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Author: ALVIN DANIEL SCHUESSLER
Publisher:
ISBN:
Category :
Languages : en
Pages : 219
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Book Description
Author: ALVIN DANIEL SCHUESSLER
Publisher:
ISBN:
Category :
Languages : en
Pages : 219
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Book Description
Author: Fredric M. Litto
Publisher: Kent, Ohio] : Kent State University Press
ISBN:
Category : Education
Languages : en
Pages : 518
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Book Description
Author: Martin Banham
Publisher: Cambridge University Press
ISBN: 9780521434379
Category : Drama
Languages : en
Pages : 1268
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Book Description
Provides information on the history and present practice of theater in the world.
Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 804
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 358
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Book Description
Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 804
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Book Description
Author: Encyclopaedia Britannica, inc
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 694
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Book Description
Author: M. A. R. Habib
Publisher: John Wiley & Sons
ISBN: 1405160357
Category : Literary Criticism
Languages : en
Pages : 324
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Book Description
Literary Criticism from Plato to the Present provides a concise and authoritative overview of the development of Western literary criticism and theory from the Classical period to the present day An indispensable and intellectually stimulating introduction to the history of literary criticism and theory Introduces the major movements, figures, and texts of literary criticism Provides historical context and shows the interconnections between various theories An ideal text for all students of literature and criticism
Author:
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ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 902
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Book Description
Author: Kasper Bastiaan van Kooten
Publisher: BRILL
ISBN: 9004245383
Category : History
Languages : en
Pages : 320
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Book Description
By examining theoretical debates about the nature of nineteenth-century German opera and analyzing the genre’s development and its international dissemination, this book shows German opera’s entanglement with national identity formation. The thorough study of German opera debates in the first half of the nineteenth century highlights the esthetic and ideological significance of this relatively neglected repertoire, and helps to contextualize Richard Wagner’s attempts to define German opera and to gain a reputation as the German opera composer par excellence. By interpreting Wagner’s esthetic endeavors as a continuation of previous campaigns for the emancipation of German opera, this book adds an original and significant perspective to discussions about Wagner’s relation to German nationalism.
