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Author: John G. Gibson
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773550607
Category : Performing Arts
Languages : en
Pages : 497
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Book Description
The step-dancing of the Scotch Gaels in Nova Scotia is the last living example of a form of dance that waned following the great emigrations to Canada that ended in 1845. The Scotch Gael has been reported as loving dance, but step-dancing in Scotland had all but disappeared by 1945. One must look to Gaelic Nova Scotia, Cape Breton, and Antigonish County, to find this tradition. Gaelic Cape Breton Step-Dancing, the first study of its kind, gives this art form and the people and culture associated with it the prominence they have long deserved. Gaelic Scotland’s cultural record is by and large pre-literate, and references to dance have had to be sought in Gaelic songs, many of which were transcribed on paper by those who knew their culture might be lost with the decline of their language. The improved Scottish culture depended proudly on the teaching of dancing and the literate learning and transmission of music in accompaniment. Relying on fieldwork in Nova Scotia, and on mentions of dance in Gaelic song and verse in Scotland and Nova Scotia, John Gibson traces the historical roots of step-dancing, particularly the older forms of dancing originating in the Gaelic–speaking Scottish Highlands. He also places the current tradition as a development and part of the much larger British and European percussive dance tradition. With insight collected through written sources, tales, songs, manuscripts, book references, interviews, and conversations, Gaelic Cape Breton Step-Dancing brings an important aspect of Gaelic history to the forefront of cultural debate.
Author: John G. Gibson
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773550607
Category : Performing Arts
Languages : en
Pages : 497
Get Book Here
Book Description
The step-dancing of the Scotch Gaels in Nova Scotia is the last living example of a form of dance that waned following the great emigrations to Canada that ended in 1845. The Scotch Gael has been reported as loving dance, but step-dancing in Scotland had all but disappeared by 1945. One must look to Gaelic Nova Scotia, Cape Breton, and Antigonish County, to find this tradition. Gaelic Cape Breton Step-Dancing, the first study of its kind, gives this art form and the people and culture associated with it the prominence they have long deserved. Gaelic Scotland’s cultural record is by and large pre-literate, and references to dance have had to be sought in Gaelic songs, many of which were transcribed on paper by those who knew their culture might be lost with the decline of their language. The improved Scottish culture depended proudly on the teaching of dancing and the literate learning and transmission of music in accompaniment. Relying on fieldwork in Nova Scotia, and on mentions of dance in Gaelic song and verse in Scotland and Nova Scotia, John Gibson traces the historical roots of step-dancing, particularly the older forms of dancing originating in the Gaelic–speaking Scottish Highlands. He also places the current tradition as a development and part of the much larger British and European percussive dance tradition. With insight collected through written sources, tales, songs, manuscripts, book references, interviews, and conversations, Gaelic Cape Breton Step-Dancing brings an important aspect of Gaelic history to the forefront of cultural debate.
Author: John Graham Gibson
Publisher: McGill-Queen's Studies in Ethn
ISBN: 9780773550599
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
Placing the phenomenon of Gaelic Cape Breton step-dancing into an historical perspective.
Author: Patricia Ballantyne
Publisher: Routledge
ISBN: 0429784139
Category : Music
Languages : en
Pages : 212
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Book Description
Scottish Dance Beyond 1805 presents a history of Scottish music and dance over the last 200 years, with a focus on sources originating in Aberdeenshire, when steps could be adapted in any way the dancer pleased. The book explains the major changes in the way that dance was taught and performed by chronicling the shift from individual dancing masters to professional, licensed members of regulatory societies. This ethnographical study assesses how dances such as the Highland Fling have been altered and how standardisation has affected contemporary Highland dance and music, by examining the experience of dancers and pipers. It considers reactions to regulation and standardisation through the introduction to Scotland of percussive step dance and caller-facilitated ceilidh dancing. Today’s Highland dancing is a standardised and international form of dance. This book tells the story of what changed over the last 200 years and why. It unfolds through a series of colourful characters, through the dances they taught and the music they danced to and through the story of one dance in particular, the Highland Fling. It considers how Scottish dance reflected changes in Scottish society and culture. The book will be of interest to scholars and postgraduates in the fields of Dance History, Ethnomusicology, Ethnochoreology, Ethnology and Folklore, Cultural History, Scottish Studies and Scottish Traditional Music as well as to teachers, judges and practitioners of Highland dancing and to those interested in the history of Scottish dance, music and culture.
Author: Mats Melin
Publisher: Routledge
ISBN: 1000334333
Category : Performing Arts
Languages : en
Pages : 271
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Book Description
Dance Legacies of Scotland compiles a collage of references portraying percussive Scottish dancing and explains what influenced a wide disappearance of hard-shoe steps from contemporary Scottish practices. Mats Melin and Jennifer Schoonover explore the historical references describing percussive dancing to illustrate how widespread the practice was, giving some glimpses of what it looked and sounded like. The authors also explain what influenced a wide disappearance of hard-shoe steps from Scottish dancing practices. Their research draws together fieldwork, references from historical sources in English, Scots, and Scottish Gaelic, and insights drawn from the authors’ practical knowledge of dances. They portray the complex network of dance dialects that existed in parallel across Scotland, and share how remnants of this vibrant tradition have endured in Scotland and the Scottish diaspora to the present day. This book will be of interest to scholars and students of Dance and Music and its relationship to the history and culture of Scotland.
Author: John Graham Gibson
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773521346
Category : History
Languages : en
Pages : 436
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Book Description
The definitive history of traditional Scottish Gaelic bagpiping.
Author: John Graham Gibson
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773522916
Category : History
Languages : en
Pages : 460
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Book Description
Old and New World Highland Bagpiping provides a comprehensive biographical and genealogical account of pipers and piping in highland Scotland and Gaelic Cape Breton.The work is the result of over thirty years of oral fieldwork among the last Gaels in Cape Breton, for whom piping fitted unself-consciously into community life, as well as an exhaustive synthesis of Scottish archival and secondary sources. Reflecting the invaluable memories of now-deceased new world Gaelic lore-bearers, John Gibson shows that traditional community piping in both the old and new world Gàihealtachlan was, and for a long time remained, the same, exposing the distortions introduced by the tendency to interpret the written record from the perspective of modern, post-eighteenth-century bagpiping. Following up the argument in his previous book, Traditional Gaelic Bagpiping, 1745-1945, Gibson traces the shift from tradition to modernism in the old world through detailed genealogies, focusing on how the social function of the Scottish piper changed and step-dance piping progressively disappeared. Old and New World Highland Bagpiping will stir controversy and debate in the piping world while providing reminders of the value of oral history and the importance of describing cultural phenomena with great care and detail.
Author: Raanan Rein
Publisher: McGill-Queen's Press - MQUP
ISBN: 022801011X
Category : Political Science
Languages : en
Pages : 249
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Book Description
Argentina’s populist movement, led by Juan Perón, welcomed people from a broad range of cultural backgrounds to join its ranks. Unlike most populist movements in Europe and North America, Peronism had an inclusive nature, rejecting racism and xenophobia. In Peronism as a Big Tent Raanan Rein and Ariel Noyjovich examine Peronism’s attempts at garnering the support of Argentines of Middle Eastern origins – be they Jewish, Maronite, Orthodox Catholic, Druze, or Muslim – in both Buenos Aires and the interior provinces. By following the process that started with Perón’s administration in the mid-1940s and culminated with the 1989 election of President Carlos Menem, of Syrian parentage, Rein and Noyjovich paint a nuanced picture of Argentina’s journey from failed attempts to build a mosque in Buenos Aires in 1950 to the inauguration of the King Fahd Islamic Cultural Center in the nation’s capital in the year 2000. Peronism as a Big Tent reflects on Perón’s own evolution from perceiving Argentina as a Catholic country with little room for those outside the faith to embracing a vision of a society that was multicultural and that welcomed and celebrated religious plurality. The legacy of this spirit of inclusiveness can still be felt today.
Author: Emma Mc Cluskey
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773558144
Category : Social Science
Languages : en
Pages : 249
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Book Description
In the wake of Europe's so-called refugee crisis in 2015 and 2016, even traditionally open countries such as Sweden and Germany adopted hostile policies on refugees, closing borders and linking refugees with terrorism and threats to national security. Once deemed taboo, uncharitable conduct towards those in need has become increasingly acceptable, and even desirable, throughout the Western world. From Righteousness to Far Right follows nineteen months of ethnographic fieldwork with a grassroots NGO in a small Swedish village, where over one hundred refugees were housed. Through an embedded, anthropological study of day-to-day life in refugee resettlement, Emma Mc Cluskey examines how increasingly antagonistic and xenophobic policies concerning refugees gained legitimacy. Arguing that existing approaches to critical security studies inadequately address the textured, contradictory, and often resistant practices of everyday life within societies, Mc Cluskey re-gears securitization theory along anthropological lines and shifts the focus of the investigation onto the quotidian realm, where much of the controversy over migration and security plays out. A provocative and original political statement on today's increasingly conservative society, From Righteousness to Far Right presents an astounding new perspective on the recent refugee crises and the acceptance and normalization of far-right and securitarian politics.
Author: John Zucchi
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773554114
Category : History
Languages : en
Pages : 223
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Book Description
On 15 September 1896, nearly a thousand people prepared to board a steamer in the port of Montreal, headed for Santos, Brazil, and on to the coffee plantations of São Paulo, while a crowd of a few thousand pleaded with them to stay. Families were split as wives boarded without husbands, or husbands without wives. While many prospective migrants were convinced to get off the boat, close to five hundred people departed for South America. Ultimately the experience was a disaster. Some died on board the ship, others in Brazil; yet others became indigent labourers on coffee plantations or beggars on the streets of São Paulo. The vast majority returned to Canada, many of them helped back by British consular representatives. While the story was widely covered in the international press at the time, a century later it is virtually unknown. In Mad Flight? John Zucchi consults a range of primary and secondary sources, including archival material in Canada, Brazil, France, and the United Kingdom, to recreate the stories of the migrants and open up an important research question: why do some people migrate on impulse and begin a journey that will almost inevitably end up in failure? Historical studies on migration most often account for successful outcomes but rarely consider why some immigrant experiences are destined to fail. Mad Flight? uncovers the history of an otherwise little-known episode of Canadian migration to Brazil and provokes further discussion and debate.
Author: Mahsa Bakhshaei
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228006066
Category : Social Science
Languages : en
Pages : 243
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Book Description
The South Asian population in Canada, encompassing diverse national, ethnic, and religious backgrounds, has in recent years become the largest visible minority in the country. As this community grows, it encounters challenges in settlement, integration, and development. Accounting for only 1 per cent of the population in Quebec, the South Asian community has received limited attention in comparison with other minority groups. The Invisible Community uses recent data from a variety of fields to explore who these immigrants are and what they and their families require to become members of an inclusive society. Experts from Canadian and international universities and governmental and community agencies describe how South Asian immigrants experience life in French-speaking Canada. They look at how members of the community integrate into the job market, how they manage socially and emotionally, how their religious values are affected, and how their children adapt to French-speaking and English-speaking schools. The Invisible Community shares lived experiences of different subgroups of the South Asian population in Quebec in order to better understand wider social, political, and educational contexts of immigration in Canada.
