Author: Grant Pooke
Publisher: Routledge
ISBN: 0415389739
Category : Art
Languages : en
Pages : 299
Book Description
This text provides an introduction to British art, in all its money-sexy glory. It explores key themes in British art practice such as autobiographical art, the abject, and mutability and death, through a discussion of the work of key artists and art movements.
Contemporary British Art
Author: Grant Pooke
Publisher: Routledge
ISBN: 0415389739
Category : Art
Languages : en
Pages : 299
Book Description
This text provides an introduction to British art, in all its money-sexy glory. It explores key themes in British art practice such as autobiographical art, the abject, and mutability and death, through a discussion of the work of key artists and art movements.
Publisher: Routledge
ISBN: 0415389739
Category : Art
Languages : en
Pages : 299
Book Description
This text provides an introduction to British art, in all its money-sexy glory. It explores key themes in British art practice such as autobiographical art, the abject, and mutability and death, through a discussion of the work of key artists and art movements.
The Gallery of Modern British Artists
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 180
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 180
Book Description
British Art in the 20th Century
Author: Dawn Ades
Publisher: Te Neues Publishing Company
ISBN:
Category : Art
Languages : en
Pages : 474
Book Description
Includes paintings and sculpture which have shaped the course of art in the 20th century.
Publisher: Te Neues Publishing Company
ISBN:
Category : Art
Languages : en
Pages : 474
Book Description
Includes paintings and sculpture which have shaped the course of art in the 20th century.
A History of British Art
Author: Andrew Graham-Dixon
Publisher: Univ of California Press
ISBN: 9780520223769
Category : Art
Languages : en
Pages : 260
Book Description
Andrew Graham-Dixon unveils the long-kept secret of Britain's rich and vital visual culture.
Publisher: Univ of California Press
ISBN: 9780520223769
Category : Art
Languages : en
Pages : 260
Book Description
Andrew Graham-Dixon unveils the long-kept secret of Britain's rich and vital visual culture.
Catalogue of the Tate Gallery's Collection of Modern Art, Other Than Works by British Artists
Author: Tate Gallery
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 832
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 832
Book Description
Queer British Art
Author: Clare Barlow
Publisher: Tate Publishing
ISBN: 9781849764520
Category :
Languages : en
Pages : 192
Book Description
In 1861, the death penalty was abolished for sodomy in Britain; just over a century later, in 1967, homosexuality was finally decriminalised. Between these legal landmarks lies a century of seismic shifts in gender and sexuality for men and women. These found expression across the arts as British artists, collectors and consumers explored transgressive identities, experiences and desires. Some of these works were intensely personal, celebrating lovers or expressing private desires. Others addressed a wider public, helping to forge a sense of community at a time when the modern categories of gay, lesbian, bisexual and transgender were largely unrecognised. Ranging from the playful to the political, the explicit to the domestic, these works showcase the rich diversity of queer British art. This publication, the first to focus exclusively on British queer art, will feature sections on ambivalent sexualities and gender experimentation amongst the Pre-Raphaelites; the new science of sexology's impact on portraiture; queer domesticities in Bloomsbury and beyond; eroticism in the artist's studio and relationships between artists and models; gender play and sexuality in British surrealism; and love and lust in sixties Soho. 00Exhibition: Tate Britain, London, United Kingdom (05.04.2017-01.10.2017).
Publisher: Tate Publishing
ISBN: 9781849764520
Category :
Languages : en
Pages : 192
Book Description
In 1861, the death penalty was abolished for sodomy in Britain; just over a century later, in 1967, homosexuality was finally decriminalised. Between these legal landmarks lies a century of seismic shifts in gender and sexuality for men and women. These found expression across the arts as British artists, collectors and consumers explored transgressive identities, experiences and desires. Some of these works were intensely personal, celebrating lovers or expressing private desires. Others addressed a wider public, helping to forge a sense of community at a time when the modern categories of gay, lesbian, bisexual and transgender were largely unrecognised. Ranging from the playful to the political, the explicit to the domestic, these works showcase the rich diversity of queer British art. This publication, the first to focus exclusively on British queer art, will feature sections on ambivalent sexualities and gender experimentation amongst the Pre-Raphaelites; the new science of sexology's impact on portraiture; queer domesticities in Bloomsbury and beyond; eroticism in the artist's studio and relationships between artists and models; gender play and sexuality in British surrealism; and love and lust in sixties Soho. 00Exhibition: Tate Britain, London, United Kingdom (05.04.2017-01.10.2017).
Picasso and Modern British Art
Author: James Beechy
Publisher: Tate
ISBN: 9781854378903
Category : Art
Languages : en
Pages : 0
Book Description
'Picasso and Modern British Art' explores an overlooked yet important aspect of Pablo Picasso's life and work: his lifelong connection with the United Kingdom. Tracing his rise in Britain, this book demonstrates that the British engagement with Picasso and his art has been much deeper and more varied than was previously understood.
Publisher: Tate
ISBN: 9781854378903
Category : Art
Languages : en
Pages : 0
Book Description
'Picasso and Modern British Art' explores an overlooked yet important aspect of Pablo Picasso's life and work: his lifelong connection with the United Kingdom. Tracing his rise in Britain, this book demonstrates that the British engagement with Picasso and his art has been much deeper and more varied than was previously understood.
British Art for Australia, 1860-1953
Author: Matthew C. Potter
Publisher: Routledge
ISBN: 0429752679
Category : Art
Languages : en
Pages : 603
Book Description
Traditional postcolonial scholarship on art and imperialism emphasises tensions between colonising cores and subjugated peripheries. The ties between London and British white settler colonies have been comparatively neglected. Artworks not only reveal the controlling intentions of imperialist artists in their creation but also the uses to which they were put by others in their afterlives. In many cases they were used to fuel contests over cultural identity which expose a mixture of rifts and consensuses within the British ranks which were frequently assumed to be homogeneous. British Art for Australia, 1860–1953: The Acquisition of Artworks from the United Kingdom by Australian National Galleries represents the first systematic and comparative study of collecting British art in Australia between 1860 and 1953 using the archives of the Australian national galleries and other key Australian and UK institutions. Multiple audiences in the disciplines of art history, cultural history, and museology are addressed by analysing how Australians used British art to carve a distinct identity, which artworks were desirable, economically attainable, and why, and how the acquisition of British art fits into a broader cultural context of the British world. It considers the often competing roles of the British Old Masters (e.g. Romney and Constable), Victorian (e.g. Madox Brown and Millais), and modern artists (e.g. Nash and Spencer) alongside political and economic factors, including the developing global art market, imperial commerce, Australian Federation, the First World War, and the coming of age of the Commonwealth.
Publisher: Routledge
ISBN: 0429752679
Category : Art
Languages : en
Pages : 603
Book Description
Traditional postcolonial scholarship on art and imperialism emphasises tensions between colonising cores and subjugated peripheries. The ties between London and British white settler colonies have been comparatively neglected. Artworks not only reveal the controlling intentions of imperialist artists in their creation but also the uses to which they were put by others in their afterlives. In many cases they were used to fuel contests over cultural identity which expose a mixture of rifts and consensuses within the British ranks which were frequently assumed to be homogeneous. British Art for Australia, 1860–1953: The Acquisition of Artworks from the United Kingdom by Australian National Galleries represents the first systematic and comparative study of collecting British art in Australia between 1860 and 1953 using the archives of the Australian national galleries and other key Australian and UK institutions. Multiple audiences in the disciplines of art history, cultural history, and museology are addressed by analysing how Australians used British art to carve a distinct identity, which artworks were desirable, economically attainable, and why, and how the acquisition of British art fits into a broader cultural context of the British world. It considers the often competing roles of the British Old Masters (e.g. Romney and Constable), Victorian (e.g. Madox Brown and Millais), and modern artists (e.g. Nash and Spencer) alongside political and economic factors, including the developing global art market, imperial commerce, Australian Federation, the First World War, and the coming of age of the Commonwealth.
Bridget Riley
Author: Maryam Ohadi-Hamadani
Publisher:
ISBN: 9780692306383
Category :
Languages : en
Pages :
Book Description
Bridget Riley: Perceptual Abstraction explores Bridget Riley's longstanding relationship with the United States, beginning in 1965 with the inclusion of her works in the pivotal exhibition, The Responsive Eye, at the Museum of Modern Art in New York. Accompanying the exhibition catalogue are essays by Maryam Ohadi-Hamadani and Rachel Stratton, along with an original reflection by the artist.
Publisher:
ISBN: 9780692306383
Category :
Languages : en
Pages :
Book Description
Bridget Riley: Perceptual Abstraction explores Bridget Riley's longstanding relationship with the United States, beginning in 1965 with the inclusion of her works in the pivotal exhibition, The Responsive Eye, at the Museum of Modern Art in New York. Accompanying the exhibition catalogue are essays by Maryam Ohadi-Hamadani and Rachel Stratton, along with an original reflection by the artist.
British Art and the First World War, 1914-1924
Author: James Fox
Publisher: Cambridge University Press
ISBN: 1107105870
Category : Art
Languages : en
Pages : 259
Book Description
Overturning decades of scholarly orthodoxies, James Fox makes a bold new argument about the First World War's cultural consequences.
Publisher: Cambridge University Press
ISBN: 1107105870
Category : Art
Languages : en
Pages : 259
Book Description
Overturning decades of scholarly orthodoxies, James Fox makes a bold new argument about the First World War's cultural consequences.