Author: Christa Gardner von Teuffel
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 756
Book Description
Christa Gardner von Teuffel's studies of Italian altarpieces have provided fundamental insights concerning the original structure and setting of some of the canonical monuments of Italian late medieval and Renaissance painting. Studies of panel type and frame architecture are combined with an investigation of original sites. Archival discoveries at Florence and Palermo have led to a new assessment of institutional patronage and private benefaction, and illuminated the formulation of altarpiece programmes, such as Perugino's Vallombrosan Assumption and Raphael's Lo Spasimo. These essays contribute enduringly to our understanding of contractual obligation, design process and altarpiece installation, and demonstrate the nexus between ecclesiastical and lay patrons, artists and congregations. The author's pioneering examination of Carmelite patronage and subsequent investigation of the iconographical impact of Benedictine and Franciscan reform movements have prompted others to re-assess the patronage of religious Orders in the Quattrocento. The pervasive iconographical influence of the Holy Land is traced through Sansepolcro, Santa Croce in Gerusalemme at Rome and as far as the astonishing View of Sinai by El Greco.
From Duccio's Maestà to Raphael's Transfiguration
Author: Christa Gardner von Teuffel
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 756
Book Description
Christa Gardner von Teuffel's studies of Italian altarpieces have provided fundamental insights concerning the original structure and setting of some of the canonical monuments of Italian late medieval and Renaissance painting. Studies of panel type and frame architecture are combined with an investigation of original sites. Archival discoveries at Florence and Palermo have led to a new assessment of institutional patronage and private benefaction, and illuminated the formulation of altarpiece programmes, such as Perugino's Vallombrosan Assumption and Raphael's Lo Spasimo. These essays contribute enduringly to our understanding of contractual obligation, design process and altarpiece installation, and demonstrate the nexus between ecclesiastical and lay patrons, artists and congregations. The author's pioneering examination of Carmelite patronage and subsequent investigation of the iconographical impact of Benedictine and Franciscan reform movements have prompted others to re-assess the patronage of religious Orders in the Quattrocento. The pervasive iconographical influence of the Holy Land is traced through Sansepolcro, Santa Croce in Gerusalemme at Rome and as far as the astonishing View of Sinai by El Greco.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 756
Book Description
Christa Gardner von Teuffel's studies of Italian altarpieces have provided fundamental insights concerning the original structure and setting of some of the canonical monuments of Italian late medieval and Renaissance painting. Studies of panel type and frame architecture are combined with an investigation of original sites. Archival discoveries at Florence and Palermo have led to a new assessment of institutional patronage and private benefaction, and illuminated the formulation of altarpiece programmes, such as Perugino's Vallombrosan Assumption and Raphael's Lo Spasimo. These essays contribute enduringly to our understanding of contractual obligation, design process and altarpiece installation, and demonstrate the nexus between ecclesiastical and lay patrons, artists and congregations. The author's pioneering examination of Carmelite patronage and subsequent investigation of the iconographical impact of Benedictine and Franciscan reform movements have prompted others to re-assess the patronage of religious Orders in the Quattrocento. The pervasive iconographical influence of the Holy Land is traced through Sansepolcro, Santa Croce in Gerusalemme at Rome and as far as the astonishing View of Sinai by El Greco.
From Duccio to Raphael
Author: James H. Beck
Publisher: European Press Academic Publishing
ISBN:
Category : Antiques & Collectibles
Languages : it
Pages : 222
Book Description
Nel 2004 due dipinti, una piccola Madonna, supposta opera di Raffaello, ed una altrettanto piccola Madonna, supposta opera di Duccio, sono stati venduti per una somma totale di più di 100 milioni di dollari. Il primo, noto come la "Madonna dei garofani" è stato comprato dalla National Gallery di Londra e il secondo, talvolta chiamato il "Duccio Stoclet" è stato acquistato dal Metropolitan Museum di New York. Il modo in cui i lavori sono stati attribuiti ai due famosi artisti, denota chiaramente la crisi della moderna pratica attribuzionistica di fronte all'odierno, plutocrate mondo dell'arte. Le due opere infatti costituiscono una forte spesa di denaro pubblico per lavori non più grandi di un foglio di carta. Il libro dimostra dove e perché la loro attribuzione è erronea e cerca di ristabilire gli strumenti per una analisi corretta. In pratica, l'autore fornisce uno studio rigoroso e filogico dei due dipinti, dimostrando che entrambi sono falsi creati nel diciannovesimo secolo. Annotation Supplied by Informazioni Editoriali
Publisher: European Press Academic Publishing
ISBN:
Category : Antiques & Collectibles
Languages : it
Pages : 222
Book Description
Nel 2004 due dipinti, una piccola Madonna, supposta opera di Raffaello, ed una altrettanto piccola Madonna, supposta opera di Duccio, sono stati venduti per una somma totale di più di 100 milioni di dollari. Il primo, noto come la "Madonna dei garofani" è stato comprato dalla National Gallery di Londra e il secondo, talvolta chiamato il "Duccio Stoclet" è stato acquistato dal Metropolitan Museum di New York. Il modo in cui i lavori sono stati attribuiti ai due famosi artisti, denota chiaramente la crisi della moderna pratica attribuzionistica di fronte all'odierno, plutocrate mondo dell'arte. Le due opere infatti costituiscono una forte spesa di denaro pubblico per lavori non più grandi di un foglio di carta. Il libro dimostra dove e perché la loro attribuzione è erronea e cerca di ristabilire gli strumenti per una analisi corretta. In pratica, l'autore fornisce uno studio rigoroso e filogico dei due dipinti, dimostrando che entrambi sono falsi creati nel diciannovesimo secolo. Annotation Supplied by Informazioni Editoriali
The Tuscan & Venetian Artists
Author: Hope Rea
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 284
Book Description
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 284
Book Description
The Allegory of Love in the Early Renaissance
Author: James Calum O’Neill
Publisher: Taylor & Francis
ISBN: 100091190X
Category : Literary Criticism
Languages : en
Pages : 270
Book Description
Described as ‘the most beautiful book ever printed’ previous research has focused on the printing history of the Hypnerotomachia and its copious literary sources. This monograph critically engages with the narrative of the Hypnerotomachia and with Poliphilo as a character within this narrative, placing it within its European literary context. Using narratological analysis, it examines the journey of Poliphilo and the series of symbolic, allegorical, and metaphorical experiences narrated by him that are indicative of his metamorphosing interiority. It analyses the relationship between Poliphilo and his external surroundings in sequences of the narrative pertaining to thresholds; the symbolic architectural, topographical, and garden forms and spaces; and Poliphilo’s transforming interior passions including his love of antiquarianism, language, and Polia, the latter of which leads to his elegiac description of lovesickness, besides examinations of numerosophical symbolism in number, form, and proportion of the architectural descriptions and how they relate to the narrative.
Publisher: Taylor & Francis
ISBN: 100091190X
Category : Literary Criticism
Languages : en
Pages : 270
Book Description
Described as ‘the most beautiful book ever printed’ previous research has focused on the printing history of the Hypnerotomachia and its copious literary sources. This monograph critically engages with the narrative of the Hypnerotomachia and with Poliphilo as a character within this narrative, placing it within its European literary context. Using narratological analysis, it examines the journey of Poliphilo and the series of symbolic, allegorical, and metaphorical experiences narrated by him that are indicative of his metamorphosing interiority. It analyses the relationship between Poliphilo and his external surroundings in sequences of the narrative pertaining to thresholds; the symbolic architectural, topographical, and garden forms and spaces; and Poliphilo’s transforming interior passions including his love of antiquarianism, language, and Polia, the latter of which leads to his elegiac description of lovesickness, besides examinations of numerosophical symbolism in number, form, and proportion of the architectural descriptions and how they relate to the narrative.
Tuscan Artists
Author: Hope Rea
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 262
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 262
Book Description
Christian Art
Author: Michelle P. Brown
Publisher: Lion Hudson Ltd
ISBN: 1912552566
Category : Art
Languages : en
Pages : 265
Book Description
Explore the rich history and influence of Christian art from Antiquity to the present day. Michelle Brown traces the rich history of Christian art, crossing boundaries to explore how art has reflected and stimulated a response to the teachings of Christ, and to Christian thought and experience across the ages. Embracing much of the history of art in the West and parts of the Middle East, Africa, Asia, the Americas and Australasia, Michelle considers art of the earliest Christians to the modern day. Featuring articles by invited contributors on subjects including Icons; Renaissance Florence; Rubens and the Counter-Reformation; Religious Folk Art; Jewish Artists; Christian Themes; Making the St Johnâs Bible, and Christianity and Contemporary Art in North America, Christian Art is an ideal survey of the subject for all those interested in the worldâs artistic heritage. â¢â Comprehensive and authoritative text from the Early Christian period to the modern day â¢â Wide international coverage â¢â Feature articles on special subjects by a team of experts from around the world
Publisher: Lion Hudson Ltd
ISBN: 1912552566
Category : Art
Languages : en
Pages : 265
Book Description
Explore the rich history and influence of Christian art from Antiquity to the present day. Michelle Brown traces the rich history of Christian art, crossing boundaries to explore how art has reflected and stimulated a response to the teachings of Christ, and to Christian thought and experience across the ages. Embracing much of the history of art in the West and parts of the Middle East, Africa, Asia, the Americas and Australasia, Michelle considers art of the earliest Christians to the modern day. Featuring articles by invited contributors on subjects including Icons; Renaissance Florence; Rubens and the Counter-Reformation; Religious Folk Art; Jewish Artists; Christian Themes; Making the St Johnâs Bible, and Christianity and Contemporary Art in North America, Christian Art is an ideal survey of the subject for all those interested in the worldâs artistic heritage. â¢â Comprehensive and authoritative text from the Early Christian period to the modern day â¢â Wide international coverage â¢â Feature articles on special subjects by a team of experts from around the world
A Hand-Book of the History of Painting, from the age of Constantine the Great to the present time, translated from the German by a Lady [Mrs. M. Hutton]: in two parts. Part I.-The Italian Schools of Painting. Edited, with notes, by C. L. Eastlake. [i.e. Mrs. Margaret Hutton?]
Author: Franz Theodor KUGLER
Publisher:
ISBN:
Category :
Languages : en
Pages : 494
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 494
Book Description
Byzantine Art and Italian Panel Painting
Author: Jaroslav Folda
Publisher: Cambridge University Press
ISBN: 1107010233
Category : Art
Languages : en
Pages : 445
Book Description
Jaroslav Folda traces the appropriation of the Byzantine Virgin and Child Hodegetria icon by thirteenth-century Crusader and central Italian painters and explores its transformation by the introduction of chrysography on the figure of the Virgin in the Crusader Levant and in Italy.
Publisher: Cambridge University Press
ISBN: 1107010233
Category : Art
Languages : en
Pages : 445
Book Description
Jaroslav Folda traces the appropriation of the Byzantine Virgin and Child Hodegetria icon by thirteenth-century Crusader and central Italian painters and explores its transformation by the introduction of chrysography on the figure of the Virgin in the Crusader Levant and in Italy.
Report
Author: New York State Library
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 306
Book Description
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 306
Book Description
Oil and Marble
Author: Stephanie Storey
Publisher: Skyhorse Publishing, Inc.
ISBN: 1628726393
Category : Fiction
Languages : en
Pages : 354
Book Description
"From 1501 to 1505, Leonardo da Vinci and Michelangelo Buonarroti both lived and worked in Florence. Leonardo was a charming, handsome fifty year-old at the peak of his career. Michelangelo was a temperamental sculptor in his mid-twenties, desperate to make a name for himself. The two despise each other."--Front jacket flap.
Publisher: Skyhorse Publishing, Inc.
ISBN: 1628726393
Category : Fiction
Languages : en
Pages : 354
Book Description
"From 1501 to 1505, Leonardo da Vinci and Michelangelo Buonarroti both lived and worked in Florence. Leonardo was a charming, handsome fifty year-old at the peak of his career. Michelangelo was a temperamental sculptor in his mid-twenties, desperate to make a name for himself. The two despise each other."--Front jacket flap.