Italian Illuminated Manuscripts in the J. Paul Getty Museum PDF Download
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Author: Thomas Kren
Publisher: Getty Publications
ISBN: 1606064363
Category : Art
Languages : en
Pages : 116
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Book Description
Known for their stunning displays of artistry and technique, Italian illuminated manuscripts have long been coveted by collectors around the world. The J. Paul Getty Museum holds the most recently formed institutional collection of its kind in the United States, yet it spans more than eight centuries and reflects many of the extraordinary achievements of the Italian tradition. Made up of whole manuscripts as well as leaves and cuttings, the Getty collection of Italian illumination contains nearly sixty works and includes the Montecassino Breviary, the Ferrarese Gualenghi-d’Este Hours, and the Roman gradual illuminated by Antonio da Monza for Santa Maria in Aracoeli. Other important acquisitions are one of the finest Bolognese Bibles of the thirteenth century; three leaves from the Laudario of Sant’Agnese, the most ambitious Florentine manuscript from the first half of the fourteenth century; and a missal once owned by the antipope John XXIII. This beautifully illustrated volume presents many splendid examples of Italian painting and illumination. Some are by noted artists such as Girolamo da Cremona, Pacino di Bonaguida, and Pisanello; others are attributed to artists known only by their works, such as the Master of Gerona, who is credited with one of the finest miniatures in the collection. This carefully crafted book is sure to become an essential resource for scholars, students, and collectors.
Author: Thomas Kren
Publisher: Getty Publications
ISBN: 1606064363
Category : Art
Languages : en
Pages : 116
Get Book Here
Book Description
Known for their stunning displays of artistry and technique, Italian illuminated manuscripts have long been coveted by collectors around the world. The J. Paul Getty Museum holds the most recently formed institutional collection of its kind in the United States, yet it spans more than eight centuries and reflects many of the extraordinary achievements of the Italian tradition. Made up of whole manuscripts as well as leaves and cuttings, the Getty collection of Italian illumination contains nearly sixty works and includes the Montecassino Breviary, the Ferrarese Gualenghi-d’Este Hours, and the Roman gradual illuminated by Antonio da Monza for Santa Maria in Aracoeli. Other important acquisitions are one of the finest Bolognese Bibles of the thirteenth century; three leaves from the Laudario of Sant’Agnese, the most ambitious Florentine manuscript from the first half of the fourteenth century; and a missal once owned by the antipope John XXIII. This beautifully illustrated volume presents many splendid examples of Italian painting and illumination. Some are by noted artists such as Girolamo da Cremona, Pacino di Bonaguida, and Pisanello; others are attributed to artists known only by their works, such as the Master of Gerona, who is credited with one of the finest miniatures in the collection. This carefully crafted book is sure to become an essential resource for scholars, students, and collectors.
Author: Thomas Kren
Publisher: Getty Publications
ISBN: 9780892368204
Category : Art
Languages : en
Pages : 96
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Book Description
"A wide range of artists is included. Two of the most well-known, Pisanello and Girolamo de Cremona, worked for distinguished patrons at court, while others worked in obscurity and are known today only through their illuminations. One of the finest miniatures in this collection, for example, is credited to an artist known only as the Master of Gerona."--BOOK JACKET.
Author: Thomas Kren
Publisher: Getty Publications
ISBN: 0892364467
Category : Art
Languages : en
Pages : 130
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Book Description
The Getty Museum’s collection of illuminated manuscripts, featured in this book, comprises masterpieces of medieval and Renaissance art. Dating from the tenth to the sixteenth century, they were produced in France, Italy, Belgium, Germany, England, Spain, Poland, and the eastern Mediterranean. Among the highlights are four Ottonian manuscripts, Romanesque treasures from Germany, Italy, and France, an English Gothic Apocalypse, and late medieval manuscripts painted by such masters as Jean Fouquet, Girolamo da Cremona, Simon Marmion, and Joris Hoefnagel. Included are glistening liturgical books, intimate and touching devotional books for private use, books of the Bible, lively histories by Giovanni Boccaccio and Jean Froissart, and a breathtaking Model Book of Calligraphy.
Author: James H. Marrow
Publisher: Getty Publications
ISBN: 9780892362844
Category : Art
Languages : en
Pages : 274
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Book Description
Leading French painters in the late medieval period executed miniatures for lavishly illuminated books of hours. In the mid-fifteenth century, Simon de Varie commissioned such a book. Completed in 1455, it included five priceless works by the most eminent French painter of the time, Jean Fouquet, as well as other striking paintings by two of his contemporaries. In the seventeenth century, Simon de Varie's book was divided into three sections and sold as separate volumes. Two of these volumes are today in the Royal Library in The Hague. The third volume--thought lost until 1984, when it surfaced in a private collection and was subsequently acquired by the Getty Museum--contains the first miniatures by Jean Fouquet to have been discovered in eighty years. This beautiful book will reproduce in color all of the miniatures and historiated initials in the original manuscript, along with selected text pages with secondary decoration. Comparative illustrations also accompany the two essays in the volume. Marrow's text addresses the role of books of hours in late medieval culture; the contents and form of de Varie's Hours; and the relationship of the miniatures by Fouquet to the rest of the artist's oeuvre. In a related essay, Francois Avril discusses the position of Simon de Varie and his family in mid-fifteenth-century France. The publication of The Hours of Simon de Varie adds to the Getty's impressive list of publications on illuminated manuscripts begun in 1990 and including the widely acclaimed facsimile Mira calligraphiae monumenta.
Author: Michelle Brown
Publisher: Getty Publications
ISBN: 1606066110
Category : Art
Languages : en
Pages : 130
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Book Description
What is a historiated initial? What are canon tables? What is a drollery? This revised edition of Understanding Illuminated Manuscripts: A Guide to Technical Terms offers definitions of the key elements of illuminated manuscripts, demystifying the techniques, processes, materials, nomenclature, and styles used in the making of these precious books. Updated to reflect current research and technologies, this beautifully illustrated guide includes images of important manuscript illuminations from the collection of the J. Paul Getty Museum and beyond. Concise, readable explanations of the technical terms most frequently encountered in manuscript studies make this portable volume an essential resource for students, scholars, and readers who wish a deeper understanding and enjoyment of illuminated manuscripts and medieval book production.
Author: Elizabeth Morrison
Publisher: Getty Publications
ISBN: 1606060287
Category : Art
Languages : en
Pages : 387
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Book Description
This exquisite volume beautifully reproduces and insightfully examines the most important illuminations found in French history manuscripts.
Author: J. Paul Getty Museum
Publisher: Getty Publications
ISBN: 1606060147
Category : Art
Languages : en
Pages : 132
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Book Description
This is a lavishly illustrated survey of the J. Paul Getty's collection of illuminated manuscripts from Belgium and the Netherlands.
Author: Bryan C. Keene
Publisher: Getty Publications
ISBN: 160606598X
Category : Art
Languages : en
Pages : 300
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Book Description
This important and overdue book examines illuminated manuscripts and other book arts of the Global Middle Ages. Illuminated manuscripts and illustrated or decorated books—like today’s museums—preserve a rich array of information about how premodern peoples conceived of and perceived the world, its many cultures, and everyone’s place in it. Often a Eurocentric field of study, manuscripts are prisms through which we can glimpse the interconnected global history of humanity. Toward a Global Middle Ages is the first publication to examine decorated books produced across the globe during the period traditionally known as medieval. Through essays and case studies, the volume’s multidisciplinary contributors expand the historiography, chronology, and geography of manuscript studies to embrace a diversity of objects, individuals, narratives, and materials from Africa, Asia, Australasia, and the Americas—an approach that both engages with and contributes to the emerging field of scholarly inquiry known as the Global Middle Ages. Featuring more than 160 color illustrations, this wide-ranging and provocative collection is intended for all who are interested in engaging in a dialogue about how books and other textual objects contributed to world-making strategies from about 400 to 1600.
Author: Thomas Kren
Publisher: Getty Publications
ISBN: 9780892368587
Category : Art
Languages : en
Pages : 144
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Book Description
French Illuminated Manuscripts in the J. Paul Getty Museum introduces the public to the richness of the J. Paul Getty Museum's holdings in French manuscripts from the ninth to the eighteenth century. This volume includes full-color reproductions of masterpieces from such works as a bible from ninth-century Tours; a sacramentary attributed to Nivardus of Milan from the first quarter of the eleventh century; the Shah Abbas Bible, made in northern France about 1250; a book of hours made in the atelier of the Bedford Master in Paris about 1450; and a book of prayers of the mass, written and illuminated in Paris by Jean Pierre Rousselet about 1720-30. It also includes many multiple illuminations from such manuscripts as a psalter by the Master of the Ingeborg Psalter, made after 1205 and probably in Noyon; the Wenceslaus Psalter from 1250; and the Boucicaut Master's illuminated manuscript of Boccaccio's Des cas des nobles hommes et femmes from about 1415. French Illuminated Manuscripts in the J. Paul Getty Museum introduces the public to the richness of the J. Paul Getty Museum's holdings in French manuscripts from the ninth to the eighteenth century. This volume includes full-color reproductions of masterpieces from such works as a bible from ninth-century Tours; a sacramentary attributed to Nivardus of Milan from the first quarter of the eleventh century; the Shah Abbas Bible, made in northern France about 1250; a book of hours made in the atelier of the Bedford Master in Paris about 1450; and a book of prayers of the mass, written and illuminated in Paris by Jean Pierre Rousselet about 1720-30. It also includes many multiple illuminations from such manuscripts as a psalter by the Master of the Ingeborg Psalter, made after 1205 and probably in Noyon; the Wenceslaus Psalter from 1250; and the Boucicaut Master's illuminated manuscript of Boccaccio's Des cas des nobles hommes et femmes from about 1415.
Author: Thomas Kren
Publisher: Getty Publications
ISBN: 0892367040
Category : Art
Languages : en
Pages : 593
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Book Description
This comprehensive and richly illustrated catalogue focuses on the finest illustrated manuscripts produced in Europe during the great epoch in Flemish illumination. During this aesthetically fertile period – beginning in 1467 with the reign of the Burgundian duke Charles the Bold and ending in 1561 with the death of the artist Simon Bening – the art of book painting was raised to a new level of sophistication. Sharing inspiration with the celebrated panel painters of the time, illuminators achieved astonishing innovations in the handling of color, light, texture, and space, creating a naturalistic style that would dominate tastes throughout Europe for nearly a century. Centering on the notable artists of the period – Simon Marmion, the Vienna Master of Mary of Burgundy, Gerard David, Gerard Horenbout, Bening, and others – the catalogue examines both devotional and secular manuscript illumination within a broad context: the place of illuminators within the visual arts, including artistic exchange between book painters and panel painters; the role of court patronage and the emergence of personal libraries; and the international appeal of the new Flemish illumination style. Contributors to the catalogue include Maryan W. Ainsworth, curator of European paintings at the Metropolitan Museum of Art; independent scholar Catherine Reynolds; and Elizabeth Morrison, assistant curator of manuscripts at the Getty Museum. Illuminating the Renaissance is published in conjunction with an exhibition organized by the Getty Museum, the Royal Academy of Arts, London, and the British Library to be held at the Getty Museum from June 17 to September 7, 2003, and at the Royal Academy of Arts from November 25, 2003 to February 22, 2004.
