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Author: John Zucchi
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773554122
Category : History
Languages : en
Pages :
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Book Description
On 15 September 1896, nearly a thousand people prepared to board a steamer in the port of Montreal, headed for Santos, Brazil, and on to the coffee plantations of São Paulo, while a crowd of a few thousand pleaded with them to stay. Families were split as wives boarded without husbands, or husbands without wives. While many prospective migrants were convinced to get off the boat, close to five hundred people departed for South America. Ultimately the experience was a disaster. Some died on board the ship, others in Brazil; yet others became indigent labourers on coffee plantations or beggars on the streets of São Paulo. The vast majority returned to Canada, many of them helped back by British consular representatives. While the story was widely covered in the international press at the time, a century later it is virtually unknown. In Mad Flight? John Zucchi consults a range of primary and secondary sources, including archival material in Canada, Brazil, France, and the United Kingdom, to recreate the stories of the migrants and open up an important research question: why do some people migrate on impulse and begin a journey that will almost inevitably end up in failure? Historical studies on migration most often account for successful outcomes but rarely consider why some immigrant experiences are destined to fail. Mad Flight? uncovers the history of an otherwise little-known episode of Canadian migration to Brazil and provokes further discussion and debate.
Author: John Zucchi
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773554122
Category : History
Languages : en
Pages :
Get Book
Book Description
On 15 September 1896, nearly a thousand people prepared to board a steamer in the port of Montreal, headed for Santos, Brazil, and on to the coffee plantations of São Paulo, while a crowd of a few thousand pleaded with them to stay. Families were split as wives boarded without husbands, or husbands without wives. While many prospective migrants were convinced to get off the boat, close to five hundred people departed for South America. Ultimately the experience was a disaster. Some died on board the ship, others in Brazil; yet others became indigent labourers on coffee plantations or beggars on the streets of São Paulo. The vast majority returned to Canada, many of them helped back by British consular representatives. While the story was widely covered in the international press at the time, a century later it is virtually unknown. In Mad Flight? John Zucchi consults a range of primary and secondary sources, including archival material in Canada, Brazil, France, and the United Kingdom, to recreate the stories of the migrants and open up an important research question: why do some people migrate on impulse and begin a journey that will almost inevitably end up in failure? Historical studies on migration most often account for successful outcomes but rarely consider why some immigrant experiences are destined to fail. Mad Flight? uncovers the history of an otherwise little-known episode of Canadian migration to Brazil and provokes further discussion and debate.
Author: Robert Lunday
Publisher: Robert Lunday
ISBN: 0912592478
Category : Poetry
Languages : en
Pages : 78
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Book Description
Poetry. This is the first collection of poems by a poet who received two fellowships from the Fine Arts Work Center in Provincetown, MA, a Stegner Fellowship from Stanford University, and who grew up on Army posts, mainly in the South. One of the strongest poems in the collection, Major Lewis, tracks the author's intergenerational family's tie to the army, all the way to Vietnam and back to the reverberations of that war in the author's domestic life. Those readers reared in military families will be astounded at the chords (Lunday) strikes, and the echoes of their own lives they will find in the particulars of his--Mary Edwards Wertsch. Robert Lunday has combined a narrative impulse, a desire to tell the story, with an intense lyrical imagination, and the result is MAD FLIGHTS--Thomas Lux.
Author: Charles Amory Beach
Publisher:
ISBN:
Category : Aeronautics
Languages : en
Pages : 230
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Author: Frederick McCormick
Publisher:
ISBN:
Category : Russo-Japanese War, 1904-1905
Languages : en
Pages : 552
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Author: Percy Keese Fitzhugh
Publisher:
ISBN:
Category : Aeronautics
Languages : en
Pages : 268
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Author: Eddie Rickenbacker
Publisher:
ISBN:
Category : Fighter pilots
Languages : en
Pages : 392
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Author: Piero Boitani
Publisher: ReadHowYouWant.com
ISBN: 1459605640
Category : Literary Criticism
Languages : en
Pages : 502
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Book Description
Flight has always fascinated human minds, but until a century ago it remained a dream - the exclusive domain of birds, gods, and mythological heroes. From the myths of the ancients to the poetry of Pindar and Yeats, Winged Words traces the imprint of the human impulse to fly from premodern times to the age of terrorism in both literature and his...
Author: Penelope Reed Doob
Publisher: Cornell University Press
ISBN: 1501738461
Category : Literary Criticism
Languages : en
Pages : 376
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Book Description
Ancient and medieval labyrinths embody paradox, according to Penelope Reed Doob. Their structure allows a double perspective—the baffling, fragmented prospect confronting the maze-treader within, and the comprehensive vision available to those without. Mazes simultaneously assert order and chaos, artistry and confusion, articulated clarity and bewildering complexity, perfected pattern and hesitant process. In this handsomely illustrated book, Doob reconstructs from a variety of literary and visual sources the idea of the labyrinth from the classical period through the Middle Ages. Doob first examines several complementary traditions of the maze topos, showing how ancient historical and geographical writings generate metaphors in which the labyrinth signifies admirable complexity, while poetic texts tend to suggest that the labyrinth is a sign of moral duplicity. She then describes two common models of the labyrinth and explores their formal implications: the unicursal model, with no false turnings, found almost universally in the visual arts; and the multicursal model, with blind alleys and dead ends, characteristic of literary texts. This paradigmatic clash between the labyrinths of art and of literature becomes a key to the metaphorical potential of the maze, as Doob's examination of a vast array of materials from the classical period through the Middle Ages suggests. She concludes with linked readings of four "labyrinths of words": Virgil's Aeneid, Boethius' Consolation of Philosophy, Dante's Divine Comedy, and Chaucer's House of Fame, each of which plays with and transforms received ideas of the labyrinth as well as reflecting and responding to aspects of the texts that influenced it. Doob not only provides fresh theoretical and historical perspectives on the labyrinth tradition, but also portrays a complex medieval aesthetic that helps us to approach structurally elaborate early works. Readers in such fields as Classical literature, Medieval Studies, Renaissance Studies, comparative literature, literary theory, art history, and intellectual history will welcome this wide-ranging and illuminating book.
Author: Dante Alighieri
Publisher: Oxford University Press
ISBN: 0199770336
Category : Literary Collections
Languages : en
Pages : 673
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Book Description
This first volume of Robert Durling's new translation of The Divine Comedy brings a new power and accuracy to the rendering of Dante's extraordinary vision of Hell, with all its terror, pathos, and humor. Remarkably true to both the letter and spirit of this central work of Western literature, Durling's is a prose translation (the first to appear in twenty-five years), and is thus free of the exigencies of meter and rhyme that hamper recent verse translations. As Durling notes, "the closely literal style is a conscious effort to convey in part the nature of Dante's Italian, notoriously craggy and difficult even for Italians." Rigorously accurate as to meaning, it is both clear and supple, while preserving to an unparalleled degree the order and emphases of Dante's complex syntax. The Durling-Martinez Inferno is also user-friendly. The Italian text, newly edited, is printed on each verso page; the English mirrors it in such a way that readers can easily find themselves in relation to the original terza rima. Designed with the first-time reader of Dante in mind, the volume includes comprehensive notes and textual commentary by Martinez and Durling: both are life-long students of Dante and other medieval writers (their Purgatorio and Paradiso will appear next year). Their introduction is a small masterpiece of its kind in presenting lucidly and concisely the historical and conceptual background of the poem. Sixteen short essays are provided that offer new inquiry into such topics as the autobiographical nature of the poem, Dante's views on homosexuality, and the recurrent, problematic body analogy (Hell has a structure parallel to that of the human body). The extensive notes, containing much new material, explain the historical, literary, and doctrinal references, present what is known about the damned souls Dante meets --from the lovers who spend eternity in the whirlwind of their passion, to Count Ugolino, who perpetually gnaws at his enemy's skull--disentangle the vexed party politics of Guelfs and Ghibellines, illuminate difficult and disputed passages, and shed light on some of Dante's unresolved conflicts. Robert Turner's illustrations include detailed maps of Italy and several of its regions, clearly labeled diagrams of the cosmos and the structure of Hell, and eight line drawings illustrating objects and places mentioned in the poem. With its exceptionally high standard of typography and design, the Durling-Martinez Inferno offers readers a solid cornerstone for any home library. It will set the standard for years to come.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 774
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