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Author: Susan Sloman
Publisher: Modern Art Press, Limited
ISBN: 9780956800787
Category :
Languages : en
Pages : 412
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Book Description
Thomas Gainsborough's (1727-88) London years, from 1774 to 1788, were the pinnacle and conclusion of his career. They coincided with the establishment of the Royal Academy, of which Gainsborough was a founding member, and the city's ascendance as a center for the arts. This is a meticulously researched and readable account of how Gainsborough designed his home and studio and maintained a growing schedule of influential patrons, making a place for himself in the art world of late-18th-century London. New material about Gainsborough's technique is based on examinations of his pictures and firsthand accounts by studio visitors. His fractious relationship with the Royal Academy and its exhibition culture is reexamined through the works he sent to its annual shows. The full range of Gainsborough's art, from fashionable portraits to landscapes and fancy pictures, is addressed in this major contribution, not just to the study of a great artist, but to 18th-century studies in general.
Author: Susan Sloman
Publisher: Modern Art Press, Limited
ISBN: 9780956800787
Category :
Languages : en
Pages : 412
Get Book Here
Book Description
Thomas Gainsborough's (1727-88) London years, from 1774 to 1788, were the pinnacle and conclusion of his career. They coincided with the establishment of the Royal Academy, of which Gainsborough was a founding member, and the city's ascendance as a center for the arts. This is a meticulously researched and readable account of how Gainsborough designed his home and studio and maintained a growing schedule of influential patrons, making a place for himself in the art world of late-18th-century London. New material about Gainsborough's technique is based on examinations of his pictures and firsthand accounts by studio visitors. His fractious relationship with the Royal Academy and its exhibition culture is reexamined through the works he sent to its annual shows. The full range of Gainsborough's art, from fashionable portraits to landscapes and fancy pictures, is addressed in this major contribution, not just to the study of a great artist, but to 18th-century studies in general.
Author: Michael Rosenthal
Publisher: Paul Mellon Ctr for Studies
ISBN: 9780300081374
Category : Art
Languages : en
Pages : 312
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Book Description
"The book begins by charting the geography and professional tactics of a career that took Gainsbourgh from London to Suffolk, Bath and eventually back to London. Rosenthal looks at such wide-ranging topics as how artists manipulated the press, the issue of likeness in portraiture, how rivalries between painters were handled in public and private, and the pressures of the public exhibition. The second part of the book explores the manifestations of Gainsborugh's aesthetic in portraiture, landscape painting and paintings of sensibility. Rosenthal concludes with a discussion of the problem of defining a role and proper form for the fine arts at a time of rapid social change and innovation."--BOOK JACKET.
Author: Malcolm Cormack
Publisher:
ISBN: 9780521382410
Category : Art
Languages : en
Pages : 182
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Book Description
Examines the works of the English painter, and discusses his contributions to the art world by analyzing his personal style
Author: Mark Bills
Publisher:
ISBN: 9780946511648
Category : Painters
Languages : en
Pages : 132
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Book Description
Author: Aileen Ribeiro
Publisher:
ISBN: 9781904832850
Category : Art and society
Languages : en
Pages : 0
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Book Description
The "grand" portrait has long been understood to have played a pivotal part in the self-definition of Georgian society: not only was a likeness presented to a curious public, but social station and financial rank were also advertised, if not flaunted. Leca, curator at the Cincinnati Art Museum, claims that in addition portraiture was the vehicle for "modernist" ideas. He uses as an example the museum's portrait by Thomas Gainsborough titled Ann Ford, the subject of this exhibition catalogue. In a wide-ranging essay, Leca shows how Gainsborough, the most maverick of the period's portraitists, deliberately piqued establishment taste by seeking out and painting "modern women"--courtesans, dancers, and musicians--who mirrored his own edgy persona, and by rendering them in a provocative and "unfinished" style, thus challenging viewers both morally and visually. In a second essay, Ribeiro (emer., Courtauld Institute, London) discusses the decorum surrounding female portraiture and how Gainsborough's picture deviated or violated accepted notions through pose, dress, and countenance. As an authority on period costume, Ribeiro offers an essay that is rich in observations regarding the social nuances of female attire. Ludwig (doctoral candidate, Boston Univ.) offers a survey of the portraiture of British "progressive" women. Summing Up: Recommended. Lower-level undergraduates and above; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty. Reviewed by L. R. Matteson.
Author: Thomas Gainsborough
Publisher: National Portrait Gallery
ISBN: 9781855147904
Category : Families
Languages : en
Pages : 192
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Book Description
Despite this famous protestation in a letter to his friend William Jackson, Gainsborough was clearly prepared to make an exception when it came to making portraits of his own family and himself. This book, and the major exhibition it accompanies, features a dozen portraits of his daughters Mary and Margaret, the same number of himself and his wife Margaret (though, perhaps tellingly, only one of the couple together), as well as works depicting four of his five siblings, his handsome nephew Gainsborough Dupont (who became his studio assistant) , an aunt and uncle, several in - laws and _ last, but not least _ his beloved dogs, Tristram and Fox. Spanning more than four decades, Gainsborough_s family portraits chart the period from the mid - 1740s, when he plied his trade in his native Suffolk , through his time in Bath ( 1758 _ 74 ), when he established hi mself with a rich and fashionable clientele , to his most successful latter years at his luxuriously appointed studio in London_s We st End. Alongside this story of a provincial 18th - century artist_s rise to fame and fortune runs a more private narrative, ab out the role of portraiture in the promotion of family values, at a time when these were assuming a recogni s ably modern form. In the first of three introductory essays, David H. Solkin writes on Gainsborough himself, placing his family portraits in the context of earlier practice _ including that of the Flemish master Peter Paul Rubens and British portraitists from Mary Beale to Joseph Highmore . Ann Bermingham explores Gainsborough_s portraits of his daughters, with particular reference to two finished double portraits painted seven years apart and the tragic story arising from them. Susan Sloman discusses Margaret_s role as her husband_s business manager, its effect on the family dynamic and hence the visual representation of its members.
Author: Amal Asfour
Publisher: Liverpool University Press
ISBN: 9780853238744
Category : Art
Languages : en
Pages : 360
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Book Description
Thomas Gainsborough, one of the most popular British painters, has been celebrated as a landscapist, a portrait painter, and a man of feeling whose impetuous character is revealed in his art, life and letters. This book reveals that the style, themes and ideas of Gainsborough’s paintings constitute purposeful expressions of an intellectual and visual culture whose importance in the development of eighteenth-century British art has gone unrecognized. "Amal Asfour and Paul Williamson have set out to make us look more knowledgeably at the paintings of Gainsborough... their treatment is richly informative."—George Steiner, The Observer "Asfour and Williamson display a profound knowledge of 18th-century aesthetics... a highly stimulating book."—The British Art Journal
Author: Martin Postle
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 86
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Book Description
Thomas Gainsborough is the most perennially popular of British artists, admired for the grandeur of his society portraits and his sumptuous pastoral landscapes. In his life and art he wished to project an image of effortless accomplishment, demonstrated by a dazzling painting techniques and immense personal charm. He was also competitive, opinionated and possessed of a finely tuned business brain.
Author: N. D'Anvers
Publisher:
ISBN:
Category :
Languages : en
Pages : 296
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Book Description
Author: James Hamilton
Publisher: Hachette UK
ISBN: 1474600530
Category : Biography & Autobiography
Languages : en
Pages : 383
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Book Description
** Selected as a Book of the Year in The Times, Sunday Times and Observer ** 'Compulsively readable - the pages seem to turn themselves' John Carey, Sunday Times 'Brings one of the very greatest [artists] vividly to life' Literary Review Thomas Gainsborough (1727-88) lived as if electricity shot through his sinews and crackled at his finger ends. He was a gentle and empathetic family man, but had a shockingly loose, libidinous manner and a volatility that could lead him to slash his paintings. James Hamilton reveals the artist in his many contexts: the talented Suffolk lad, transported to the heights of fashion; the rake-on-the-make in London, learning his craft in the shadow of Hogarth; the society-portrait painter in Bath and London who earned huge sums by charming the right people into his studio. With fresh insights into original sources, Gainsborough: A Portrait transforms our understanding of this fascinating man, and enlightens the century that bore him.
