Good and Plenty PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Good and Plenty PDF full book. Access full book title Good and Plenty by Tyler Cowen. Download full books in PDF and EPUB format.
Author: Tyler Cowen
Publisher: Princeton University Press
ISBN: 1400827000
Category : Business & Economics
Languages : en
Pages : 206
Get Book Here
Book Description
Americans agree about government arts funding in the way the women in the old joke agree about the food at the wedding: it's terrible--and such small portions! Americans typically either want to abolish the National Endowment for the Arts, or they believe that public arts funding should be dramatically increased because the arts cannot survive in the free market. It would take a lover of the arts who is also a libertarian economist to bridge such a gap. Enter Tyler Cowen. In this book he argues why the U.S. way of funding the arts, while largely indirect, results not in the terrible and the small but in Good and Plenty--and how it could result in even more and better. Few would deny that America produces and consumes art of a quantity and quality comparable to that of any country. But is this despite or because of America's meager direct funding of the arts relative to European countries? Overturning the conventional wisdom of this question, Cowen argues that American art thrives through an ingenious combination of small direct subsidies and immense indirect subsidies such as copyright law and tax policies that encourage nonprofits and charitable giving. This decentralized and even somewhat accidental--but decidedly not laissez-faire--system results in arts that are arguably more creative, diverse, abundant, and politically unencumbered than that of Europe. Bringing serious attention to the neglected issue of the American way of funding the arts, Good and Plenty is essential reading for anyone concerned about the arts or their funding.
Author: Tyler Cowen
Publisher: Princeton University Press
ISBN: 1400827000
Category : Business & Economics
Languages : en
Pages : 206
Get Book Here
Book Description
Americans agree about government arts funding in the way the women in the old joke agree about the food at the wedding: it's terrible--and such small portions! Americans typically either want to abolish the National Endowment for the Arts, or they believe that public arts funding should be dramatically increased because the arts cannot survive in the free market. It would take a lover of the arts who is also a libertarian economist to bridge such a gap. Enter Tyler Cowen. In this book he argues why the U.S. way of funding the arts, while largely indirect, results not in the terrible and the small but in Good and Plenty--and how it could result in even more and better. Few would deny that America produces and consumes art of a quantity and quality comparable to that of any country. But is this despite or because of America's meager direct funding of the arts relative to European countries? Overturning the conventional wisdom of this question, Cowen argues that American art thrives through an ingenious combination of small direct subsidies and immense indirect subsidies such as copyright law and tax policies that encourage nonprofits and charitable giving. This decentralized and even somewhat accidental--but decidedly not laissez-faire--system results in arts that are arguably more creative, diverse, abundant, and politically unencumbered than that of Europe. Bringing serious attention to the neglected issue of the American way of funding the arts, Good and Plenty is essential reading for anyone concerned about the arts or their funding.
Author: Sarah Wilbur
Publisher: Wesleyan University Press
ISBN: 0819580538
Category : Performing Arts
Languages : en
Pages : 337
Get Book Here
Book Description
"A cultural and structural analysis of the NEA's dance funding from its inception through the early 2000s. Wilbur studies how people in power engineer and translate institutional norms of arts recognition within dance, performance, and arts policy disclosure"--
Author: Beth Pickens
Publisher: Feminist Press at CUNY
ISBN: 193693230X
Category : Self-Help
Languages : en
Pages : 73
Get Book Here
Book Description
A candid guidebook about art-making in the midst of oppression—"a slim, necessary revelation" (Maggie Nelson, The Argonauts). Visiting the Andy Warhol Museum as a teenager, Beth Pickens realized that art was imperative for reflecting—and thus remaking—the world. As an adult, she has dedicated her life to arts nonprofits and consulting, helping marginalized artists traverse the world of MFAs, residences, and institutional funding. Writing in the aftermath of the 2016 election, Pickens reminds emerging artists that their art is more important than ever. She gives advice on fostering creativity and sustaining an innovative practice as conversations about grants, public programming, and arts funding in schools grow ever-more heated. Part political manifesto, part practical manual, this resource reminds us that art has always been a tool of resistance.
Author:
Publisher:
ISBN:
Category : College teachers
Languages : en
Pages : 24
Get Book Here
Book Description
Author: Andrew Pinnock
Publisher: Taylor & Francis
ISBN: 0429666861
Category : Business & Economics
Languages : en
Pages : 291
Get Book Here
Book Description
Who funds creative and cultural projects, and why? This insightful book analyses how the arts have been funded in a variety of political environments, helping readers understand how politics and economics intersect to support cultural life. Employing the UK Arts Council as an historical case study, the author explores the politics of arts funding and how artists and audiences adapt their behaviour around evolving incentives. In focusing on how arts funding has worked in practice, the book allows readers to develop their understanding of economics principles in the cultural sector. With a balance between historical and contemporary themes, the book provides fundamental insights into cultural economics and policy. As such it is required reading for students and practitioners who want to know how arts funding professionals make decisions.
Author: Dena Shottenkirk
Publisher: Cambridge Scholars Publishing
ISBN:
Category : Art
Languages : en
Pages : 332
Get Book Here
Book Description
Cover Up the Dirty Parts! takes on directly not only questions regarding the relationship between government funding for the arts and political censorship, but also deeper philosophical questions regarding liberty, the definition of art, the role of vague terms in language and law, and the epistemological role of both free expression and art itself. The issue of arts funding sits in the terrain of overlap between aesthetics and political philosophy and thus elicits aesthetic questions regarding the purpose of art and how art is defined, political questions regarding the nature of freedom and the role of government, and epistemological questions regarding the sources of knowledge and how it is we acquire it. As both an analytic philosopher and a practicing artist, Shottenkirk has incorporated the insights and sensitivities of both worlds in this analysis of why art is important and why freedom of expression within cultural development must be respected if we are to embrace a society able to provide the maximum degree of stimulation and safety for all its members. In this context, art is viewed as valuable both as a tool for knowledge acquisition for the individual and as a source of consensus building for the culture. As a device for consensus building, art has the role of practicing respect for differing opinions and balancing competing points of view as well as serving as self-expression for the individual. Interviews with two artists, the first of whom is an American central to the funding debates of the last few decades and the second of whom is a contemporary Iranian writer imprisoned for her writing, combine with both narrative and philosophical analysis to give a complete picture of the issues and what is at stake for all of us who care not only about art but about freedom as well. While the distinction between censorship and non-funding is explored, also analyzed is the need for tolerance in the face of offense as well as respect for othersâ (TM) rights and cultural differences.
Author: Carole Lee Dean
Publisher:
ISBN: 9781615930913
Category : Performing Arts
Languages : en
Pages : 0
Get Book Here
Book Description
"The Art of Film Funding" is written for documentaries, shorts, and feature producers for funding via grants, individual investments/donations, online crowd funding, and distribution through streaming video. It also covers new online financing written by a woman who gives three grants a year valued at $100,000.
Author: Nathan Weber
Publisher:
ISBN: 9780879544485
Category : Art
Languages : en
Pages : 187
Get Book Here
Book Description
These two studies, commissioned by Grantmakers in the Arts, provide a framework for understanding recent trends in foundation funding for arts and culture. Arts Funding Revisited focuses on grantmaking in 1992, updating the original study by three years. It analyzes over 9,500 grants awarded in that year by 800+ of the major U.S. arts and culture grantmakers, providing a current picture of giving priorities in the field. The original report analyzes grants awarded in the 1980s and also includes profiles of over 60 top foundation and corporate grantmakers.
Author: Marjorie Garber
Publisher: Princeton University Press
ISBN: 1400830036
Category : Education
Languages : en
Pages : 252
Get Book Here
Book Description
What is the role of the arts in American culture? Is art an essential element? If so, how should we support it? Today, as in the past, artists need the funding, approval, and friendship of patrons whether they are individuals, corporations, governments, or nonprofit foundations. But as Patronizing the Arts shows, these relationships can be problematic, leaving artists "patronized"--both supported with funds and personal interest, while being condescended to for vocations misperceived as play rather than serious work. In this provocative book, Marjorie Garber looks at the history of patronage, explains how patronage has elevated and damaged the arts in modern culture, and argues for the university as a serious patron of the arts. With clarity and wit, Garber supports rethinking prejudices that oppose art's role in higher education, rejects assumptions of inequality between the sciences and humanities, and points to similarities between the making of fine art and the making of good science. She examines issues of artistic and monetary value, and transactions between high and popular culture. She even asks how college sports could provide a new way of thinking about arts funding. Using vivid anecdotes and telling details, Garber calls passionately for an increased attention to the arts, not just through government and private support, but as a core aspect of higher education. Compulsively readable, Patronizing the Arts challenges all who value the survival of artistic creation both in the present and future.
Author: Alberta Arthurs
Publisher: NYU Press
ISBN: 1479812625
Category : Art
Languages : en
Pages : 342
Get Book Here
Book Description
"Twenty-seven contributors--artists, cultural professionals, scholars, a journalist, grantmakers--were asked this question: 'Are the arts essential?' In response, they offer deep and challenging answers applying the lenses of the arts, and those of the sciences, the humanities, public policy, and philanthropy. Playing so many parts, situated in so many places, these writers illustrate the ubiquity of the arts and culture in the United States. They draw from the performing arts and the visual arts, from poetry and literature, and from culture in our everyday lived experiences. The arts, they remind readers, are everywhere, and--in one way and another--touch everyone"--
