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Author: Richard Weltrich
Publisher:
ISBN:
Category :
Languages : de
Pages : 640
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Book Description
Author: Richard Weltrich
Publisher:
ISBN:
Category :
Languages : de
Pages : 640
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : de
Pages : 454
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Book Description
Author: Richard Weltrich
Publisher:
ISBN:
Category :
Languages : de
Pages :
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Author: Richard Weltrich
Publisher:
ISBN:
Category : Authors, German
Languages : de
Pages :
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Author: Calvin Thomas
Publisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 510
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Book Description
I have wished to give a trustworthy account of Schiller and his works on a scale large enough to permit the doing of something like justice to his great name but not so large as in itself to kill all hope and chance of readableness.
Author: Richard Weltrich
Publisher:
ISBN:
Category :
Languages : de
Pages : 928
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Author: Friedrich Schiller
Publisher:
ISBN:
Category :
Languages : en
Pages : 924
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Author: Karl Breul
Publisher:
ISBN:
Category : German language
Languages : en
Pages : 168
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Author: John Guthrie
Publisher: Camden House
ISBN: 1571134131
Category : Drama
Languages : en
Pages : 227
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Book Description
In examining Schiller's often-neglected use of gesture, this study treats his dramas as written to be performed -- not merely read. Many aspects of the works of Friedrich Schiller (1759-1805) have attracted attention. His work as a philosopher and pioneering thinker in poetics and aesthetics and as a historian have recently been the focus of much attention. But Schiller's dramas have always held the most interest, and they continue to be performed regularly both in German-speaking lands and around the world. Schiller is a dramatist of psychological conflict rather than of abstract ideas, and he had a unique grasp of how to use the stage to that end. This study of Schiller's use of gesture begins with a discussion of the origins of the gestures he employs, viewing them in relation to his medical writings, his literary influences, theories of the theater and acting, and Enlightenment thinking in general. The study then considers the use of gesture and related aspects of stagecraft in Schiller's nine completed dramas, highlighting elementsof continuity and development. It is concerned with the interpretation of gesture, often marginalized in studies of Schiller's works, and with the interrelationship between gesture and verbal text. It also considers Schiller's relationship to the theater of his day, and discusses the first performances of his plays as well as their more recent stage history in both Germany and Great Britain. Appearing in the 250th anniversary of Schiller's birth, this study treats his dramas as plays written to be performed -- as works that reach their fullest potential in the theater. John Guthrie teaches modern German literature and language at the University of Cambridge, where he isfellow and director of studies at Murray Edwards College.
Author: David Kettler
Publisher: Routledge
ISBN: 1351534068
Category : Philosophy
Languages : en
Pages : 392
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Book Description
The thought of Adam Ferguson generated great excitement among many of his philosophic contemporaries in the late eighteenth century, and it continues to inspire the modern reader. This major study by David Kettler is an ideal introduction to Ferguson's life and thought. The new introduction to this first paperback edition discusses Ferguson's work in relation to his better-known contemporaries David Hume and Adam Smith, while the afterword offers an in-depth reconsideration of Ferguson's most renowned work, An Essay on the History of Civil Society, with emphasis on present-day disputes about the concept of civil society. Ferguson welcomed the advent of critical and analytical philosophy as an ally against superstitious credulity and confused obscurantism, but he was afraid that it might also dissolve into incomprehensible technical complexity and ethical relativism. He was attracted by the manifest practical accomplishments of modern science, as well as by its masterful ordering of natural phenomena into a unified theoretical structure, but he feared that its adherents would debase the notion of man to that of a machine at the mercy of mechanical forces. Ferguson thought well of ambition, but he also believed that a frenzy of ambition and frustration might tear at man's self-respect and peace of mind. The decisive phenomenon manifested by Ferguson's writing is the emergence of an intellectual's point of view toward the conditions of modern society. Many of the questions that he posed have been restated in more profound ways, some of the questions and most of the answers have been eliminated or transformed beyond recognition; and all of the issues he raises are now expressed by others in harsh, new words. But, however formulated, Ferguson's concerns clearly foreshadow the problems of over-rationalization, dehumanization, atomization, alienation, and bureaucratization that have been repeatedly canvassed by intellectuals in our time.
