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Author: Oana-Celia Gheorghiu
Publisher: Anchor Academic Publishing
ISBN: 3954894602
Category : Language Arts & Disciplines
Languages : en
Pages : 257
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Book Description
Aiming at both identifying the representation of femininity as a social construct and analysing the way in which it can be translated into film adaptations of novels, this work focuses on the interpretations of a famous and, at the same time, problema
Author: Oana-Celia Gheorghiu
Publisher: Anchor Academic Publishing
ISBN: 3954894602
Category : Language Arts & Disciplines
Languages : en
Pages : 257
Get Book Here
Book Description
Aiming at both identifying the representation of femininity as a social construct and analysing the way in which it can be translated into film adaptations of novels, this work focuses on the interpretations of a famous and, at the same time, problema
Author: Oana-Celia Gheorghiu
Publisher: Anchor Academic Publishing
ISBN: 3954899604
Category : Social Science
Languages : en
Pages : 252
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Book Description
Aiming at both identifying the representation of femininity as a social construct and analysing the way in which it can be translated into film adaptations of novels, this work focuses on the interpretations of a famous and, at the same time, problematic literary work, namely the 1994 film Little Women (dir. Gillian Armstrong), reworking the classic nineteenth-century American best-seller “Little Women” by Louisa May Alcott. In particular, drawing on the critical apparatus of feminism(s), the paper lays emphasis on the way in which the metafictional texture of the novel captures instances of reality into fiction, glimpses of autobiography and, of course, femininity at the level of the filmic text. Such aspects are then considered from the perspective of adaptation and translation theories: contrasting the literary translation with the audio-visual one, the undertaking means to highlight the losses in the latter mode of expression and the extent to which the defining elements aforementioned are preserved in the Romanian language.
Author: Oana-Celia Gheorghiu
Publisher: Cambridge Scholars Publishing
ISBN: 1527559017
Category : Literary Criticism
Languages : en
Pages : 187
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Book Description
The world is spinning around us and we are spinning with it. When changes occur at the geopolitical level, inevitable changes also occur in people’s identity and in the way they see and represent the world. This book looks at this world with new eyes, approaching contemporary history (and herstory) from a scholarly perspective that cancels borders. Emphasis here is laid on migration, geopolitics, global citizenship, human rights, the EU and the non-EU, and East and West, as represented in fiction and drama or translated on television. The first part of the volume deals with migration and alterations in the non-Western world, with constant references to September 11, terrorism and wars, and the Syrian refugee crisis, before the focus moves on to one of the most important migration hosts nowadays, the European Union, discussing its expansion to the East, French President Macron’s call for renewal, and, lastly, a possible beginning of the end, announced by Brexit. This volume is a mirror of the discourses of globalization, one that makes the old self-other dichotomy obsolete. We are all selves in the eye of the storm that is raving around us, bringing change with it.
Author: Elena Castellano-Ortolà
Publisher: Taylor & Francis
ISBN: 1040017304
Category : Language Arts & Disciplines
Languages : en
Pages : 176
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Book Description
This book sets out a new framework for a feminist history of translators, drawing on the legacy of Canadian scholar Barbara Godard and her work in establishing the Canadian literary landscape as a means of exploring agency in feminist translation studies and its implications for cross-disciplinary debates. The volume is organised in three sections, establishing feminist translator studies as its own approach, examining these dynamics at work in a comprehensive portrait of Barbara Godard’s scholarly and literary history, and looking ahead to future directions. In situating the discussion on Godard and Canadian literary history, Elena Castellano calls attention to a geographic context in which translation and its practice has been at the heart of debates around national identity and intersected with the rise of feminism and feminist literary scholarship. The book demonstrates how an in-depth exploration of the agency of an individual stakeholder, whose activities spanned diverse communities and oft conflicting interests, can engage in key questions at the intersection of nation-making, translation, and feminism, paving the way for future research and the further development of feminist translator studies as methodological framework. This book will be of interest to scholars in translation studies, feminist literature, cultural history, and Canadian literature.
Author: Michaela Praisler
Publisher: Cambridge Scholars Publishing
ISBN: 1527569594
Category : Performing Arts
Languages : en
Pages : 270
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Book Description
This volume looks into the ways in which film has contaminated and re-shaped culture(s) and the collective unconscious, at both local and global levels, arguing that our lives have been impacted by the ‘then’ that we keep revisiting, lest we forget. It takes the reader from the Berlin Wall to China, and from the terror of communist political prisons and labour camps to the rosy image promoted by propaganda. A key point throughout the text is its interdisciplinary nature, as it brings together literature and film scholars, directors, sociologists and philosophers, whose overall conclusion is that communism, lingering in mentalities, still needs interrogation. Structured along four parts which trace a Homeric (or rather Joycean) journey to a home metonymysed by the long-awaited freedom, this book sets out from the gloomiest aspects of totalitarianism in the Romanian, Serbian and Soviet ‘Hades(es)’ of traumatic psychological and physical experiences and of imposed silencing. The second part gathers together case studies of films illustrating more optimistic views of communism as ‘spring’ (in the USSR) or as a ‘golden age’ (in Romania), thus narcotising the communist ‘subjects’ and preventing them from seeing the actual inferno. The third section offers filmic accounts of the aftermaths of communism, engaging the readers in a nostalgic process that revisits, questions, reflects on and remembers communism on a larger, world stage. The coda rounds up the volume (and the journey therein) by crossing genre frontiers to written narratives with a cinematic component.
Author: Barbara Tepa Lupack
Publisher: Popular Press
ISBN: 9780879728052
Category : Literary Criticism
Languages : en
Pages : 352
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Book Description
Eleven essays analyze the adaptations of novels by eight popular writers such as Jane Austen and Harriet Beecher Stowe, and examine the ways in which those writers' themes are reinterpreted, updated and often misconstrued by the filmmakers who bring them to the screen. No index. Annotation copyrighted by Book News, Inc., Portland, OR
Author: A. Richardson
Publisher: Springer
ISBN: 1349656038
Category : Social Science
Languages : en
Pages : 258
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Book Description
A cultural icon of the fin de siècle , the New Woman was not one figure, but several. In the guise of a bicycling, cigarette-smoking Amazon, the New Woman romped through the pages of Punch and popular fiction; as a neurasthenic victim of social oppression, she suffered in the pages of New Woman novels such as Sarah Grand's hugely successful The Heavenly Twins . The New Woman in Fiction and Fact marks a radically new departure in nineteenth-century scholarship to explore the polyvocal nature of the late Victorian debates around gender, motherhood, class, race and imperialism which converged in the name of the New Woman.
Author: Jessica Bomarito
Publisher: Gale Cengage
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 712
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Book Description
Contains articles that provide critical analyses of topics and authors representative of feminist literature, from antiquity through the twentieth century, and includes a chronology of key events, suggestions for further reading, and author, title, and subject indexes.
Author: Susan Rubinow Gorsky
Publisher: Twayne Pub
ISBN: 9780805789782
Category : Literary Criticism
Languages : en
Pages : 213
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Book Description
The nineteenth century, a period marked by intense social, economic, and intellectual ferment, spawned the creation of lively and varied literary works by women. The writings of artists who were also social commentators--the Bronte sisters, Jane Austen, Harriet Martineau, George Eliot, Harriet Beecher Stowe, Kate Chopin--to name only a few--provide a vivid portrait of a tumultuous century. Most literary histories of the period have highlighted men's interpretations of the events and issues of the time, and have focused primarily on the public (and therefore predominantly male) social sphere. The facts of women's experience in this century, and of their increasingly public struggle to define themselves as whole and independent beings, has not been thoroughly examined in relation to their literary creation. In Femininity to Feminism, Susan Rubinow Gorsky combines social history research--including statistics about family life, women's education, and women in the work force--with an examination of the way these issues are presented in literature by and about women. Gorsky's work illuminates women's lives and writings in relation to the cultural attitudes that influenced their creation. Focusing on the intensity of women's struggle to find their own literary and political voices and to be heard in the public sphere, Gorsky traces the emergence of a shared self-consciousness that began to express itself in literary and social resistance to patriarchy. Her study looks at both male and female writers, examining works by such prominent authors as Charles Dickens, George Eliot, and Louisa May Alcott, as well as by Charlotte Yonge, Sarah Grand, Elizabeth Stuart Phelps, and Elizabeth Gaskell--authors popular at the time but rarely read in the twentieth century--to provide a complete, balanced, and accurate portrait of how women's experience was utilized and transformed for literary purposes. The volume is foreworded by noted feminist scholar Nancy Walker. A lively, accessible, and thoroughly informed study of women's history and literature in the nineteenth century, Femininity to Feminism provides an enriching synthesis of the social and literary issues affecting women of the time.
Author: Lyn Pykett
Publisher: Routledge
ISBN: 1134944829
Category : Philosophy
Languages : en
Pages : 250
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Book Description
The women's sensation novel of the 1860s and the New Woman fiction of the 1890s were two major examples of a perceived feminine invasion of fiction which caused a critical furore in their day. Both genres, with their shocking, `fast' heroines, fired the popular imagination by putting female sexuality on the literary agenda and undermining the `proper feminine' ideal to which nineteenth-century women and fictional heroines were supposed to aspire. By exploring in impressive depth and breadth the material and discursive conditions in which these novels were produced, The `Improper' Feminine draws attention to key gendered interrelationships within the literary and wider cultures of the mid-Victorian and fin-de-diècle periods.
