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Author: Robert Douglas Crowder
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 434
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Author: Robert Douglas Crowder
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 434
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Author: Hamilton Mason
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 464
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Author: Hamilton Mason
Publisher:
ISBN: 9780404042240
Category :
Languages : en
Pages :
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Author:
Publisher:
ISBN:
Category : French drama
Languages : en
Pages : 442
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Book Description
Author: Thomas John Donahue
Publisher: Peter Lang
ISBN: 9781433101663
Category : Biography & Autobiography
Languages : en
Pages : 188
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Book Description
In a remarkable adventure, Jacques Copeau brought the troupe of the Théâtre du Vieux-Colombier to the Garrick Theatre in New York City in the fall of 1917. During the next two theater seasons, he staged more than forty different plays in repertory in French. He experimented with the use of both the tréteau nu, a bare raised platform, for some of Molière's farces and the loggia or unit set for all his plays. Copeau's experiments with scenography mark this period as a critical moment in the evolution of stage décor both in the United States and in Europe. Moreover, his development of a full repertory - sometimes three new plays in a week - demonstrated to the United States' fledgling art theater movement how important a full repertory is for the actor's continued training. Jacques Copeau's Friends and Disciples brings to light the support Copeau received from a diverse group of personalities without whom his undertaking would not have been possible: Otto H. Kahn, financier and supporter of the arts; Mrs. Phillip Lydig, a grande dame of New York high society; Antonin Raymond, the Czech architect who renovated the Garrick Theatre; Daisy Andrews, Copeau's tireless factotum; Louis Jouvet, stage manager, actor, and scenographer; Charles Dullin, actor, director and teacher; Suzanne Bing, a member of the troupe who embodied Copeau's ideals; and lastly Agnès Thomsen Copeau, Copeau's loyal wife and companion. This study places the achievement of Copeau in the context of the developments of both European and American theater at the beginning of the twentieth century.
Author: Alexander Hamilton Mason
Publisher:
ISBN:
Category :
Languages : en
Pages : 451
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Author: Maurice Kurtz
Publisher: SIU Press
ISBN: 9780809322572
Category : Biography & Autobiography
Languages : en
Pages : 222
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Book Description
The French writer, editor, and drama critic Jacques Copeau (1879–1949) opened his Théâtre du Vieux-Colombier in Paris in 1913. Copeau was well on his way to exerting a major influence in the theater in the year that saw the end of the career of the dominant innovator of an earlier generation, André Antoine, whose Théâtre Libre (Free Stage) had featured an uncompromising realism. In marked contrast to Antoine, Copeau returned the poetry and freshness to Shakespeare and Moliére. By May 1914, Paris and Europe had recognized his genius and his special gift to the theater. Yet like Antoine, Copeau wanted to sweep "staginess" from the stage, to banish overacting, overdressing, and flashy house trappings. To cleanse the stage of its artificiality, he created a fixed, architectural acting space where dramatic literature and theater technique could live in harmony and thrive in freedom of thought and movement. A major part of his program was teaching actors and actresses their craft. Maurice Kurtz points out that the Théâtre du Vieux-Colombier incarnates the "ideal of Copeau's stubborn struggle to remain strong in the face of indifference, independent in the face of success, proud in the face of defeat. It is the story of group spirit in its purest, most eloquent form, the spirit of personal sacrifice of all for the dignity of their art." Kurtz here re-creates the vitality Copeau imbued in theater artists throughout the world. He conveys Copeau's enthusiasm, the crusading spirit that enabled Copeau and his Théâtre du Vieux-Colombier to transform experimentation into tradition, into the heritage of civilization. He has written a biography of a theater that was tremendously influential in Europe and America.
Author: John Koegel
Publisher: University Rochester Press
ISBN: 1580462154
Category : Music
Languages : en
Pages : 626
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Book Description
A history -- the first ever -- of the abundant traditions of German-American musical theater in New York, and a treasure trove of songs and information.
Author: Laurence F. McNamee
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 462
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 20
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