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Author: Guy Barefoot
Publisher: Bloomsbury Publishing
ISBN: 1474290361
Category : Performing Arts
Languages : en
Pages : 242
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Book Description
In 1945, a year when American crime films were apparently moving out on to the streets of contemporary Los Angeles and New York, one reviewer noted the emergence of a 'cycle of mystery and horror pictures placed in the gaslight era of the turn of the century.' For another critic, it seemed that for Hollywood there was 'no world of today save the world of London by gaslight'. In Gaslight Melodrama, Guy Barefoot examines the films that gave rise to such comments, and the pattern of discourse that gave rise to such films. The book's main focus is provided by 1940s Hollywood melodramas such as Gaslight, Dr. Jekyll and Mr. Hyde and Hangover Square. It also discusses a related cycle of British films that located murder and melodrama in Victorian or Edwardian settings, and then looks beyond cinema to the Gothic novels of the 18th century, 19th century discussions of gas lighting in street, home and theatre, and ambivalent 20th century responses to the Victorian era. Combining close analysis of particular film texts with attention to cinema's cultural context, Gaslight Melodrama provides an exploration of the ways in which the past has been the site of contested meaning, and an examination of the network of melodramatic narratives embedded within familiar and lesser-known examples of classical Hollywood cinema.
Author: Guy Barefoot
Publisher: Bloomsbury Publishing
ISBN: 1474290361
Category : Performing Arts
Languages : en
Pages : 242
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Book Description
In 1945, a year when American crime films were apparently moving out on to the streets of contemporary Los Angeles and New York, one reviewer noted the emergence of a 'cycle of mystery and horror pictures placed in the gaslight era of the turn of the century.' For another critic, it seemed that for Hollywood there was 'no world of today save the world of London by gaslight'. In Gaslight Melodrama, Guy Barefoot examines the films that gave rise to such comments, and the pattern of discourse that gave rise to such films. The book's main focus is provided by 1940s Hollywood melodramas such as Gaslight, Dr. Jekyll and Mr. Hyde and Hangover Square. It also discusses a related cycle of British films that located murder and melodrama in Victorian or Edwardian settings, and then looks beyond cinema to the Gothic novels of the 18th century, 19th century discussions of gas lighting in street, home and theatre, and ambivalent 20th century responses to the Victorian era. Combining close analysis of particular film texts with attention to cinema's cultural context, Gaslight Melodrama provides an exploration of the ways in which the past has been the site of contested meaning, and an examination of the network of melodramatic narratives embedded within familiar and lesser-known examples of classical Hollywood cinema.
Author: Ian Brookes
Publisher: Bloomsbury Publishing USA
ISBN: 178093324X
Category : Performing Arts
Languages : en
Pages : 289
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Book Description
What is film noir? With its archetypal femme fatale and private eye, its darkly-lit scenes and even darker narratives, the answer can seem obvious enough. But as Ian Brookes shows in this new study, the answer is a lot more complex than that. This book is designed to tackle those complexities in a critical introduction that takes into account the problems of straightforward definition and classification. Students will benefit from an accessible introductory text that is not just an account of what film noir is, but also an interrogation of the ways in which the term came to be applied to a disparate group of American films of the 1940s and 1950s.
Author: Mark Cantor
Publisher: McFarland
ISBN: 1476646422
Category : Performing Arts
Languages : en
Pages : 2077
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Book Description
The 1940s saw a brief audacious experiment in mass entertainment: a jukebox with a screen. Patrons could insert a dime, then listen to and watch such popular entertainers as Nat "King" Cole, Gene Krupa, Cab Calloway or Les Paul. A number of companies offered these tuneful delights, but the most successful was the Mills Novelty Company and its three-minute musical shorts called Soundies. This book is a complete filmography of 1,880 Soundies: the musicians heard and seen on screen, recording and filming dates, arrangers, soloists, dancers, entertainment trade reviews and more. Additional filmographies cover more than 80 subjects produced by other companies. There are 125 photos taken on film sets, along with advertising images and production documents. More than 75 interviews narrate the firsthand experiences and recollections of Soundies directors and participants. Forty years before MTV, the Soundies were there for those who loved the popular music of the 1940s. This was truly "music for the eyes."
Author: Claire Strauch
Publisher: Dramatic Publishing
ISBN: 9781583422908
Category : Musicals
Languages : en
Pages : 132
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Book Description
Author: Stanley Cavell
Publisher: University of Chicago Press
ISBN: 9780226098142
Category : Drama
Languages : en
Pages : 278
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Book Description
A Note on the Captions Preface Introduction 1: Naughty Orators: Negation of Voices in Gaslight 2: Psychoanalysis and Cinema: Moments of Letter from an Unknown Woman3: Ugly Duckling, Funny Butterfly: Bette Davis and Now, Voyager 4: Postscript: To Whom It May Concern 5: Stella's Taste: Reading Stella Dallas Notes Bibliography Filmography Index Copyright © Libri GmbH. All rights reserved.
Author: Augustin Daly
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: David Church
Publisher: Edinburgh University Press
ISBN: 1474475906
Category : Fiction
Languages : en
Pages : 281
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Book Description
Horror’s longstanding reputation as a popular but culturally denigrated genre has been challenged by a new wave of films mixing arthouse minimalism with established genre conventions. Variously dubbed 'elevated horror' and 'post-horror,' films such as The Babadook, It Follows, The Witch, It Comes at Night, Get Out, The Invitation, Hereditary, Midsommar, A Ghost Story, and mother! represent an emerging nexus of taste, politics, and style that has often earned outsized acclaim from critics and populist rejection by wider audiences. Post-Horror is the first full-length study of one of the most important and divisive movements in twenty-first-century horror cinema.
Author: J. Grossman
Publisher: Springer
ISBN: 0230274986
Category : Performing Arts
Languages : en
Pages : 185
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Book Description
In the context of nineteenth-century Victorinoir and close readings of original-cycle film noir, Julie Grossman argues that the presence of the "femme fatale" figure, as she is understood in film criticism and popular culture, is drastically over-emphasized and has helped to sustain cultural obsessions with "bad" women.
Author: Amanda J Field
Publisher: Andrews UK Limited
ISBN: 1911105531
Category : Performing Arts
Languages : en
Pages : 86
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Book Description
Victorian London has been the setting for so many films - from the early years of silent pictures to the present day - that it has arguably become more than just a background and is almost a genre in its own right. The most potent and enduring symbol of the dark side of the nineteenth-century city is Jack the Ripper, who has been the subject of more than a dozen films and many more television dramas. Part of the fascination lies in the fact that he was never apprehended, leading to the feeling - as Peter Ackroyd says - that “the bloodshed was caused by the foul streets themselves and that the East End was the true Ripper”. The Radiant Abyss examines how the image of the dark side of the city became crystallised through the constant repetition of key symbols and ‘signs' across a wide range of media - signs which may only have had a loose association with reality but which became invested with ‘truth' through their very repetition. The mythology that grew up around the figure of Jack the Ripper parallels this imaging of London. The book looks in detail at two key films about Jack the Ripper, made 75 years apart: The Lodger, a silent film made in 1926, directed by Alfred Hitchcock and starring Ivor Novello as the suspected murderer; and From Hell, a 2001 film directed by Albert and Allen Hughes and starring Johnny Depp as Detective Fred Abberline.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 116
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Book Description
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
