Author: Boston Teran
Publisher: High Top Publishing LLC
ISBN: 1567030521
Category : Fiction
Languages : en
Pages : 256
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Book Description
An adventure-historical fiction epic. The author of Gardens of Grief does what it took Leon Uris 600 plus pages to do in Exodus. The latter dealt only peripherally with the Jewish holocaust. Boston Teran deals more directly with the Armenian one.Turkish readers and the Turkish government can tune out now if they like, but butchers of the Ottoman Empire not only killed millions of Armenians, they probably encouraged Hitler and his Nazi murderers to do the same to the Jews. The Turks dodged the bullet of public opinion, a fact not overlooked by the Nazi establishment. It certainly prompted them to believe that the rest of the world wouldn’t care what they did to the Jews. They were right—much of the official Western World didn’t care until U.S. troops and others started reporting what they found in the Nazi concentration camps.The Turks have an open wound of guilt with respect to their Armenian solution. They have even leveraged their position in NATO to keep the U.S. government from using the words genocide, holocaust, and ethnic cleansing when describing their Armenian solution. Use whatever words you want, but no amount of ostrich behavior or positive spin can change what really happened. It was obscene, organized murder, a mob lynching on the scale of millions.This is the background for Boston Teran’s book. Like Exodus and other thrillers (Forsyth’s work comes to mind), the historical facts seem to meld seamlessly into the story. You don’t know where the history ends and the fiction begins. This book is easier to read and it is more profound. We see the holocaust up close and personal through the eyes of the main characters. It is not a pretty sight.The hero is John Lourdes, the same one from the author’s Creed of Violence. That makes this book a sequel. (The blurb on the back cover says it’s less of a sequel than an organic evolvement—whatever that means. To me sequel has a more expansive definition, but words are like symbols in an equation—they can mean anything, especially in today’s literature.) John is Mexican-American. Much is made in the book that he is swarthy so he can pass himself off as Armenian. I don’t remember my Armenian friends as swarthy, but maybe I was just colorblind when I grew up. Also, as a Spanish speaker, I don’t particularly think of John Lourdes as being a Mexican-American name (this might be explained in Creed, which I have not read), but maybe they’ll change that in the movie (Universal has purchased film rights to both Creed and Gardens).Lourdes is a spy. I don’t believe that word was once used to describe him, but there is no doubt that he would be at home in the CIA. Moreover, this spy story, like Creed, is about oil. Where Creed was about America’s intervention into the Mexican Revolution in 1910 for the sake of oil, Gardens is about the control of the Baku oil fields. My conclusion at the end is that the U.S. ignored the holocaust that was going on and left Lourdes and company to die due to the U.S. interest in that oil. Black gold has more of a Midas attraction than
Author: Melissa Valentine
Publisher: The Feminist Press at CUNY
ISBN: 1936932865
Category : Biography & Autobiography
Languages : en
Pages : 201
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Book Description
A “poignant, painful, and gorgeous” memoir that explores siblinghood, adolescence, and grief for a family shattered by loss (Alicia Garza, cocreator, Black Lives Matter). Melissa and her older brother Junior grow up running around the disparate neighborhoods of 1990s Oakland, two of six children to a white Quaker father and a black Southern mother. But as Junior approaches adolescence, a bullying incident and later a violent attack in school leave him searching for power and a sense of self in all the wrong places; he develops a hard front and falls into drug dealing. Right before Junior’s twentieth birthday, the family is torn apart when he is murdered as a result of gun violence. The Names of All the Flowers connects one tragic death to a collective grief for all black people who die too young. A lyrical recounting of a life lost, Melissa Valentine’s debut memoir is an intimate portrait of a family fractured by the school-to-prison pipeline and an enduring love letter to an adored older brother. It is a call for justice amid endless cycles of violence, grief, and trauma, declaring: “We are all witness and therefore no one is spared from this loss.” “A portrait of a place, a person who died too young, the systems that led to that death, and the keen insights of the author herself. Lyrical and smart, with appropriate undercurrents of rage.” —Emily Raboteau, author of Searching for Zion “Eloquently poignant.” —Kirkus Reviews
Author: Joyce Azonye
Publisher:
ISBN:
Category :
Languages : en
Pages : 138
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Book Description
"With Grief Came Gardens" aims to encompass the entirety of my nineteen years of life and experience through poetry, short stories, and prose. This is a documentation of all the feels (the good, the bad, and the ugly), throughout my duration on mother earth thus far. When reading, "With Grief Came Gardens," I ask that you do so gently. Embrace my truth with open arms and a heart of vulnerability. This is me. The parts that I keep hidden so well that you wouldn't have otherwise known of. This book is separated into four sections titled grievance, lost files, light and love.This book is my baby. Handle her with care. It is my soul on paper. I hope that within these pages you see not only me, but yourself: understand that no matter how lonely you may feel, you are never truly alone. There is a community behind you, whether you've met them or not, they're there. I'm here.
Author: Litt Woon Long
Publisher: Random House
ISBN: 198480104X
Category : Nature
Languages : en
Pages : 321
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Book Description
A grieving widow discovers a most unexpected form of healing—hunting for mushrooms. “Moving . . . Long tells the story of finding hope after despair lightly and artfully, with self-effacement and so much gentle good nature.”—The New York Times Long Litt Woon met Eiolf a month after arriving in Norway from Malaysia as an exchange student. They fell in love, married, and settled into domestic bliss. Then Eiolf’s unexpected death at fifty-four left Woon struggling to imagine a life without the man who had been her partner and anchor for thirty-two years. Adrift in grief, she signed up for a beginner’s course on mushrooming—a course the two of them had planned to take together—and found, to her surprise, that the pursuit of mushrooms rekindled her zest for life. The Way Through the Woods tells the story of parallel journeys: an inner one, through the landscape of mourning, and an outer one, into the fascinating realm of mushrooms—resilient, adaptable, and essential to nature’s cycle of death and rebirth. From idyllic Norwegian forests and urban flower beds to the sandy beaches of Corsica and New York’s Central Park, Woon uncovers an abundance of surprises often hidden in plain sight: salmon-pink Bloody Milk Caps, which ooze red liquid when cut; delectable morels, prized for their earthy yet delicate flavor; and bioluminescent mushrooms that light up the forest at night. Along the way, she discovers the warm fellowship of other mushroom obsessives, and finds that giving her full attention to the natural world transforms her, opening a way for her to survive Eiolf’s death, to see herself anew, and to reengage with life. Praise for The Way Through the Woods “In her search for new meaning in life after the death of her husband, Long Litt Woon undertook the study of mushrooms. What she found in the woods, and expresses with such tender joy in this heartfelt memoir, was nothing less than salvation.”—Eugenia Bone, author of Mycophilia and Microbia
Author: Benjamin Vogt
Publisher: New Society Publishers
ISBN: 1771422459
Category : Gardening
Languages : en
Pages : 217
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Book Description
In a time of climate change and mass extinction, how we garden matters more than ever: “An outstanding and deeply passionate book.” —Marc Bekoff, author of The Emotional Lives of Animals Plenty of books tell home gardeners and professional landscape designers how to garden sustainably, what plants to use, and what resources to explore. Yet few examine why our urban wildlife gardens matter so much—not just for ourselves, but for the larger human and animal communities. Our landscapes push aside wildlife and in turn diminish our genetically programmed love for wildness. How can we get ourselves back into balance through gardens, to speak life's language and learn from other species? Benjamin Vogt addresses why we need a new garden ethic, and why we urgently need wildness in our daily lives—lives sequestered in buildings surrounded by monocultures of lawn and concrete that significantly harm our physical and mental health. He examines the psychological issues around climate change and mass extinction as a way to understand how we are short-circuiting our response to global crises, especially by not growing native plants in our gardens. Simply put, environmentalism is not political; it's social justice for all species marginalized today and for those facing extinction tomorrow. By thinking deeply and honestly about our built landscapes, we can create a compassionate activism that connects us more profoundly to nature and to one another.
Author: Feryal Cubukcu
Publisher: Rowman & Littlefield
ISBN: 1793625891
Category : Social Science
Languages : en
Pages : 222
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Book Description
Death and Garden Narratives in Literature, Art and Film: Song of Death in Paradise explores the combination of two motifs, death and gardens, to show how the two subjects are intertwined and used in various media and cultural contexts. Using cultural, literary, film, and art history theories, the contributors analyze various death and garden sceneries in literary works by Arthur Machen, Agatha Christie, J.K. Rowling, as well as in superhero comics, films, and cultural and art contexts such as Ian Hamilton Finley's “Little Sparta,” the poetic verses from the Karoo Desert National Botanical Garden in South Africa, and the Australian wilderness.
Author: Sue Edney
Publisher:
ISBN: 9781526145680
Category : Ecocriticism
Languages : en
Pages : 0
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Book Description
Diverse ecoGothic interpretations of Victorian gardens and their reflections of human disturbance, using material ecocritical methodology to examine uncanny vegetal agency. Monster plants, mystical trees, fairy groves, grim lakes and talking flowers are among the topics, seen through prose, poetry and painting.
Author: Margaret Renkl
Publisher: Milkweed Editions
ISBN: 1571319875
Category : Nature
Languages : en
Pages : 187
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Book Description
From the New York Times columnist, a portrait of a family and the cycles of joy and grief that mark the natural world: “Has the makings of an American classic.” —Ann Patchett Growing up in Alabama, Margaret Renkl was a devoted reader, an explorer of riverbeds and red-dirt roads, and a fiercely loved daughter. Here, in brief essays, she traces a tender and honest portrait of her complicated parents—her exuberant, creative mother; her steady, supportive father—and of the bittersweet moments that accompany a child’s transition to caregiver. And here, braided into the overall narrative, Renkl offers observations on the world surrounding her suburban Nashville home. Ringing with rapture and heartache, these essays convey the dignity of bluebirds and rat snakes, monarch butterflies and native bees. As these two threads haunt and harmonize with each other, Renkl suggests that there is astonishment to be found in common things: in what seems ordinary, in what we all share. For in both worlds—the natural one and our own—“the shadow side of love is always loss, and grief is only love’s own twin.” Gorgeously illustrated by the author’s brother, Billy Renkl, Late Migrations is an assured and memorable debut. “Magnificent . . . Readers will savor each page and the many gems of wisdom they contain.” —Publishers Weekly (starred review)
Author: Boston Teran
Publisher: Ballantine Books
ISBN: 0345439880
Category : Fiction
Languages : en
Pages : 386
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Book Description
An ex-member of a bloodthirsty cult must pair up with a police officer to take down the group’s murderous leader in this dark, wrenching thriller about personal conviction, retribution, and survival. Soon to be a major motion picture starring Jamie Foxx, Nikolaj Coster-Waldau, Maika Monroe, and January Jones “In a word: Wow. God Is a Bullet is a kick-ass, in-your-face tour de force from start to finish.”—Harlan Coben, #1 New York Times bestselling author of The Match Case Hardin has stared into the face of evil and lived. Now Case learns that the satanic cult that turned her from a lost child into a broken, drug-addicted shell of a woman has taken down more victims, butchering a man and a woman in their suburban home and abducting a young girl. Fueled by rage and the need to redeem her life, Case teams up with the missing girl’s father—a straight-arrow desk cop named Bob Hightower—to track the girl down. With Case as his mentor, Hightower will begin a hunt through the satanic underground few have encountered and even fewer have survived, to pry his child from the hands of a madman. WINNER OF THE CWA NEW BLOOD DAGGER AWARD • EDGAR AWARD FINALIST
Author: Gretchen Poiner
Publisher: Sydney University Press
ISBN: 1743324561
Category : Gardening
Languages : en
Pages : 304
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Book Description
Whether on the ground or in the mind gardens carry meaning. They reflect social and aesthetic values and may express hope, anticipation or grief. Throughout history they have provided a means of physical survival. In creating and maintaining gardens people construe and construct a relationship with their environment. But there is no single meaning carried in the word ‘garden’: as idea and practice it reflects cultural differences in beliefs, values and social organisation. It embodies personal, community even national ways of seeing and being in the world. There are ten essays in Gardens of History and Imagination, each of which examines the role of gardens and gardening in the settlement of New South Wales and in growing a colony and a state. They explore the significance of gardens for the health of the colony, for its economy, for the construction of social order and moral worth. No less do they reveal the significance of forming and reforming personal identities in this process. For the immigrants gardening was an act of settlement; it was also a statement of possession for individuals and for Britain. For a long time it was with memories of ‘home’, often selective and idealised, that settlers made gardens but as the colony developed its own character so did gardening possibilities and practices.
