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Author: Luisa Cale
Publisher: Clarendon Press
ISBN: 0191514861
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
Fuseli's Milton Gallery challenges the antipictorial theories and canons of Romantic period culture. Between 1791 and 1799 Swiss painter Henry Fuseli turned Milton's Paradise Lost into a series of 40 pictures. Fuseli's project and other literary galleries developed within an expanding market for illustrated books and a culture of anthologization used to reading British and other 'classics' in terms of the visualization of key moments in the text. Thus transformed into repositories of virtual pictures literary texts became ideal sources of subjects for painters. Illustrating British literature was a way of inventing a national 'grand style' to fit the needs of a consumer society. Cale calls into question the separation of reading and viewing as autonomous aesthetic practices. To 'turn readers into spectators' meant to place readers and reading within the dizzying world of associations offered by an emerging culture of exhibitions. Attending to the energized reading effects developed by Fuseli's Gallery we rediscover a new side of the Romantic imagination which is not the solitary mentalist experience preferred by Wordsworth and Coleridge, nor divorced from the senses, let alone a refuge from the crowded public spaces of the Revolutionary period. Rather, Fuseli's embodied aesthetic exemplifies the associationist psychology espoused by the radical circle convening around the publisher Joseph Johnson, including Joseph Priestley and Mary Wollstonecraft. This book analyses exhibitions as important sites of Romantic sociability and one of many interrelated mediums for the literature, debates and controversies of the Revolutionary period.
Author: Luisa Cale
Publisher: Clarendon Press
ISBN: 0191514861
Category : Literary Criticism
Languages : en
Pages : 292
Get Book Here
Book Description
Fuseli's Milton Gallery challenges the antipictorial theories and canons of Romantic period culture. Between 1791 and 1799 Swiss painter Henry Fuseli turned Milton's Paradise Lost into a series of 40 pictures. Fuseli's project and other literary galleries developed within an expanding market for illustrated books and a culture of anthologization used to reading British and other 'classics' in terms of the visualization of key moments in the text. Thus transformed into repositories of virtual pictures literary texts became ideal sources of subjects for painters. Illustrating British literature was a way of inventing a national 'grand style' to fit the needs of a consumer society. Cale calls into question the separation of reading and viewing as autonomous aesthetic practices. To 'turn readers into spectators' meant to place readers and reading within the dizzying world of associations offered by an emerging culture of exhibitions. Attending to the energized reading effects developed by Fuseli's Gallery we rediscover a new side of the Romantic imagination which is not the solitary mentalist experience preferred by Wordsworth and Coleridge, nor divorced from the senses, let alone a refuge from the crowded public spaces of the Revolutionary period. Rather, Fuseli's embodied aesthetic exemplifies the associationist psychology espoused by the radical circle convening around the publisher Joseph Johnson, including Joseph Priestley and Mary Wollstonecraft. This book analyses exhibitions as important sites of Romantic sociability and one of many interrelated mediums for the literature, debates and controversies of the Revolutionary period.
Author: Stephanie O'Rourke
Publisher: Cambridge University Press
ISBN: 1316519023
Category : Art
Languages : en
Pages : 273
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Book Description
Innovative, alternative account of romanticism, exploring how art and science together contested the evidentiary authority of the human body.
Author: Jonah Siegel
Publisher: Princeton University Press
ISBN: 1400849829
Category : Art
Languages : en
Pages : 381
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Book Description
In this fascinating look at the creative power of institutions, Jonah Siegel explores the rise of the modern idea of the artist in the nineteenth century, a period that also witnessed the emergence of the museum and the professional critic. Treating these developments as interrelated, he analyzes both visual material and literary texts to portray a culture in which art came to be thought of in powerful new ways. Ultimately, Siegel shows that artistic controversies commonly associated with the self-consciously radical movements of modernism and postmodernism have their roots in a dynamic era unfairly characterized as staid, self-satisfied, and stable. The nineteenth century has been called the Age of the Museum, and yet critics, art theorists, and poets during this period grappled with the question of whether the proliferation of museums might lead to the death of Art itself. Did the assembly and display of works of art help the viewer to understand them or did it numb the senses? How was the contemporary artist to respond to the vast storehouses of art from disparate nations and periods that came to proliferate in this era? Siegel presents a lively discussion of the shock experienced by neoclassical artists troubled by remains of antiquity that were trivial or even obscene, as well as the anxious aesthetic reveries of nineteenth-century art lovers overwhelmed by the quantity of objects quickly crowding museums and exhibition halls. In so doing, he illuminates the fruitful crises provoked when the longing for admired art is suddenly satisfied. Drawing upon neoclassical art and theory, biographies of early nineteenth-century writers including Keats and Scott, and the writings of art critics such as Hazlitt, Ruskin, and Wilde, this book reproduces a cultural matrix that brings to life the artistic passions and anxieties of an entire era.
Author: Athena Leoussi
Publisher: Routledge
ISBN: 1351327151
Category : Political Science
Languages : en
Pages : 325
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Book Description
Since the end of the internationalist Soviet experiment in 1989, nationalism is now recognized as a positive, vital force in modern political, cultural, and social life-if kept in check from excess. As a result of the explosion of nationalism, there has been a veritable resurgence of nationalism studies. This proliferation calls for a survey of instruments which have been developed by scholars for the study of nationalism. The Encyclopaedia of Nationalism brings together leading scholars in nationalism studies to survey this complex phenomenon.With over one hundred entries the Encyclopaedia of Nationalism offers a complete and concise set of tools for the study of nationalism in a single volume. The focus throughout is theoretical, and for this reason particular nationalist movements and individual leaders are treated only as illustrative historical and contemporary cases in numerous entries. The Encyclopaedia is organized in an alphabetical sequence of entries, each of which includes a short bibliography for further reading. The reader will find in-depth discussions of the work of modern theoreticians of nationalism.The defining figures of the eighteenth and nineteenth centuries including Herder, Rousseau, Fichte, Marx, and Renan. Conceptual entries, are treated historically and sociologically. Crucial influential ideas and phenomena that continually redefine themselves with changing historical circumstances, among them, anti-Semitism, art and nationalism, assimilation, class and nation, decolonization, ethnic competition, genocide, language and nation, multiculturalism, religion and nation, state and nation, and xenophobia are treated in depth. A special attraction of this volume is its essay-long entries, many of which have been written by the scholars who developed them.The Encyclopaedia of Nationalism discusses in lucid terms, from an interdisciplinary perspective, the central issues, debates, concepts, and theories available to students and scholars of nationalism. As such it is the most comprehensive and authoritative guide to the subject in all its varied manifestations and implications. It will be an essential tool for historians, political scientists, sociologists, and scholars of the history of ideas.
Author: John Broadbent
Publisher: Cambridge University Press
ISBN: 9780521201728
Category : Literary Criticism
Languages : en
Pages : 364
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Book Description
At the head of the Cambridge Milton series stand two general books: John Milton: Introductions and Paradise Lost: Introduction. These set the tone for and give the background to the editions of individual books. John Broadbent and the contributors to the present volume provide original studies on different aspects of John Milton's life, times, work and ideas. There are chapters on his relation to the music, science and visual arts of the age and there is ample material to stimulate further reading, thought and research. The book can be used by a wide range of readers and students of Milton as an original work of reference - a bank of ideas and resources on which to draw and to develop.
Author: Jane Kromm
Publisher: A&C Black
ISBN: 1441143300
Category : Art
Languages : en
Pages : 302
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Book Description
The Art of Frenzy presents a masterful analysis of public madness from the Renaissance to the Industrial Age. Frenzy--the most flagrant and political form of madness--is the madness of warrior-heroes, kings, scolds, and the possessed. Its representation incorporates a range of traditional characters and figures, from Hercules and Orlando to Medea and Britannia. Understood as abusive power and belligerence out of control, and described in terms drawn equally from definitions of tyranny and liberty, frenzy has always been articulated with a significant degree of political meaning. Integrating art history with cultural studies, political history, and the history of medicine, Jane Kromm draws on a wide range of mediums and contexts--from asylum sculpture to political broadsheets, medical texts, the imagery of revolution, caricature and medical illustrations--to clarify the importance of this interpretative pattern.
Author: Michael S. Roth
Publisher: Getty Publications
ISBN: 9780892365388
Category : Art
Languages : en
Pages : 316
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Book Description
In Disturbing Remains, ten extraordinary scholars focus on the remembrance and representation of traumatic historical events in the twentieth century. The volume opens with essays by David William Cohen, Veena Das, and Philip Gourevitch. Their reflections on the narratives framing Robert Ouko's death in Kenya, Sikh-Hindu violence in India around the time of Indira Gandhi's assassination, and the 1994 genocide of Tutsis by Hutus in Rwanda offer fresh insights into the genesis and aftermath of these tragedies. The next four essays explore the expression of societal disaster in works of art and ritual. Lenin's image, Pablo Picasso's Guernica, balsa figurines of whites made by the Kuna of Panama, and Chinese fertility statuettes after Mao Zedong's Great Leap Forward are the subjects taken up by Leah Dickerman, Carlo Ginzburg, Carlo Severi, and Jun Jing. Disturbing Remains closes with three essays about the influence of the dead on the construction of shared identity. István Rév looks at how Hungarians have dealt with the 1956 revolution and its executed leader, and Jörn Rüsen and Saul Friedländer contemplate the public memory of the Holocaust in Germany and worldwide.
Author: Lorenz Eitner
Publisher: Routledge
ISBN: 0429708912
Category : Art
Languages : en
Pages : 703
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Book Description
This one-volume edition contains both text and plates and includes corrections in the text and bibliography made since the books publication in 1987. There are concise monographic chapters on the important artists and movements of the period, with material on each artists life and work, characteristics of style, and the relationship of the artistic movements to historical and intellectual currents of the time. The author covers a wide range of material and his presentation is lucid and perceptive. Neoclassicism, Romanticism, Realism, Academics and Salon Painters, and Impressionism are covered, and the following artists are included: David, Gros, Girodet, Grard, Gurin, Prudhon, Goya, Fuseli, Blake, Runge, Friedrich, Turner, Constable, Igres, Gricault, Delacroix, Corot, Rousseau, Daumier, Millet, Courbet, Manet, Degas, Monet, Renoir, Sisley, Pissarro, and Czanne.
Author: Robert Rosenblum
Publisher: Princeton University Press
ISBN: 0691003025
Category : Art
Languages : en
Pages : 344
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Book Description
Rosenblum's "Transformations in late Eighteenth century art" is still one of th best and most inspiring books on the art of neoclassicism and early romaticism. Encompassing both pictorial arts and architecture, it points central themes in the arts of that time. It offers clues to further investigations as to the seminal character of the fundamental changes in the art and architecture of the late 18th century. And it is wonderfully wide in perspective and clear in its argument. It presents a number of focus in a period where one gets easily lost in either superficial statements or far too detailed information.
Author: British Museum. Dept. of Prints and Drawings
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 380
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Book Description
