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Author:
Publisher: BRILL
ISBN: 9004648291
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
The appearance of James Macpherson's Ossian in the 1760s caused an international sensation. The discovery of poetic fragments that seemed to have survived in the Highlands of Scotland for some 1500 years gripped the imagination of the reading public, who seized eagerly on the newly available texts for glimpses of a lost primitive world. That Macpherson's versions of the ancient heroic verse were more creative adaptations of the oral tradition than literal translations of a clearly identifiable original may have exercised contemporary antiquarians and contributed eventually to a decline in the popularity of Ossian. Yet for most early readers, as for generations of enthusiastic followers, what mattered was not the accuracy of the translation, but the excitement of encountering the primitive, and the mood engendered by the process of reading. The essays in this collection represent an attempt by late twentieth-century readers to chart the cultural currents that flowed into Macpherson's texts, and to examine their peculiar energy. Scholars distinguished in the fields of Gaelic, German, Irish, Scottish, French, English and American literature, language, history and cultural studies have each contributed to the exploration of Macpherson's achievement, with the aim of situating his notoriously elusive texts in a web of diverse contexts. Important new research into the traditional Gaelic sources is placed side by side with discussions of the more immediate political impetus of his poetry, while studies of the reception of Ossian in Scotland, Germany, France and England are part of the larger recognition of the cultural significance of Macpherson's work, and its importance to issues of fragmentation, liminality, colonialism, national identity, sensibility and gender.
Author:
Publisher: BRILL
ISBN: 9004648291
Category : Literary Criticism
Languages : en
Pages : 280
Get Book Here
Book Description
The appearance of James Macpherson's Ossian in the 1760s caused an international sensation. The discovery of poetic fragments that seemed to have survived in the Highlands of Scotland for some 1500 years gripped the imagination of the reading public, who seized eagerly on the newly available texts for glimpses of a lost primitive world. That Macpherson's versions of the ancient heroic verse were more creative adaptations of the oral tradition than literal translations of a clearly identifiable original may have exercised contemporary antiquarians and contributed eventually to a decline in the popularity of Ossian. Yet for most early readers, as for generations of enthusiastic followers, what mattered was not the accuracy of the translation, but the excitement of encountering the primitive, and the mood engendered by the process of reading. The essays in this collection represent an attempt by late twentieth-century readers to chart the cultural currents that flowed into Macpherson's texts, and to examine their peculiar energy. Scholars distinguished in the fields of Gaelic, German, Irish, Scottish, French, English and American literature, language, history and cultural studies have each contributed to the exploration of Macpherson's achievement, with the aim of situating his notoriously elusive texts in a web of diverse contexts. Important new research into the traditional Gaelic sources is placed side by side with discussions of the more immediate political impetus of his poetry, while studies of the reception of Ossian in Scotland, Germany, France and England are part of the larger recognition of the cultural significance of Macpherson's work, and its importance to issues of fragmentation, liminality, colonialism, national identity, sensibility and gender.
Author: Fiona J. Stafford
Publisher: Rodopi
ISBN: 9789042007819
Category : Language Arts & Disciplines
Languages : en
Pages : 284
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Book Description
The appearance of James Macpherson's Ossian in the 1760s caused an international sensation. The discovery of poetic fragments that seemed to have survived in the Highlands of Scotland for some 1500 years gripped the imagination of the reading public, who seized eagerly on the newly available texts for glimpses of a lost primitive world. That Macpherson's versions of the ancient heroic verse were more creative adaptations of the oral tradition than literal translations of a clearly identifiable original may have exercised contemporary antiquarians and contributed eventually to a decline in the popularity of Ossian. Yet for most early readers, as for generations of enthusiastic followers, what mattered was not the accuracy of the translation, but the excitement of encountering the primitive, and the mood engendered by the process of reading. The essays in this collection represent an attempt by late twentieth-century readers to chart the cultural currents that flowed into Macpherson's texts, and to examine their peculiar energy. Scholars distinguished in the fields of Gaelic, German, Irish, Scottish, French, English and American literature, language, history and cultural studies have each contributed to the exploration of Macpherson's achievement, with the aim of situating his notoriously elusive texts in a web of diverse contexts. Important new research into the traditional Gaelic sources is placed side by side with discussions of the more immediate political impetus of his poetry, while studies of the reception of Ossian in Scotland, Germany, France and England are part of the larger recognition of the cultural significance of Macpherson's work, and its importance to issues of fragmentation, liminality, colonialism, national identity, sensibility and gender.
Author: Murray Pittock
Publisher: OUP Oxford
ISBN: 0191617008
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
Scottish and Irish Romanticism is the first single-author book to address the main non-English Romanticisms of the British Isles. Murray Pittock begins by questioning the terms of his chosen title as he searches for a definition of Romanticism and for the meaning of 'national literature'. He proposes certain determining 'triggers' for the recognition of the presence of a national literature, and also deals with two major problems which are holding back the development of a new and broader understanding of British Isles Romanticisms: the survival of outdated assumptions in ostensibly more modern paradigms, and a lack of understanding of the full range of dialogues and relationships across the literatures of these islands. The theorists whose works chiefly inform the book are Bakhtin, Fanon and Habermas, although they do not define its arguments, and an alertness to the ways in which other literary theories inform each other is present throughout the book. Pittock examines in turn the historiography, prejudices, and assumptions of Romantic criticism to date, and how our unexamined prejudices still stand in the way of our understanding of individual traditions and the dialogues between them. He then considers Allan Ramsay's role in song-collecting, hybridizing high cultural genres with broadside forms, creating in synthetic Scots a 'language really used by men', and promoting a domestic public sphere. Chapters 3 and 4 discuss the Scottish and Irish public spheres in the later eighteenth century, together with the struggle for control over national pasts, and the development of the cults of Romance, the Picturesque and Sentiment: Macpherson, Thomson, Owenson and Moore are among the writers discussed. Chapter 5 explores the work of Robert Fergusson and his contemporaries in both Scotland and Ireland, examining questions of literary hybridity across not only national but also linguistic borders, while Chapter 6 provides a brief literary history of Burns' descent into critical neglect combined with a revaluation of his poetry in the light of the general argument of the book. Chapter 7 analyzes the complexities of the linguistic and cultural politics of the national tale in Ireland through the work of Maria Edgeworth, while the following chapter considers of Scott in relation to the national tale, Enlightenment historiography, and the European nationalities question. Chapter 9 looks at the importance of the Gothic in Scottish and Irish Romanticism, particularly in the work of James Hogg and Charles Maturin, while Chapter 10, 'Fratriotism', explores a new concept in the manner in which Scottish and Irish literary, political and military figures of the period related to Empire.
Author: Seamus O'Malley
Publisher: Oxford University Press
ISBN: 0192858416
Category : English literature
Languages : en
Pages : 305
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Book Description
This book argues that populism has been a shaping force in Irish literary culture. Populist moments and movements have compelled authors to reject established forms and invent new ones. Sometimes, as in the middle period of W.B. Yeats's work, populism forces a writer into impossible stances, spurring ever greater rhetorical and poetic creativity. At other times, as in the critiques of Anna Parnell or Myles na gCopaleen, authors penetrate the rhetoric fog of populist discourse and expose the hollowness of its claims. Yet in both politics and culture, populism can be a generative force. Daniel O'Connell, and later the Land League, utilized populist discourse to advance Irish political freedom and expand rights. The most powerful works of Lady Gregory and Ernie O'Malley are their portraits of The People that borrows from the populist vocabulary. While we must be critical of populist discourse, we dismiss it at our loss. This study synthesizes existing scholarship on populism to explore how Irish texts have evoked The People--a crucial rhetorical move for populist discourse--and how some writers have critiqued, adopted, and adapted the languages of Irish populisms.
Author: Howard Pyle
Publisher: Good Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 3196
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Book Description
KING ARTHUR OF CAMELOT: The History & The Myth of King Arthur and the Knights of the Round Table is an expansive anthology that presents a meticulously curated selection of texts chronicling the Arthurian legends. Through an impressive range of literary styles, from epic poems to romantic tales and historical narratives, this collection encapsulates the enduring allure of King Arthur's world. The anthology stands out for its comprehensive scope, incorporating works that trace the evolution of Arthurian lore from its chivalric roots to its romantic reimaginations, highlighting the cultural and literary significance of the Arthurian saga throughout the ages. The contributing authors and editors, including Howard Pyle, Richard Morris, and Alfred Tennyson among others, are luminaries in their own right, each bringing a unique perspective to the Arthurian legends. Their collective works reflect a rich tapestry of medieval history, myth, and literature, aligning with various cultural and literary movements. This diversity enriches the anthology, offering readers a nuanced understanding of the Arthurian legend's transformation over centuries, underscored by the contributors deep engagement with historical research and creative reinterpretation. This anthology is an indispensable resource for anyone keen on exploring the multifaceted narratives of King Arthur and his Knights. It presents a unique opportunity to engage with the myths that have shaped literary and cultural histories. For scholars, enthusiasts, and new readers alike, this collection promises a journey through the valor, betrayal, and romance of Camelot, presenting an unparalleled exploration into the heart of Arthurian tales. Through its intricate compilation, the anthology not only educates but also enriches one's appreciation for the legacy and evolving narrative of King Arthur and his Round Table.
Author: T. W. Rolleston
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 268
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Book Description
This eBook edition of "The Celtic Mythology" has been formatted to the highest digital standards and adjusted for readability on all devices. This edition of Celtic Myths and Legends represents a selected collection of Irish tales, Welsh myths & Arthurian legends. There are numerous stories from the Celtic mythology but also there are facts about their history and religion, about where they came from, where they went and where they are now. Contents: The Celts in Ancient History The Religion of the Celts The Irish Invasion Myths The Early Milesian Kings Tales of the Ultonian Cycle Tales of the Ossianic Cycle The Voyage of Maeldūn Myths and Tales of the Cymry
Author: T. W. Rolleston
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 267
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Book Description
This edition of Celtic Myths and Legends represents a selected collection of Irish tales, Welsh myths & Arthurian legends. There are numerous stories from the Celtic mythology but also there are facts about their history and religion, about where they came from, where they went and where they are now. Contents: The Celts in Ancient History The Religion of the Celts The Irish Invasion Myths The Early Milesian Kings Tales of the Ultonian Cycle Tales of the Ossianic Cycle The Voyage of Maeldūn Myths and Tales of the Cymry
Author: T. W. Rolleston
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 267
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Book Description
This edition of Celtic Myths and Legends represents a selected collection of Irish tales, Welsh myths & Arthurian legends. There are numerous stories from the Celtic mythology but also there are facts about their history and religion, about where they came from, where they went and where they are now. Contents: The Celts in Ancient History The Religion of the Celts The Irish Invasion Myths The Early Milesian Kings Tales of the Ultonian Cycle Tales of the Ossianic Cycle The Voyage of Maeldūn Myths and Tales of the Cymry
Author: Anne Dolan
Publisher: Gill & Macmillan Ltd
ISBN: 178841053X
Category : Biography & Autobiography
Languages : en
Pages : 587
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Book Description
'It was the most providential escape yet. It will probably have the effect of making them think that I am even more mysterious than they believe me to be, and that is saying a good deal.' Michael Collins knew the power of his persona, and capitalised on what people wanted to believe. The image we have of him comes filtered through a sensational lens, exaggerated out of all proportion. We see what we have come to expect: 'the man who won the war', the centre of a web of intelligence that 'brought the British Empire to its knees'. He comes to us as a mixture of truth and lies, propaganda and misunderstanding. The willingness to see him as the sum of the Irish revolution, and in turn reduce him to a caricature of his many parts, clouds our view of both the man and the revolution. Drawing on archives in Ireland, Britain and the United States, the authors question our traditional assumptions about Collins. Was he the man of his age, or was he just luckier, more brazen, more written about and more photographed than the rest? Despite the pictures of him in uniform during the last weeks of his life, Collins saw very little of the actual fight. He was chiefly an organiser and a strategist. Should we remember him as a master of the mundane rather than the romantic figure of the blockbuster film? The eight thematic, highly illustrated chapters scrutinise different aspects of Collins' life: origins, work, war, politics, celebrity, beliefs, death and afterlives. Approaching him through the eyes of contemporaries and historians, friends and enemies, this provocative book reveals new insights, challenging what we think we know about him and, in turn, what we think we know about the Irish revolution.
Author: Silke Stroh
Publisher: Northwestern University Press
ISBN: 0810134047
Category : Literary Criticism
Languages : en
Pages : 551
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Book Description
Can Scotland be considered an English colony? Is its experience and literature comparable to that of overseas postcolonial countries? Or are such comparisons no more than patriotic victimology to mask Scottish complicity in the British Empire and justify nationalism? These questions have been heatedly debated in recent years, especially in the run-up to the 2014 referendum on independence, and remain topical amid continuing campaigns for more autonomy and calls for a post-Brexit “indyref2.” Gaelic Scotland in the Colonial Imagination offers a general introduction to the emerging field of postcolonial Scottish studies, assessing both its potential and limitations in order to promote further interdisciplinary dialogue. Accessible to readers from various backgrounds, the book combines overviews of theoretical, social, and cultural contexts with detailed case studies of literary and nonliterary texts. The main focus is on internal divisions between the anglophone Lowlands and traditionally Gaelic Highlands, which also play a crucial role in Scottish–English relations. Silke Stroh shows how the image of Scotland’s Gaelic margins changed under the influence of two simultaneous developments: the emergence of the modern nation-state and the rise of overseas colonialism.
