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Author: Peter Watson
Publisher: Random House (NY)
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 640
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Book Description
A behind-the-scenes look at a century of high art and high-stakes commerce, fluently narrated and spiced with backstage gossip. This captivating history brings to life the connoisseurs and market makers, artists and swindlers who have shaped our tastes and driven the price of masterpieces into the stratosphere. Photographs, caricatures, and pictures of famous paintings.
Author: Peter Watson
Publisher: Random House (NY)
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 640
Get Book Here
Book Description
A behind-the-scenes look at a century of high art and high-stakes commerce, fluently narrated and spiced with backstage gossip. This captivating history brings to life the connoisseurs and market makers, artists and swindlers who have shaped our tastes and driven the price of masterpieces into the stratosphere. Photographs, caricatures, and pictures of famous paintings.
Author: Richard E. Caves
Publisher: Harvard University Press
ISBN: 0674253388
Category : Business & Economics
Languages : en
Pages : 442
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Book Description
This book explores the organization of creative industries, including the visual and performing arts, movies, theater, sound recordings, and book publishing. In each, artistic inputs are combined with other, "humdrum" inputs. But the deals that bring these inputs together are inherently problematic: artists have strong views; the muse whispers erratically; and consumer approval remains highly uncertain until all costs have been incurred. To assemble, distribute, and store creative products, business firms are organized, some employing creative personnel on long-term contracts, others dealing with them as outside contractors; agents emerge as intermediaries, negotiating contracts and matching creative talents with employers. Firms in creative industries are either small-scale pickers that concentrate on the selection and development of new creative talents or large-scale promoters that undertake the packaging and widespread distribution of established creative goods. In some activities, such as the performing arts, creative ventures facing high fixed costs turn to nonprofit firms. To explain the logic of these arrangements, the author draws on the analytical resources of industrial economics and the theory of contracts. He addresses the winner-take-all character of many creative activities that brings wealth and renown to some artists while dooming others to frustration; why the "option" form of contract is so prevalent; and why even savvy producers get sucked into making "ten-ton turkeys," such as Heaven's Gate. However different their superficial organization and aesthetic properties, whether high or low in cultural ranking, creative industries share the same underlying organizational logic.
Author: Serena Burdick
Publisher: Macmillan + ORM
ISBN: 1250106680
Category : Fiction
Languages : en
Pages : 245
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Book Description
"A tale brimming over with secrets, betrayals and redemption. Burdick keeps readers riveted." -RT Book Reviews (4 Stars HOT) "Moving, surprising, and thought-provoking." -The Emerald City Book Review "Burdick brings the sights and sounds of the Paris of the Impressionists to life." -Historical Novel Society “A provocative tale of family secrets, betrayal, and the renewal of self-discovery.” -Heather Webb, author of Rodin's Lover "Girl in the Afternoon is a love story, a mystery, a tragedy, and a moving study of the human capacity to contain both reckless error and surprising redemption.” -Carrie Brown, author of The Stargazer's Sister Born into a wealthy Parisian family at the center of Belle Epoque society, 18-year-old Aimée Savaray dreams of becoming a respected painter in the male-dominated art world; and secretly, she also dreams of being loved by Henri, the boy her parents took in as a child and raised alongside her. But when Henri inexplicably disappears, in the midst of the Franco-Prussian war, the Savarays’ privileged lives begin to unravel. Heartbroken, Aimée tries to find him, but Henri doesn’t want to be found—and only one member of the family knows why. As Aimée seeks refuge in the art world, mentored by the Impressionist Édouard Manet, she unwittingly finds her way back to Henri. With so many years gone by and secrets buried, their eventual reunion unmasks the lies that once held the family together, but now threaten to tear them apart. A rich and opulent saga, Girl in the Afternoon brings the Impressionists to life in this portrait of scandal, fortune, and unrequited love.
Author: Olav Velthuis
Publisher: Princeton University Press
ISBN: 0691134030
Category : Social Science
Languages : en
Pages : 288
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Book Description
How do dealers price contemporary art in a world where objective criteria seem absent? Talking Prices is the first book to examine this question from a sociological perspective. On the basis of a wide range of qualitative and quantitative data, including interviews with art dealers in New York and Amsterdam, Olav Velthuis shows how contemporary art galleries juggle the contradictory logics of art and economics. In doing so, they rely on a highly ritualized business repertoire. For instance, a sharp distinction between a gallery's museumlike front space and its businesslike back space safeguards the separation of art from commerce. Velthuis shows that prices, far from being abstract numbers, convey rich meanings to trading partners that extend well beyond the works of art. A high price may indicate not only the quality of a work but also the identity of collectors who bought it before the artist's reputation was established. Such meanings are far from unequivocal. For some, a high price may be a symbol of status; for others, it is a symbol of fraud. Whereas sociological thought has long viewed prices as reducing qualities to quantities, this pathbreaking and engagingly written book reveals the rich world behind these numerical values. Art dealers distinguish different types of prices and attach moral significance to them. Thus the price mechanism constitutes a symbolic system akin to language.
Author: Peter Watson
Publisher: Anchor
ISBN: 1101873426
Category : Fiction
Languages : en
Pages : 386
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Book Description
When Colonel Matthew Hammond was posted to the European theater during World War II, he sustained a serious injury on the front lines that cost him a lung. Now he is back in England, unable to fight, but continuing to serve his country by training new resistance fighters in SC2, a specialist sabotage outfit. One of the recruits under his tutelage is the spellbinding Madeleine Dirac, an exotic French-Canadian nurse. Despite protocols discouraging romance, they fall deeply in love. Matthew is torn about putting Madeleine’s life in danger: he has mixed duty and pleasure before, with tragic results—his former lover, Celestine, was killed in an attempt to assassinate a Nazi doctor. But the Allies are mustering all their resources for crucial beach landings in Normandy, and Matthew knows his unit will be needed to parachute its agents in behind Nazi lines. Vivid and unforgettable, Madeleine’s War is a gripping tale of love in wartime—and of men and women caught in the sweep of history.
Author: Larry A. DiMatteo
Publisher: Oxford University Press
ISBN: 0198728735
Category : Law
Languages : en
Pages : 513
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Book Description
Bringing together leading commercial and contract law scholars from the United Kingdom and United States, Comparative Contract Law: British and American Perspectives offers an insightful and comprehensive assessment of the commonalities and divergences in the contract law of these two jurisdictions. Approaching the subject area from a variety of perspectives - doctrinal analysis, behavioral analysis, law and economics, and theoretical - the book examines familiar areas of contract law as practiced in the UK and US. Topics include contract theory and structure; contract formation and defects of consent; policing contracts and the duty of good faith; contract interpretation; damages; speciality contracts; and legal reform. The volume provides a thorough assessment of the current state of commercial contract law in the UK and US, and addresses the strengths and weaknesses of the national and European approaches to many issues of contract law. In particular it focuses on how commercial contract law should be improved, and whether harmonization of the different contract law regimes is a suitable, and appropriate, solution.
Author: Gary Alan Fine
Publisher: University of Chicago Press
ISBN: 0226249603
Category : Social Science
Languages : en
Pages : 343
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Book Description
From Henry Darger's elaborate paintings of young girls caught in a vicious war to the sacred art of the Reverend Howard Finster, the work of outsider artists has achieved unique status in the art world. Celebrated for their lack of traditional training and their position on the fringes of society, outsider artists nonetheless participate in a traditional network of value, status, and money. After spending years immersed in the world of self-taught artists, Gary Alan Fine presents Everyday Genius, one of the most insightful and comprehensive examinations of this network and how it confers artistic value. Fine considers the differences among folk art, outsider art, and self-taught art, explaining the economics of this distinctive art market and exploring the dimensions of its artistic production and distribution. Interviewing dealers, collectors, curators, and critics and venturing into the backwoods and inner-city homes of numerous self-taught artists, Fine describes how authenticity is central to the system in which artists—often poor, elderly, members of a minority group, or mentally ill—are seen as having an unfettered form of expression highly valued in the art world. Respected dealers, he shows, have a hand in burnishing biographies of the artists, and both dealers and collectors trade in identities as much as objects. Revealing the inner workings of an elaborate and prestigious world in which money, personalities, and values affect one another, Fine speaks eloquently to both experts and general readers, and provides rare access to a world of creative invention-both by self-taught artists and by those who profit from their work. “Indispensable for an understanding of this world and its workings. . . . Fine’s book is not an attack on the Outsider Art phenomenon. But it is masterful in its anatomization of some of its contradictions, conflicts, pressures, and absurdities.”—Eric Gibson, Washington Times
Author: Matthew C. Potter
Publisher: Routledge
ISBN: 0429752679
Category : Art
Languages : en
Pages : 603
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Book Description
Traditional postcolonial scholarship on art and imperialism emphasises tensions between colonising cores and subjugated peripheries. The ties between London and British white settler colonies have been comparatively neglected. Artworks not only reveal the controlling intentions of imperialist artists in their creation but also the uses to which they were put by others in their afterlives. In many cases they were used to fuel contests over cultural identity which expose a mixture of rifts and consensuses within the British ranks which were frequently assumed to be homogeneous. British Art for Australia, 1860–1953: The Acquisition of Artworks from the United Kingdom by Australian National Galleries represents the first systematic and comparative study of collecting British art in Australia between 1860 and 1953 using the archives of the Australian national galleries and other key Australian and UK institutions. Multiple audiences in the disciplines of art history, cultural history, and museology are addressed by analysing how Australians used British art to carve a distinct identity, which artworks were desirable, economically attainable, and why, and how the acquisition of British art fits into a broader cultural context of the British world. It considers the often competing roles of the British Old Masters (e.g. Romney and Constable), Victorian (e.g. Madox Brown and Millais), and modern artists (e.g. Nash and Spencer) alongside political and economic factors, including the developing global art market, imperial commerce, Australian Federation, the First World War, and the coming of age of the Commonwealth.
Author: Donna Loveday
Publisher: Bloomsbury Publishing
ISBN: 1350162787
Category : Design
Languages : en
Pages : 261
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Book Description
Illustrated with contemporary case studies, Curating Design provides a history of and introduction to design curatorial practice both within and outside the museum. Donna Loveday begins by tracing the history of the collecting and display of designed objects in museums and exhibitions from the 19th century 'cabinet of curiosities' to the present day design museum. She then explores the changing role of the curator since the 1980s, with curators becoming much more than just 'keepers' of a collection, with a remit to create narrative and experiential exhibitions as well as develop the museum's role as a space of learning for its visitors. Curating as a practice now describes the production of a number of cultural and creative outputs, ranging from exhibitions to art festivals; shopping environments to health centres; conferences to film programming as well as museums and galleries. Loveday explores how design has come to the fore in curatorial practice, with new design museums opening around the world as well as blockbusting exhibitions of fashion and popular culture. Interviews with leading practitioners from international design and arts museums provide a spotlight on contemporary challenges and best practice in design curatorship.
Author: Tom Flynn
Publisher: Bloomsbury Publishing
ISBN: 1472936345
Category : Art
Languages : en
Pages : 219
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Book Description
"A comprehensive, wide-ranging and historically well-informed account." - Charles Saumarez Smith, Royal Academy of Arts It is estimated that there are over 300,000 companies involved in the world's art market, employing around 2.8 million people. But the art world carries a veneer of mystery and secrecy that many people find daunting, and the language used by market insiders can be alienating and confusing to those new to the art market. The A-Z of the International Art Market not only clarifies useful terms and definitions, but also represents a significant contribution to the fast-developing processes of transparency and democratisation in the global art business. Comprising art market terms and core concepts – both historical and contemporary – this book is a long-awaited reference source that offers a unique introduction to a dynamic business sector. The A-Z of the International Art Market provides an accessible and thorough insight into critical areas of market practice and custom that anyone involved in the art market will find useful and enlightening.
