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Author: Otto Benesch
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 206
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Book Description
Includes a study of Frederik van Valckenborch.
Author: Otto Benesch
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 206
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Book Description
Includes a study of Frederik van Valckenborch.
Author: Sidney Littlefield Kasfir
Publisher: Indiana University Press
ISBN: 0253007585
Category : Art
Languages : en
Pages : 402
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Book Description
“Compelling case studies demonstrate how African workshops have long mediated collective expression and individual imagination.” —Allen F. Roberts, University of California, Los Angeles The role of the workshop in the creation of African art is the subject of this revelatory book. In the group setting of the workshop, innovation and imitation collide, artists share ideas and techniques, and creative expression flourishes. African Art and Agency in the Workshop examines the variety of workshops, from those which are politically driven or tourist oriented, to those based on historical patronage or allied to current artistic trends. Fifteen lively essays explore the impact of the workshop on the production of artists such as Zimbabwean stone sculptors, master potters from Cameroon, wood carvers from Nigeria, and others from across the continent. Contributions by Nicolas Argenti, Jessica Gershultz, Norma Wolff, Christine Scherer, Silvia Forni, Elizabeth Morton, Alexander Bortolot, Brenda Schmahmann, Chika Okeke-Agulu, Karen E. Milbourne and Namubiru Rose Kirumira “A closer examination of the workshop provides important insights into art histories and cultural politics. We may think we know what we mean when we use the term ‘workshop,’ but in fact the organization of groups of artists takes on vastly different forms and encourages the production of diverse styles of art within larger social structures and power dynamics.” —Victoria Rovine, University of Florida “Taken as a whole, the case studies provide a wide window into the very diverse structural and functional characteristics of workshops. They also clearly describe how African workshops have served both contemporary political and cultural needs and have responded to patronage, whether it be traditional or stimulated by tourism.” —African Studies Review
Author: Maryan W. Ainsworth
Publisher: Brepols Publishers
ISBN: 9782503566689
Category : Art
Languages : en
Pages : 0
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Book Description
Recent technical examinations of Early Netherlandish art have propelled in-depth studies of key works far beyond traditional connoisseurship methods. Ingenious new applications, as well as a prodigious amount of comparative technical documentation, have changed our views of standard workshop practices, including issues of materials and techniques, and details about the precise nature of collaboration. The studies presented in this book illustrate the variety of approaches and findings in what can be called the new connoisseurship. Here the reader will find alternative methods of evaluating Jan van Eyck's Saint Barbara and Ghent Altarpiece, Dirk Bouts's canvas paintings, Jacb Cornelisz van Oostsanen's Berlin Sketchbook, the Evora Altarpiece and the Saint Anne Altarpiece from Gerard David's workshop, Jan Gossart's Malvagna Triptych, and a triptych by Pieter I Claeissens. These individual studies will be of interest not only to aficionados of Early Netherlandish painting, but also to students who are keen to learn about the pivotal role of technical studies for this period of art history.
Author: W. McAllister Johnson
Publisher: University of Toronto Press
ISBN: 9780802068415
Category : Art
Languages : en
Pages : 396
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Book Description
These essays discuss major questions that should arise in courses in bibliography, methodology, and historiography, once the survey courses are left behind.
Author: Jonathan Harris
Publisher: Routledge
ISBN: 1134582501
Category : Art
Languages : en
Pages : 321
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Book Description
The New Art History provides a comprehensive introduction to the fundamental changes which have occurred in both the institutions and practice of art history over the last thirty years. Jonathan Harris examines and accounts for the new approaches to the study of art which have been grouped loosely under the term 'the new art history'. He distinguishes between these and earlier forms of 'radical' or 'critical' analysis, explores the influence of other disciplines and traditions on art history, and relates art historical ideas and values to social change. Structured around an examination of key texts by major contemporary critics, including Tim Clarke, Griselda Pollock, Fred Orton, Albert Boime, Alan Wallach and Laura Mulvey, each chapter discusses a key moment in the discipline of art history, tracing the development and interaction of Marxist, feminist and psychoanalytic critical theories. Individual chapters include: * Capitalist Modernity, the Nation-State and Visual Representation * Feminism, Art, and Art History * Subjects, Identities and Visual Ideology * Structures and Meanings in Art and Society * The Representation of Sexuality
Author: Jonathan P. Harris
Publisher: Psychology Press
ISBN: 041523008X
Category : Art
Languages : en
Pages : 321
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Book Description
In this excellent book, Jonathan Harris explores the fundamental changes which have occurred both in the institutions and practice of art history over the last thirty years.
Author: Elizabeth Bakewell
Publisher: Getty Publications
ISBN: 9780892361359
Category : Art
Languages : en
Pages : 216
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Book Description
This series is a vehicle for texts generated through the experiences of writers, scholars, and artists who have been residents at the Getty Research Institute or involved in its programs.
Author: L. Perry Curtis (Jr.)
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 366
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Book Description
Author: David Saunders
Publisher:
ISBN: 9781904982937
Category : Art
Languages : en
Pages : 246
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Book Description
This volume illustrates the ways in which various types of technical evidence can contribute to the understanding of workshop practices and inter-relationships between different artists.
Author: Jas Elsner
Publisher: Routledge
ISBN: 1351571389
Category : Art
Languages : en
Pages : 478
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Book Description
Featuring some of the major voices in the world of art history, this volume explores the methodological aspects of comparison in the historiography of the discipline. The chapters assess the strengths and weaknesses of comparative practice in the history of art, and consider the larger issue of the place of comparative in how art history may develop in the future. The contributors represent a comprehensive range of period and geographic command from antiquity to modernity, from China and Islam to Europe, from various forms of art history to archaeology, anthropology and material culture studies. Art history is less a single discipline than a series of divergent scholarly fields ? in very different historical, geographic and cultural contexts ? but all with a visual emphasis on the close examination of objects. These fields focus on different, often incompatible temporal and cultural contexts, yet nonetheless they regard themselves as one coherent discipline ? namely the history of art. There are substantive problems in how the sub-fields within the broad-brush generalization called 'art history' can speak coherently to each other. These are more urgent since the shift from an art history centered on the western tradition to one that is consciously global.
