Author: Nathalie Aubert
Publisher: Routledge
ISBN: 1351566385
Category : Foreign Language Study
Languages : en
Pages : 218
Book Description
This volume of edited essays is the first one in English to offer a critical overview of the specific features of Belgian modernity from 1880 to 1940 in a multiplicity of disciplines: literature and poetry, politics, music, photography and drama. The first half of the book investigates the roots of twentieth century modernity in Belgian fin de siecle across a variety of genres (novel, poetry and drama), not only within but also beyond the boundaries of Symbolism. The contributors go on to examine the explosion of Belgian culture on the international scene with the rise of the avant-gardes, notably Surrealism: and the contribution made in minor genres, such as the popular novels of Simenon and Jean Ray, and the Tintin comics of Herge.
From Art Nouveau to Surrealism
Author: Nathalie Aubert
Publisher: Routledge
ISBN: 1351566385
Category : Foreign Language Study
Languages : en
Pages : 218
Book Description
This volume of edited essays is the first one in English to offer a critical overview of the specific features of Belgian modernity from 1880 to 1940 in a multiplicity of disciplines: literature and poetry, politics, music, photography and drama. The first half of the book investigates the roots of twentieth century modernity in Belgian fin de siecle across a variety of genres (novel, poetry and drama), not only within but also beyond the boundaries of Symbolism. The contributors go on to examine the explosion of Belgian culture on the international scene with the rise of the avant-gardes, notably Surrealism: and the contribution made in minor genres, such as the popular novels of Simenon and Jean Ray, and the Tintin comics of Herge.
Publisher: Routledge
ISBN: 1351566385
Category : Foreign Language Study
Languages : en
Pages : 218
Book Description
This volume of edited essays is the first one in English to offer a critical overview of the specific features of Belgian modernity from 1880 to 1940 in a multiplicity of disciplines: literature and poetry, politics, music, photography and drama. The first half of the book investigates the roots of twentieth century modernity in Belgian fin de siecle across a variety of genres (novel, poetry and drama), not only within but also beyond the boundaries of Symbolism. The contributors go on to examine the explosion of Belgian culture on the international scene with the rise of the avant-gardes, notably Surrealism: and the contribution made in minor genres, such as the popular novels of Simenon and Jean Ray, and the Tintin comics of Herge.
The Curatorial Avant-garde
Author: Adam Jolles
Publisher: Penn State University Press
ISBN:
Category : Art
Languages : en
Pages : 296
Book Description
Explores the emergence of an amateur class of curators in France between the world wars. Focuses on the Surrealist writers and artists who developed an alternative curatorial practice to that pursued by the community of professionally trained curators and exclusive art dealers.
Publisher: Penn State University Press
ISBN:
Category : Art
Languages : en
Pages : 296
Book Description
Explores the emergence of an amateur class of curators in France between the world wars. Focuses on the Surrealist writers and artists who developed an alternative curatorial practice to that pursued by the community of professionally trained curators and exclusive art dealers.
Imperishable Beauty
Author: Yvonne J. Markowitz
Publisher: Lund Humphries Publishers Limited
ISBN: 9780853319979
Category : Art nouveau
Languages : en
Pages : 0
Book Description
Jewellery.
Publisher: Lund Humphries Publishers Limited
ISBN: 9780853319979
Category : Art nouveau
Languages : en
Pages : 0
Book Description
Jewellery.
Cinema by Design
Author: Lucy Fischer
Publisher: Columbia University Press
ISBN: 0231544227
Category : Performing Arts
Languages : en
Pages : 335
Book Description
Art Nouveau thrived from the late 1890s through the First World War. The international design movement reveled in curvilinear forms and both playful and macabre visions and had a deep impact on cinematic art direction, costuming, gender representation, genre, and theme. Though historians have long dismissed Art Nouveau as a decadent cultural mode, its tremendous afterlife in cinema proves otherwise. In Cinema by Design, Lucy Fischer traces Art Nouveau's long history in films from various decades and global locales, appreciating the movement's enduring avant-garde aesthetics and dynamic ideology. Fischer begins with the portrayal of women and nature in the magical "trick films" of the Spanish director Segundo de Chomón; the elite dress and décor design choices in Cecil B. DeMille's The Affairs of Anatol (1921); and the mise-en-scène of fantasy in Raoul Walsh's The Thief of Bagdad (1924). Reading Salome (1923), Fischer shows how the cinema offered an engaging frame for adapting the risqué works of Oscar Wilde and Aubrey Beardsley. Moving to the modern era, Fischer focuses on a series of dramatic films, including Michelangelo Antonioni's The Passenger (1975), that make creative use of the architecture of Antoni Gaudí; and several European works of horror—The Abominable Dr. Phibes (1971), Deep Red (1975), and The Strange Color of Your Body's Tears (2013)—in which Art Nouveau architecture and narrative supply unique resonances in scenes of terror. In later chapters, she examines films like Klimt (2006) that portray the style in relation to the art world and ends by discussing the Art Nouveau revival in 1960s cinema. Fischer's analysis brings into focus the partnership between Art Nouveau's fascination with the illogical and the unconventional and filmmakers' desire to upend viewers' perception of the world. Her work explains why an art movement embedded in modernist sensibilities can flourish in contemporary film through its visions of nature, gender, sexuality, and the exotic.
Publisher: Columbia University Press
ISBN: 0231544227
Category : Performing Arts
Languages : en
Pages : 335
Book Description
Art Nouveau thrived from the late 1890s through the First World War. The international design movement reveled in curvilinear forms and both playful and macabre visions and had a deep impact on cinematic art direction, costuming, gender representation, genre, and theme. Though historians have long dismissed Art Nouveau as a decadent cultural mode, its tremendous afterlife in cinema proves otherwise. In Cinema by Design, Lucy Fischer traces Art Nouveau's long history in films from various decades and global locales, appreciating the movement's enduring avant-garde aesthetics and dynamic ideology. Fischer begins with the portrayal of women and nature in the magical "trick films" of the Spanish director Segundo de Chomón; the elite dress and décor design choices in Cecil B. DeMille's The Affairs of Anatol (1921); and the mise-en-scène of fantasy in Raoul Walsh's The Thief of Bagdad (1924). Reading Salome (1923), Fischer shows how the cinema offered an engaging frame for adapting the risqué works of Oscar Wilde and Aubrey Beardsley. Moving to the modern era, Fischer focuses on a series of dramatic films, including Michelangelo Antonioni's The Passenger (1975), that make creative use of the architecture of Antoni Gaudí; and several European works of horror—The Abominable Dr. Phibes (1971), Deep Red (1975), and The Strange Color of Your Body's Tears (2013)—in which Art Nouveau architecture and narrative supply unique resonances in scenes of terror. In later chapters, she examines films like Klimt (2006) that portray the style in relation to the art world and ends by discussing the Art Nouveau revival in 1960s cinema. Fischer's analysis brings into focus the partnership between Art Nouveau's fascination with the illogical and the unconventional and filmmakers' desire to upend viewers' perception of the world. Her work explains why an art movement embedded in modernist sensibilities can flourish in contemporary film through its visions of nature, gender, sexuality, and the exotic.
Surrealism and Architecture
Author: Thomas Mical
Publisher: Psychology Press
ISBN: 9780415325202
Category : Architecture
Languages : en
Pages : 380
Book Description
Twenty-one essays examining the relationship of surrealist thought to architectural theory and practice.
Publisher: Psychology Press
ISBN: 9780415325202
Category : Architecture
Languages : en
Pages : 380
Book Description
Twenty-one essays examining the relationship of surrealist thought to architectural theory and practice.
Art Nouveau, 1890-1914
Author: Paul Greenhalgh
Publisher: Harry N. Abrams
ISBN: 0810942194
Category : Art
Languages : en
Pages : 496
Book Description
A volume created to accompany an exhibition considers the popular and influential style of art nouveau showcasing all mediums from Tiffany lampshades to Lalique jewelry.
Publisher: Harry N. Abrams
ISBN: 0810942194
Category : Art
Languages : en
Pages : 496
Book Description
A volume created to accompany an exhibition considers the popular and influential style of art nouveau showcasing all mediums from Tiffany lampshades to Lalique jewelry.
The Book of Numbers
Author: Herbert Spencer
Publisher:
ISBN: 9780901539656
Category : Numeration
Languages : en
Pages : 96
Book Description
Publisher:
ISBN: 9780901539656
Category : Numeration
Languages : en
Pages : 96
Book Description
Surreal Things
Author: Victoria and Albert Museum
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 370
Book Description
Surrealism, one of the influential movements of the 20th century, had a profound impact on all forms of culture. Containing over 350 illustrations, this book examines its impact in the wider fields of design and the decorative arts and its sometimes uneasy relationship with the commercial world.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 370
Book Description
Surrealism, one of the influential movements of the 20th century, had a profound impact on all forms of culture. Containing over 350 illustrations, this book examines its impact in the wider fields of design and the decorative arts and its sometimes uneasy relationship with the commercial world.
The Symbolist Roots of Modern Art
Author: Michelle Facos
Publisher: Routledge
ISBN: 1351540106
Category : Art
Languages : en
Pages : 261
Book Description
With the words ?A new manifestation of art was ... expected, necessary, inevitable,? Jean Mor? announced the advent of the Symbolist movement in 1886. When Symbolist artists began experimenting in order to invent new visual languages appropriate for representing modern life in all its complexity, they set the stage for innovation in twentieth-century art. Rejecting what they perceived as the superficial descriptive quality of Impressionism, Naturalism, and Realism, Symbolist artists delved beneath the surface to express feelings, ideas, scientific processes, and universal truths. By privileging intangible concepts over perceived realities and by asserting their creative autonomy, Symbolist artists broke with the past and paved the way for the heterogeneity and penchant for risk-taking that characterizes modern art. The essays collected here, which consider artists from France to Russia and Finland to Greece, argue persuasively that Symbolist approaches to content, form, and subject helped to shape twentieth-century Modernism. Well-known figures such as Kandinsky, Khnopff, Matisse, and Munch are considered alongside lesser-known artists such as Fini, Gyzis, Koen, and Vrubel in order to demonstrate that Symbolist art did not constitute an isolated moment of wild experimentation, but rather an inspirational point of departure for twentieth-century developments.
Publisher: Routledge
ISBN: 1351540106
Category : Art
Languages : en
Pages : 261
Book Description
With the words ?A new manifestation of art was ... expected, necessary, inevitable,? Jean Mor? announced the advent of the Symbolist movement in 1886. When Symbolist artists began experimenting in order to invent new visual languages appropriate for representing modern life in all its complexity, they set the stage for innovation in twentieth-century art. Rejecting what they perceived as the superficial descriptive quality of Impressionism, Naturalism, and Realism, Symbolist artists delved beneath the surface to express feelings, ideas, scientific processes, and universal truths. By privileging intangible concepts over perceived realities and by asserting their creative autonomy, Symbolist artists broke with the past and paved the way for the heterogeneity and penchant for risk-taking that characterizes modern art. The essays collected here, which consider artists from France to Russia and Finland to Greece, argue persuasively that Symbolist approaches to content, form, and subject helped to shape twentieth-century Modernism. Well-known figures such as Kandinsky, Khnopff, Matisse, and Munch are considered alongside lesser-known artists such as Fini, Gyzis, Koen, and Vrubel in order to demonstrate that Symbolist art did not constitute an isolated moment of wild experimentation, but rather an inspirational point of departure for twentieth-century developments.
Gothic Art Nouveau
Author:
Publisher: SQP
ISBN: 9780865622494
Category : Fantasy in art
Languages : en
Pages : 48
Book Description
Blending the romantic ideals of Art Nouveau with the dark horror and mystery of Gothic, the resulting mixture is a heady and intriguing combination. Illustrator Matt Hughes has forged these distinct forms into a new movement, perfectly named "Gothic Art Nouveau." Wander an exhilarating and forbidding gallery of unique and beautiful creations. Also contains a fascinating step-by-step section.
Publisher: SQP
ISBN: 9780865622494
Category : Fantasy in art
Languages : en
Pages : 48
Book Description
Blending the romantic ideals of Art Nouveau with the dark horror and mystery of Gothic, the resulting mixture is a heady and intriguing combination. Illustrator Matt Hughes has forged these distinct forms into a new movement, perfectly named "Gothic Art Nouveau." Wander an exhilarating and forbidding gallery of unique and beautiful creations. Also contains a fascinating step-by-step section.