Author: Kenneth Morgan
Publisher: University of Illinois Press
ISBN: 025207730X
Category : Biography & Autobiography
Languages : en
Pages : 360
Book Description
"Kenneth Morgan, who began collecting Reiner's recordings while still a schoolboy, has consulted printed and archival resources and undertaken new interviews with Reiner's associates, critics, and family. Fritz Reiner, Maestro and Martinet also offers the first close and systematic look at Reiner's recordings, interpretations, and musicality, vividly characterizing Reiner's distinctive qualities as a conductor."--Jacket.
Fritz Reiner, Maestro and Martinet
Author: Kenneth Morgan
Publisher: University of Illinois Press
ISBN: 025207730X
Category : Biography & Autobiography
Languages : en
Pages : 360
Book Description
"Kenneth Morgan, who began collecting Reiner's recordings while still a schoolboy, has consulted printed and archival resources and undertaken new interviews with Reiner's associates, critics, and family. Fritz Reiner, Maestro and Martinet also offers the first close and systematic look at Reiner's recordings, interpretations, and musicality, vividly characterizing Reiner's distinctive qualities as a conductor."--Jacket.
Publisher: University of Illinois Press
ISBN: 025207730X
Category : Biography & Autobiography
Languages : en
Pages : 360
Book Description
"Kenneth Morgan, who began collecting Reiner's recordings while still a schoolboy, has consulted printed and archival resources and undertaken new interviews with Reiner's associates, critics, and family. Fritz Reiner, Maestro and Martinet also offers the first close and systematic look at Reiner's recordings, interpretations, and musicality, vividly characterizing Reiner's distinctive qualities as a conductor."--Jacket.
Fritz Reiner, Maestro and Martinet
Author: Kenneth Morgan
Publisher: University of Illinois Press
ISBN: 0252029356
Category : Biography & Autobiography
Languages : en
Pages : 360
Book Description
"A lively, polished, and succinct writer and scholar of the first rank, Kenneth Morgan has filled a critical gap left by Reiner's previous biographer, focusing as he does on Fritz Reiner's musicianship."
Publisher: University of Illinois Press
ISBN: 0252029356
Category : Biography & Autobiography
Languages : en
Pages : 360
Book Description
"A lively, polished, and succinct writer and scholar of the first rank, Kenneth Morgan has filled a critical gap left by Reiner's previous biographer, focusing as he does on Fritz Reiner's musicianship."
LIFE
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 162
Book Description
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
Publisher:
ISBN:
Category :
Languages : en
Pages : 162
Book Description
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
The Compleat Conductor
Author: Gunther Schuller
Publisher: Oxford University Press
ISBN: 019984058X
Category : Music
Languages : en
Pages : 585
Book Description
A world-renowned conductor and composer who has lead most of the major orchestras in North America and Europe, a talented musician who has played under the batons of such luminaries as Toscanini and Walter, and an esteemed arranger, scholar, author, and educator, Gunther Schuller is without doubt a major figure in the music world. Now, in The Compleat Conductor, Schuller has penned a highly provocative critique of modern conducting, one that is certain to stir controversy. Indeed, in these pages he castigates many of this century's most venerated conductors for using the podium to indulge their own interpretive idiosyncrasies rather than devote themselves to reproducing the composer's stated and often painstakingly detailed intentions. Contrary to the average concert-goer's notion (all too often shared by the musicians as well) that conducting is an easily learned skill, Schuller argues here that conducting is "the most demanding, musically all embracing, and complex" task in the field of music performance. Conducting demands profound musical sense, agonizing hours of study, and unbending integrity. Most important, a conductor's overriding concern must be to present a composer's work faithfully and accurately, scrupulously following the score including especially dynamics and tempo markings with utmost respect and care. Alas, Schuller finds, rare is the conductor who faithfully adheres to a composer's wishes. To document this, Schuller painstakingly compares hundreds of performances and recordings with the original scores of eight major compositions: Beethoven's fifth and seventh symphonies, Schumann's second (last movement only), Brahms's first and fourth, Tchaikovsky's sixth, Strauss's "Till Eulenspiegel" and Ravel's "Daphnis et Chloe, Second Suite." Illustrating his points with numerous musical examples, Schuller reveals exactly where conductors have done well and where they have mangled the composer's work. As he does so, he also illuminates the interpretive styles of many of our most celebrated conductors, offering pithy observations that range from blistering criticism of Leonard Bernstein ("one of the world's most histrionic and exhibitionist conductors") to effusive praise of Carlos Kleiber (who "is so unique, so remarkable, so outstanding that one can only describe him as a phenomenon"). Along the way, he debunks many of the music world's most enduring myths (such as the notion that most of Beethoven's metronome markings were "wrong" or "unplayable," or that Schumann was a poor orchestrator) and takes on the "cultish clan" of period instrument performers, observing that many of their claims are "totally spurious and chimeric." In his epilogue, Schuller sets forth clear guidelines for conductors that he believes will help steer them away from self indulgence towards the correct realization of great art. Courageous, eloquent, and brilliantly insightful, The Compleat Conductor throws down the gauntlet to conductors worldwide. It is a controversial book that the music world will be debating for many years to come.
Publisher: Oxford University Press
ISBN: 019984058X
Category : Music
Languages : en
Pages : 585
Book Description
A world-renowned conductor and composer who has lead most of the major orchestras in North America and Europe, a talented musician who has played under the batons of such luminaries as Toscanini and Walter, and an esteemed arranger, scholar, author, and educator, Gunther Schuller is without doubt a major figure in the music world. Now, in The Compleat Conductor, Schuller has penned a highly provocative critique of modern conducting, one that is certain to stir controversy. Indeed, in these pages he castigates many of this century's most venerated conductors for using the podium to indulge their own interpretive idiosyncrasies rather than devote themselves to reproducing the composer's stated and often painstakingly detailed intentions. Contrary to the average concert-goer's notion (all too often shared by the musicians as well) that conducting is an easily learned skill, Schuller argues here that conducting is "the most demanding, musically all embracing, and complex" task in the field of music performance. Conducting demands profound musical sense, agonizing hours of study, and unbending integrity. Most important, a conductor's overriding concern must be to present a composer's work faithfully and accurately, scrupulously following the score including especially dynamics and tempo markings with utmost respect and care. Alas, Schuller finds, rare is the conductor who faithfully adheres to a composer's wishes. To document this, Schuller painstakingly compares hundreds of performances and recordings with the original scores of eight major compositions: Beethoven's fifth and seventh symphonies, Schumann's second (last movement only), Brahms's first and fourth, Tchaikovsky's sixth, Strauss's "Till Eulenspiegel" and Ravel's "Daphnis et Chloe, Second Suite." Illustrating his points with numerous musical examples, Schuller reveals exactly where conductors have done well and where they have mangled the composer's work. As he does so, he also illuminates the interpretive styles of many of our most celebrated conductors, offering pithy observations that range from blistering criticism of Leonard Bernstein ("one of the world's most histrionic and exhibitionist conductors") to effusive praise of Carlos Kleiber (who "is so unique, so remarkable, so outstanding that one can only describe him as a phenomenon"). Along the way, he debunks many of the music world's most enduring myths (such as the notion that most of Beethoven's metronome markings were "wrong" or "unplayable," or that Schumann was a poor orchestrator) and takes on the "cultish clan" of period instrument performers, observing that many of their claims are "totally spurious and chimeric." In his epilogue, Schuller sets forth clear guidelines for conductors that he believes will help steer them away from self indulgence towards the correct realization of great art. Courageous, eloquent, and brilliantly insightful, The Compleat Conductor throws down the gauntlet to conductors worldwide. It is a controversial book that the music world will be debating for many years to come.
Philip Farkas & His Horn
Author: Nancy Jordan Fako
Publisher:
ISBN: 9780966258707
Category : Biography & Autobiography
Languages : en
Pages : 296
Book Description
The contributions of Philip Farkas in the fields of symphonic horn playing, pedagogy, and instrument design are of such importance that he will certainly be considered a major figure of the twentieth century. As a horn player, he was the only person ever to be offered the solo horn position in each of the "big five" American orchestras (Boston Symphony Orchestra, Chicago Symphony Orchestra, Cleveland Orchestra, New York Philharmonic, Philadelphia Orchestra). His first book, The Art of French Horn Playing (Summy-Birchard Music, 1956) is considered the "bible" of horn players and is still a best seller in its field. The Art of Brass Playing (Wind Music, 1962, written in collaboration with the present author) and The Art of Musicianship (Wind Music, 1976) widened his exposure to encompass the entire music profession. The horn he designed with the Frank Holton Company in 1957 immediately established itself as the top-selling American-made horn, a position it continues to hold forty years later. This biography contains a wealth of previously unavailable correspondence, technical material, and photographs. It is a "must" for all horn players and music lovers. - Publisher.
Publisher:
ISBN: 9780966258707
Category : Biography & Autobiography
Languages : en
Pages : 296
Book Description
The contributions of Philip Farkas in the fields of symphonic horn playing, pedagogy, and instrument design are of such importance that he will certainly be considered a major figure of the twentieth century. As a horn player, he was the only person ever to be offered the solo horn position in each of the "big five" American orchestras (Boston Symphony Orchestra, Chicago Symphony Orchestra, Cleveland Orchestra, New York Philharmonic, Philadelphia Orchestra). His first book, The Art of French Horn Playing (Summy-Birchard Music, 1956) is considered the "bible" of horn players and is still a best seller in its field. The Art of Brass Playing (Wind Music, 1962, written in collaboration with the present author) and The Art of Musicianship (Wind Music, 1976) widened his exposure to encompass the entire music profession. The horn he designed with the Frank Holton Company in 1957 immediately established itself as the top-selling American-made horn, a position it continues to hold forty years later. This biography contains a wealth of previously unavailable correspondence, technical material, and photographs. It is a "must" for all horn players and music lovers. - Publisher.
LIFE
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 92
Book Description
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
Publisher:
ISBN:
Category :
Languages : en
Pages : 92
Book Description
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
Musical Digest
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 480
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 480
Book Description
Program
Author: Chicago Symphony Orchestra
Publisher:
ISBN:
Category : Concert programs
Languages : en
Pages : 918
Book Description
Publisher:
ISBN:
Category : Concert programs
Languages : en
Pages : 918
Book Description
The Right Place, The Right Time!
Author: Donald Peck
Publisher: Indiana University Press
ISBN: 0253116880
Category : Music
Languages : en
Pages : 194
Book Description
From Yakima, Washington, to the Chicago Symphony Orchestra, Donald Peck's journey as a flutist has been extraordinary. Here, Peck offers an insider's view of the inner workings of one of the most prestigious orchestras in the country. Peck, like many artists, did not select his path voluntarily, but rather let fate lead him to a career in music. In 1957, he secured a seat with the orchestra as a flutist. Beginning in 1958, Peck garnered the title of principal which he kept until his retirement in 1999. A memoir filled with stories about life on the road, making recordings, and working with the best musicians and singers in the business, The Right Place,The Right Time! is a joy for anyone interested in the life of a dedicated, devoted, and talented artist.
Publisher: Indiana University Press
ISBN: 0253116880
Category : Music
Languages : en
Pages : 194
Book Description
From Yakima, Washington, to the Chicago Symphony Orchestra, Donald Peck's journey as a flutist has been extraordinary. Here, Peck offers an insider's view of the inner workings of one of the most prestigious orchestras in the country. Peck, like many artists, did not select his path voluntarily, but rather let fate lead him to a career in music. In 1957, he secured a seat with the orchestra as a flutist. Beginning in 1958, Peck garnered the title of principal which he kept until his retirement in 1999. A memoir filled with stories about life on the road, making recordings, and working with the best musicians and singers in the business, The Right Place,The Right Time! is a joy for anyone interested in the life of a dedicated, devoted, and talented artist.
Fritz Reiner
Author: Philip Hart
Publisher: Northwestern University Press
ISBN: 9780810111257
Category : Biography & Autobiography
Languages : en
Pages : 388
Book Description
Thirty years after his death, Fritz Reiner's contribution--as a conductor, as a teacher (of Leonard Bernstein, among others), and as a musician--continues to be reassessed. Music scholar and long-time friend Philip Hart has written the definitive biography of this influential figure.
Publisher: Northwestern University Press
ISBN: 9780810111257
Category : Biography & Autobiography
Languages : en
Pages : 388
Book Description
Thirty years after his death, Fritz Reiner's contribution--as a conductor, as a teacher (of Leonard Bernstein, among others), and as a musician--continues to be reassessed. Music scholar and long-time friend Philip Hart has written the definitive biography of this influential figure.