Jane Jewsbury, Sara Coleridge, Hannah Lawrance, Jane Williams, Julia Kavanagh, Anne Mozley, Margaret Oliphant and Mary Augusta Ward. What they wrote about women writers, and what their writings tell us about the critics' own sense of themselves as women writers, reveal the distinctive character of nineteenth-century women's contributions to literary history. Wilkes explores the different choices these critics, writing when women had to grapple with limiting assumptions about female intellectual capacities, made about how to disseminate their own writing. While several publishing in periodicals wrote anonymously, others published books, articles and reviews under their own names. Wilkes teases out the distinctiveness of nineteenth-century women's often ignored contributions to the critical reception of canonical women authors, and also devotes space to the pioneering efforts of Lawrance, Kavanagh and Williams to draw attention to the long tradition of female literary activity up to the nineteenth century. She draws on commentary by male critics of the period as well, to provide context for this important contribution to the recuperation of women's critical discourse in nineteenth-century Britain.
Author: Lynette Felber
Publisher: Associated University Presse
ISBN: 9780874139815
Category : Biography & Autobiography
Languages : en
Pages : 316
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Book Description
They discover new texts and methodologies, exploring nineteenth-century British women's historiography, their writing of history, often through unexpected sources not previously regarded as historical venues: journalism, travel writing, architectural preservation, and costume balls."--BOOK JACKET.
Author: Karen O'Brien
Publisher: Cambridge University Press
ISBN: 0521773490
Category : History
Languages : en
Pages : 319
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Book Description
An original study of how Enlightenment ideas shaped the lives of women and the work of eighteenth-century women writers.
Author: Kirsty Hooper
Publisher: Liverpool University Press
ISBN: 1789627265
Category : History
Languages : en
Pages : 368
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Book Description
What did the Edwardians know about Spain, and what was that knowledge worth? The Edwardians and the Making of a Modern Spanish Obsession draws on a vast store of largely unstudied primary source material to investigate Spain’s place in the turn-of-the-century British popular imagination. Set against a background of unprecedented emotional, economic and industrial investment in Spain, the book traces the extraordinary transformation that took place in British knowledge about the country and its diverse regions, languages and cultures between the tercentenary of the Spanish Armada in 1888 and the outbreak of World War I twenty-six years later. This empirically-grounded cultural and material history reveals how, for almost three decades, Anglo-Spanish connections, their history and culture were more visible, more colourfully represented, and more enthusiastically discussed in Britain’s newspapers, concert halls, council meetings and schoolrooms, than ever before. It shows how the expansion of education, travel, and publishing created unprecedented opportunities for ordinary British people not only to visit the country, but to see the work of Spanish and Spanish-inspired artists and performers in British galleries, theatres and exhibitions. It explores the work of novelists, travel writers, journalists, scholars, artists and performers to argue that the Edwardian knowledge of Spain was more extensive, more complex and more diverse than we have imagined.
